• 한국비블리아학회지
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• 제23권1호
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• pp.235-255
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• 2012

독서인증제는 독서교육 방법의 하나로 학생들의 독서 및 독후활동 이후 이를 담임교사나 사서가 인증해주고 그에 대한 보상을 통해 독서동기를 유발하는 프로그램이다. 본 연구는 경기도 가평지역 초등학교에서 실시하고 있는 독서인증제의 운영현황 및 효과를 조사 분석하고 문제점과 그에 대한 개선방안을 제시하고자, 문헌조사를 통해 학교도서관의 독서교육과 독서인증제에 관한 이론을 고찰하고, 사서와 학생을 대상으로 운영현황, 효과, 만족도, 독후활동, 독서동기 요인 등의 항목으로 설문조사를 실시하였다. 조사 결과를 분석하여 도출한 문제점에 대한 개선방안으로는 권장도서 선정, 다양한 보상체계를 위한 자체 예산배정, 참여율이 저조한 학생을 위한 독후활동 개발 등이 있다. 본 연구의 결과가 각 초등학교에서 독서인증제 시행 시 참고할 수 있는 기초자료로 활용되고, 독서인증제 적용에 대한 인식 전환의 계기가 되기를 기대한다.

• 대한가정학회지
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• 제28권3호
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• pp.67-85
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• 1990

The purpose of this study was (1) to investigate changes in house and kitchen forms and behaviors in the kitchen area of Korean family houses from the Yi-dynasty to the present, and (2) to develop a housing conceptual framework on the basis of the ecosystem approach through analysis of changes in Korean family houses. The documentary research method wad used fro this study. The major findings were that the traditional Korean houses were composed of separate buildings and had various floor levels with the maru(a wooden floor) as the center of the open plan. The introduction of foreign style house forms from the era of enlightenment, in the year 1876 to the Korean war in 1950 changed traditional Korean houses into Korean-western style houses. More recent increased population and urbanization accelerated to change from the traditional Korean house form to an apartment style. At the present time, however, many kinds of house forms, from a highly modernized style with convenient facilities to a primitive style, which cannot even meet the basis needs of daily life, coexist together. The Kitchens in traditional Korean houses had no plumbing, drainage, or work centers. They had simple adobe furnaces which were used for cooking and for heating the ondol, a kind of panel heated floor by which the heat and smoke run under the floor to the chimney. This made the kitchen floor level lower than the floors of other spaces. The residents entered the kitchen through the madang(atrium). The influence of the western style kitchen, the development of technology, and improvements of nation-wide economic status have made today's kitchen space covenient and hygienic. The floor level of the kitchen was raised to the same level of other spaces. Formerly the major function of the kitchen was raised to the same level of other spaces. Formerly the major function of the kitchen space was cooking and heating floors. This had changed, and the kitchen is now, the place for family and social interaction. A housing conceptual framework was developed on the basis of these findings.

• 대한가정학회지
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• 제40권6호
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• pp.1-19
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• 2002

This study is to observe the meaning, aesthetic formative nature of the human body which has been not only a main issue and discussion object but also socially, culturally connected with clothing by contemplating it in the respect of the trend of art. Additionally, a work of contemplation about human body introduced to fashion design was analyzed to renew the meaning and value of the formative art inside the human body. The way and scope of this study is to contemplate the concept and meaning of human body, based on the documentary records such as art history and clothing history in the West society as a main theme. The results of the analysis were as follows: In the first place, the formative characteristics shown in the modem arts expressing the human body since 1990 which are cubism, futurism, metaphysical painting, dadaism, surrealism, pop art, happening, feminism, body art, and technology art are distortion, exaggeration and dismantling. Second, the aesthetic formative nature and meaning in the human body appear to be different according to the standard of ideal beauty of human body when we examine the expression of it from the aspect of art-history and the meaning of human body implied in it. Besides, human body is being used as a messenger which delivers the message of modem artist to other people. So the changed meaning of human body has affected the clothing and made it possible to manufacture and form new styles of clothing that have never been before. In conclusion, the human body in the modem era plays an important role as a brand-new formative medium of communication in the human society and contributes to the development which applies the aesthetic formative nature of the human body to fashion design.

• 한국보육학회지
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• 제17권1호
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• pp.51-73
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• 2017

본 연구에서는 프랑스인들의 대모라 불리는 아동정신분석가인 프랑소와즈 돌토(Françoise Dolto)의 정신분석 이론을 바탕으로 최근 주목받고 있는 프랑스 육아법의 특징들을 분석하였다. 돌토는 프랑스를 대표하는 정신분석가로 대중적인 사랑을 받았던 유일한 인물이며, 정신분석과 소아과를 접목시켜 독창적인 아동정신분석의 기틀을 확립했다. 그녀는 영유아와의 대화를 통한 소통을 중시했으며, 아직 말을 할 줄 모르는 갓난아기조차도 말을 이해할 수 있는 언어의 존재로 인식했다. 연구대상으로 국내에 출판된 프랑스 육아법에 관한 도서와 프랑스 육아를 다룬 다큐멘터리 방송 프로그램을 선정하여 공통의 주제를 분류한 후 네 개의 핵심어- 절제 기다림 인내, 자율과 규칙, 권위와 존중, 독립성과 자립심-를 도출했다. 이 핵심 주제들을 돌토의 의사소통, 아기주체(Infans), 거세, 주체와 타자, 욕망 등의 이론에 근거해서 설명하였다. 마지막으로 프랑스 육아법을 통해서 한국 부모들의 육아와 가정에서의 자녀교육에 새로운 방향을 제시하였다.

• 복식
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• 제31권
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• pp.189-202
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• 1997

Movie is one of the most popular culture ac-tivities in modern society and the composite rt of science and art born in the 20th century. Movie became the great source of setting the fashion. Especially movie costume brought into relief and was accepted by the mass. As a movie stimulates imitation psychology and identification of the general public in fashion. The purpose of this study is to analyze the effects of the movie costume to a modern mass fashion. The times was defined the movies from the early Silent era to the modern Hollywood movie from the late of 1910 to 1990. The way of study were to analyze on the changes and roles of movie costume through documentary records and the influence of set-ting the fashion to the mass fashion and classi-fied it five times-silent era classics neo-classics new look and modern times. The summary of result is as follows, 1, Movie costume affected the dress and the fashion of women is Silent era. That fashion was accelerated by actors' costumes in the mode of 1920. 2. Holloywood movies in the Classics show the essence of the fashion movie costume played a role of a fashion leader and commanded the trend of mass fashion. 3. Practical style was shown because of the war in the Neo-classics. Movie industry was prosperous after the war. But the consequences of the movie costume to the mass fashion were more and more weaken 4. Couture designer's costume had an effect on the mass fashion in the early of New look. But it was behind the fashion for the rise of young fashion. 5. The tastes of the fashion were diversified in Modern times. So the movie fashion was not imitated or popular. The costume of "Pret-a-porter" was used in the movies in the 1980. Spectators became to wear the same style of the actors. The times fashion and movie interacted each other. Movie costume is playing a role of a fashion leader guiding the mass fashion.s fashion.

• 건축역사연구
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• 제15권2호
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• pp.23-38
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• 2006

During the repair and restoration of the Daewoongjeon Hall of Youngguksa Temple, species identification and tree-ring dating for both present wood elements and charred ones excavated under the Hall, were conducted. The species of 74 wood elements of Daewoongjeon Hall, were identified as Pinus densiflora Sieb. et Zucc. and only 1 was identified as exotic Pinus species. The latter wood, which was used in the laths, seems to have been replaced during past repairs. Many documentary records and various artifacts pertaining to Youngguksa Temple are being excavated, but none described precisely the construction date of the present Daewoongjeon Hall. Also, from beneath the Daewoongjeon Hall, cornerstone and foundation of previous building and several charred wood elements were excavated. In comparing the direction of the stone columns of foundation of the previous structure and the existing Daewoongjeon Hall, the previous structure was rotated in an angle of approximately $15^{\circ}$. Therefore, in order to find the association of the previous structure with the present Daewoongjeon Hall, tree-ring dating was conducted. The dating of 41 original timbers and 14 roof-filling timbers of the present construction elements revealed that the last annual ring was of A. D. 1703 with complete latewood, indicating that those woods was cut some time between the autumn of 1703 and spring of 1704, and the building was erected in 1704 when we assume no period of wood storage. The year of the last annual ring of the charred elements, which were excavated from beneath the Daewoongjeon Hall, was analyzed as 1674. The cutting year of the woods used for the present building began in 1698, therefore, it can be presumed that the Daewoongjeon Hall before the fire was a structure that was elected shortly after 1674 and that a catastrophic fire occurred some time between 1674 and 1698.

• 한국염색가공학회지
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• 제21권2호
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• pp.48-53
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• 2009

Reproduction of antique document is of importance with the concept of sharing the their contents and original aspects in terms of textual and artistic message. 'Pine tree ink stick' and 'Oil ink stick' are greatly enjoyed in their uses in the most written documentary works. Thus, it is said that the approach of this study has implied considerable meanings to cultural aspects. In this work, we have performed to investigate the reproduction and restoration study for antique documents. With comparison and analysis of some types of "ink stick", we have prepared several ink samples, controlling viscosity, surfactant, thickness agent, and applied these inks to the target antique document. Several reproduced samples showed a practical application possibility in terms of reproduction and restoration.

• 한국벤처창업학회:학술대회논문집
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• 한국벤처창업학회 2007년도 춘계학술대회
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• pp.279-311
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• 2007

본 연구는 Babson College의 직접연수와 연수자 인터뷰, Babson College 관계자 인터뷰, 재학생 인터뷰를 통하여 대학과 대학원에서 창업교육에 도움이 될 만한 교육과정 설계모형, 교과목 체제모형, 교과과정 체제모형을 각 하나썩 제시하여 선진 창업교육 기관의 사례를 통하여 교과과정의 기본 체제를 제시하였다. 제안한 창업교육과정 설계모형은 창업교육을 처음 실시하고자 하는 교육기관이 이론을 중심으로 창업교육을 실시할 경우 초기에 발생하게 되는 학습자들의 피해의 인지에서 설계되었다. 이모형은 우수한 창업교육기관을 벤치마킹하여 창업교육을 실시함으로써 이론의 적용과정에서 발생할 수 있는 시행착오를 최소화 할 수 있을 것이다. 아울러, 본 모형은 우수 창업기관 뿐만 아니라, 창업교육을 새로이 실시하고자 하는 교육기관의 현재 수준 역시 중요도를 두고 고려함으로써 지나칠 수 있는 규모에 따른 적용이나, 강점에 따른 적용도 염두에 두었다.

• 복식
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• 제57권10호
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• pp.156-168
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• 2007

Brands started to manufacture consumer-oriented products and look for active methods to appeal their brands to consumers, in the 1990s. As a result, actively adopting graphic design to clothing designs has recently become an important strategy among others. Graphic design has important significance in contemporary fashion design in the aspect that it has expanded the range of expressive methods by bringing over expressive methods of visual design, and has led to an increase in sales due to consumer satisfaction, but it has been vaguely handled together with textiles design, and research on the topic has been insufficient. Therefore this study aimed to clearly define the idea of graphic design based on documentary research, and analyze applying case and formative features of graphic design expressed in clothing, through case studies from 2004 to 2006, and derive the trends of graphic design expressed in contemporary fashion design. The results of this study are as follows. The common characteristics of images that reflect recent graphic design trends in fashion design are hand writing and irregular composition, and images that actively pursued these pointes were retro and craft images, and modern and sporty images reflected these graphic design trends in a comparatively passive manner. It is important to maintain style differentiation rather than indiscreetly adopting graphic design trends to clothing, and to appropriately apply trend characteristics of fashion design and other design areas. Expressive methods of design are expected to expand through appropriate application and development of graphic design, and can potentially provide a new solution to brand differentiation.

• 한국콘텐츠학회논문지
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• 제11권10호
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• pp.128-136
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• 2011

본 연구는 TV 다큐멘터리 장르 선호도에 과한 수용자의 주관성 연구이다. 이에 본 연구의 방법론으로써 Q방법론(Q-methodology)을 사용하였다. 그 결과 TV 다큐멘터리에 대해 수용자들의 다양한 선호유형별 특징을 발견할 수 있었다. 각 유형별 특징은 먼저 즐거움과 재미를 추구하는 오락적 가치 지향형, 공익과 교육적 목적을 추구하는 공익, 사회적 가치 지향형, 그리고 마지막으로 다큐멘터리의 문화적 가치를 지향하는 문화, 예술적 가치 지향형 등 3개의 유형으로 분류되었다. 이와 같은 선호유형의 구분을 통해 추론할 수 있었던 것은 과거와 다르게 수용자들의 TV방송 선택이 수동적이고 매체 의존적인 형태에서 벗어나 능동적으로 변화되고 있음을 보여주고 있다는 것이었다. 그러므로 다매체, 다채널 디지털 방송의 시대에서 콘텐츠 유통과 생산에 대한 연구 개발의 초점은 콘텐츠 자체는 물론 수용자 욕구와 희망을 반영한 수용자 중심의 서비스개발 모델에 그 방향을 맞추어 나아가야 할 것이다.