• 한국정보통신학회논문지
• /
• 제7권2호
• /
• pp.314-321
• /
• 2003

디지털 워터마킹은 멀티미디어 데이터의 저작권 보호 목적으로 최근에 많은 연구가 진행되고 있다. 본 논문에서는 디지털 영상에 저작권 정보를 은닉하는 디지털 워터마킹 방법의 기법을 고찰한다. 웨이브릿 변환 영역에서 각 대역에 삽입된 워터마크는 영상 압축 등의 처리과정을 거치면서 변형이 생기게 되는데, 영상처리 후에 각 대역의 통계적 특성에 따라 변형정도가 다르게 된다는 특성을 고려한다. 이를 통해 영상의 대역 특성에 따라 워터마크를 다르게 삽입해야 좋은 결과를 얻을 수 있음을 알 수 있다.

• 대한인간공학회지
• /
• 제28권2호
• /
• pp.1-8
• /
• 2009

While the operator's working environment employs the digital devices and technology which are not be fully digitalized due to its technical constraints, it has been changed to the hybrid environment in which digital and analog elements are combined. The hybrid environments need to study its characteristics and the guidelines for the proper design and evaluation purpose. This paper describes the characteristics and evaluation guidelines for hybrid environment through studying the characteristics of digital and analog environment based on the related human factor guidelines and literatures. The result of this paper would be applied for the human machine system such as main control room in nuclear power plant working under hybrid environment. And also, it may be applied for the evaluation of the generic human working environment which digital and analog elements are jointly used.

• 한국통신학회논문지
• /
• 제21권10호
• /
• pp.2653-2659
• /
• 1996

In this paper, DC-free and minimum bandwidth binary line codes with look-up table are proposed and their performances are analyzed. As results of performance analysis, the proposed codes are shown to have spectral nulls at DC and Nyquist frequency. Among the proposed codes, binary line codes of which both codeword digital sum and alternating digital sum are zero have lower code rate but better spectral characteristics. Furthermore, binary line codes which consist of all codewords including those with nonzero digital sum and alternating digital sum have worese spectral characteristics but higher code rate.

• 대한디지털의료영상학회논문지
• /
• 제3권1호
• /
• pp.66-71
• /
• 1997

• 복식
• /
• 제64권6호
• /
• pp.131-147
• /
• 2014

Purpose of this study is to analyze the meaning of the hybrid digital culture and to find out the features of digital fashion shows appearing in the period of the hybrid digital culture as there have been almost no studies on the hybrid cultural values in the fashion shows and on the diachronic socio-cultural viewpoint of fashion show. The characteristics of hybrid digital culture were identified through the analysis of cases, and they were organized into three for this study; 'non-economic creativity', 'interactive communication' and 'transcendence'. Based on these characteristics, the features of hybrid digital cultures in the modern digital fashion shows were classified into the digitalization of presentation form and the acceptance by audience of digitalization using case studies. The features of digital fashion shows which appear through the presentation form in the digital fashion shows are as follows; 'Expansion of presentation media of runway' and 'Destruction of component factors of runway'. The features of digital fashion show in the perspective of audience's acceptance of digitalization are as follows; 'Audience's field experience through the live video', 'Participation by audience in interactive manner' and, 'Immersion in the virtual reality by the audiences'.

• Human Ecology Research
• /
• 제56권2호
• /
• pp.195-203
• /
• 2018

Online game digital hanbok has an aesthetic value in a digital culture and is useful for developing a digital hanbok design for online games as well as other industries. This thesis analyzes its attire and design composition elements to design a 3D digital hanbok by utilizing its formative characteristics. The literature review defines them as transmutability, virtuality, fictionality, reality and playfulness based on the characteristics of digital media, late digital generation and online games. We analyzed 471 images from 50 online games. Sonmaep was used for making 3D digital hanboks. Its attire was grouped into jogori pants, jogori chima, po and armor. Its design composition elements were classified as pleat, layering mu or hemline, mu sub gyeopmagi mitbadae, vent, git dongjung and decoration elements. The results feature 8 digital hanbok designs. Reality designs are replicas of jogori daegugo for men and po for women in the period of the Three States. Virtuality designs are slightly changed shapes of yoseoncheolrik for men and white jogori yellow chima for women in the Koryo Dynasty. Fictionality designs are casual fusion armors for men and women as a hyperbolic form. Playfulness designs are doll costumes for men and jogori chima for women as a kitsch and childish style. The concept of online game digital hanbok escapes from conceptual limitations of traditional hanboks. This result can be used for designing digital hanbok contents in various industrial parts.

• The Journal of Asian Finance, Economics and Business
• /
• 제9권2호
• /
• pp.419-426
• /
• 2022

The digital economy is becoming an increasingly important source of regional competitiveness enhancement. The purpose of this research is to examine the spatial distribution characteristics of China's digital economy from 2016 to 2019. Moran's I analysis was performed to see if China's digital economy has spatial self-correlation. The Getis-Ord General G test was used to determine the clustering type of China's digital economy. In addition, we used OLS and GWR methodologies to figure out what drives China's digital economy level. The findings show that the digital economy is rapidly expanding throughout China; yet, there is a significant regional imbalance in the digital economy level in China, and the agglomeration of the digital economy is increasing over time. Furthermore, the findings reveal that human capital, information staff, telegram income, and Internet access are vital factors in the development of the digital economy. To close the digital economy gap, policymakers must invest in human capital and technology innovation. Simultaneously, the government must speed up the development and implementation of electronic information services.

• 한국GIS학회:학술대회논문집
• /
• 한국GIS학회 2010년도 춘계학술대회
• /
• pp.137-144
• /
• 2010

DSLR 카메라를 이용하여 획득한 지상 디지털 영상자료는 지상 사진 측량, 공간모델링에 활용할 수 있다. 지상 디지털 영상에서 각 화소의 명암도는 영상을 결정하는 가장 중요한 매개변수(parameter)이다. 따라서 좀 더 명확한 명암도의 수치 자료를 획득하고 활용하기 위하여 디지털 카메라의 분광학적 특성과 파라미터를 추정해볼 필요가 있다. 본 연구에서는 Sony DSC-F828 DSLR 카메라로 연속촬영(프레임속도 0.38초)을 통하여 얻은 7장의 같은 디지털 컬러 사진으로부터 각각 RGB 밴드의 명암도 값을 추출하여 프레임 간 화소별 명암도 차이를 확인하고, 각 컬러 밴드에 대한 각 화소의 통계학적인 분석을 통하여 분광학적인 특성의 프레임별, 화소별, 밴드별 변화와 그에 따른 상관관계에 대하여 추정해 보는 것을 목적으로 한다.

• 품질경영학회지
• /
• 제50권1호
• /
• pp.35-42
• /
• 2022

Purpose: The purpose of this study is to examine the characteristics and problems of existing research through various literature investigations on the existing R&D process. Implications are identified through the investigation of existing studies and the characteristics of the digital transformation era are analyzed. We research and propose a new R&D process suitable for the new era of digital transformation. Methods: The research method investigates various literature precedent studies on the existing R&D process and the methods used by companies. Research new R&D processes that reflect the characteristics of the digital transformation era and develop new related models. Results: In the era of digital transformation, the parallel R&D process is being reorganized to respond quickly to the demands of rapid market changes. In order to respond quickly to various customers, the R&D process can respond flexibly in a parallel structure. Conclusion: Along with the development of the R&D process, additional research on indicators and evaluation models that can evaluate them fairly and flexibly is needed. Further research is needed to determine whether the R&D process suitable for the digital transformation era is operating properly.

• International Journal of Internet, Broadcasting and Communication
• /
• 제15권1호
• /
• pp.70-78
• /
• 2023

Culture is the soul of tourism, and communication is the key to the inheritance and development of tourism culture. Therefore, culture and communication are essential for the development of tourism. Digital media art is a new form of art that combines technical, artistic, and media-oriented elements. Its artistic expression and crossover communication capabilities drive its usage in cultural tourism communication. This paper examines the influence of digital media art on tourism culture communication and development by elucidating the concept and characteristics of tourism culture communication and digital media art, applying the theoretical knowledge of communication, and deriving the specific characteristics of digital media art on tourism culture in terms of the transmission-reception relationship, content, medium, and effect. The role and value of digital media art in disseminating and developing tourism culture are discussed. We aim to provide valuable insights for the dissemination of tourism culture.