• 한국디자인학회:학술대회논문집
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• 한국디자인학회 2001년도 Bulletin of The 5th Asian Design Conference International Symposium on Design Science
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• pp.11.2-11
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• 2001

• 한국디자인학회:학술대회논문집
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• 한국디자인학회 1995년도 디자인 학 연구 1995년 추계 학술연구 발표 대회 개요 집
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• pp.30-31
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• 1995

• 디자인학연구
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• 제13권4호
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• pp.95-103
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• 2000

빠르게 변화하는 사회 구조와 생활환경 안에서 다양해진 소비자의 욕구를 충족시키고 제품이 갖는 독특한 캐릭터를 창출하기 위해서, 현대의 디자이너들은 보다 새로운 아이디어를 지속적으로 시도해야만 하게 되었다. 지난 20세기는 기술의 획기적인 진보와 더불어 산업화로 인한 다양한 측면에서 디자인의 성장이 이루어졌고, 시대의 흐름에 따라서 그 의미와 스타일이 각기 다른 양상으로 변화되어 왔다. 과거에 유행했던 디자인과 스타일을 차용하여 현대적 의미와 개념의 디자인으로 재창조하는 레트로(Retro) 디자인이 최근의 디자인 트렌드로 확산 적용되고 각광받고 있다. 이러한 복고적 스타일의 현상은 다양한 분야에서 과거를 회상하게 하는 이미지로 나타나고 있으며 새로운 감각으로 또 다른 가치로 인정받고 있다. 제품디자인 측면에서 가장 대표격인 자동차 디자인은 지난 100여 년 간의 스타일의 변천사에 있어서 시대적 사회·문화적인 변화와 기술의 진보에 의하여, 점차 다른 형태로 나타났으며 다양한 디자인이 끊임없이 시도되어 왔다. 최근의 자동차 스타일의 흐름은 첨단과학기술의 비약적인 성장으로 인해, 그 스타일의 변화가 빠르고 다양한 형태로 나타나고 있는 반면에, 과거의 디자인을 재 도입하는 레트로 스타일이 새로운 트렌드로 관심을 끌고 있다. 자동차디자인에 있어서 복고적 스타일의 의미는 트렌드 이전의 인간의 감성을 자극하고 인간성 회복이라는 또 다른 차원에서, 과거의 문화와 자신과의 연결을 회복하는 의미에서 현대적 감각으로 재창조되어, 향후 미래 디자인 영역을 확장시킬 것으로 보이며 새로운 디자인 트렌드로 발전을 예측할 수 있다.

• 한국가구학회지
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• 제22권4호
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• pp.245-251
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• 2011

The purpose of this research is to provide new direction on the field of the furniture design and to establish the identity of Korean furniture design as the flow of craft's juxtapose mixture era where it mix and match Korean traditional craft style materials with the modern furniture design. In other words, it is intended to create new furniture design and propose beautiful Korean luxury furniture design based on the precious unique culture with the traditional craft style, juxtaposition of modern furniture, and reinterpretation. It should grant artistic values that can satisfy consumers having various tastes and scarcity values, plus it should put out aesthetic and creative expressions in furniture design putting into the beautiful traditional craft form values. Furthermore, it is required to create new design through values and spirit, materials, techniques, forms, pattern, and usages by interacting, coordinating, and combining tradition and modern East and West, plus craft and design.

• 복식문화연구
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• 제19권2호
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• pp.296-308
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• 2011

The purpose of this study is to understand Qipao, that Chinese traditional women's cloth, and analysis the aesthetic characteristics of that. Joining WTO in 2002 and 2008 Beijing Olympic made China get the attention by the world and get the opportunity that advent of China style. Chinese fashion cultural contents have abundant meanings in internal or external, therefore characteristics aesthetic of Chinese traditional fashion had much influence in world fashion design. Qipao that has influence in contemporary fashion design could be used special fashion design data for China market. A variety of literature and prior researches for Qipao's history and transition process was studied. Internal and external documents, fashion magazines, internet information were investigated to study features of Qipao. Total 20 seasons fashion collections from 2000S/S to 2009F/W was examined, and selected 22 brands that showed Qipao style, after then extracted 418 photos among them. By the seasons, Eit showed 193 pieces in S/S and 225 pieces in F/W, and was put to practical use in F/W season than S/S. The results are as follows. The contemporary fashion collections shown in the Qipao style silhouette, detail, color, material, pattern and the results obtained by each, were in all respects diversity. In silhouette, including traditional tight silhouettes, 'H' silhouettes, boxy silhouette was such a variety. The five colors traditionally preferred color from the color was more of a tendency to be gorgeous. Modern reinterpretation of pattern designs by graphic pattern that has emerged. Also, shown in a contemporary fashion collection Qipao style leather material in application utilizing the glossy feel of a plastic material and has emerged feeling.

• 복식
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• 제26권
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• pp.289-310
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• 1995

The present study aims at investigating the style change of the Korean women's traditional costume and analyzing its character in accordance with the social changes during the period from the civilization in 1884 to the present. The design of the tranditional costume which might be formed in the era of the Three Kingdoms had been slowly modified, and the Korean jacket and skirt design was settled in the Chosun period. In the end of the Chosun period, the drastic social changes such as civilization and revolution, together with the introduction of western dresses, affected strongly the traditional costume design. This led to a change from the old dress design to the stylish and practical one because civilized women and high school girls wore the modified costume composed of long jacket and short skirt or western style dresses. In recent years after 1960's Korean women usually wore traditional costumes as ceremonial dresses be-cause the western style dresses replaced the tra-ditional costume in everyday life. After 1970's, however, the A-line silhouette, combined with ornaments, adapted to the traditional costume in order to emphasize women's beauty, thereby resulting in remarkable modification in the tra-ditional costume. In those days, the large pro-duction of various textiles such as nylon and tetron and the appearance of the traditional costume designers played an important role in developing beautiful traditional costume designs and bringing closer together with general public women. These recent design changes might be classified generally by the following three stages ; (1) "the period of settlement" (1965 1975), (2) "the period of maturity" (1976 1985), and (3) "the period of stabilization" (1986 1995). The costume design of each period was discussed and compared in detail according to historical events. From this study, inherent beauty of the Korean traditional costume can be recognized again, and clarified its position as our folkdress. It is also suggested that in future its modification should be achieved continuously in accordance with tra-dition and modern sense.h tra-dition and modern sense.

• 한국의상디자인학회지
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• 제17권3호
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• pp.73-84
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• 2015

Analysis of design preference to Korean and Chinese casual style were made targeting Chinese female students in Korea. The following conclusion was derived from the result of final 300-copy survey data, using SPSS 18.0 program. The data were analyzed by frequency, t-test, chi-squre independence test, ANOVA and Scheffe test. Firstly, when comparing change of design preference before the stay in Korea with after the stay in Korea, the biggest change in their preference was character casual style, while the least change was easy casual wear. In terms of duration of stay in Korea, the biggest change was from the group of over 3 years, and in the order of the group of 1-3years, and then lastly less than 1 year, which suggests that the longer the duration of stay, the bigger the change. When comparing preferred clothing color before the stay in Korea with after the stay in Korea, both before and after the stay in Korea had the highest preference for achromatic colors. The frequency of change was mostly from achromatic color to other colors. In the preferred clothing pattern, 'plain' was their favorite one before the stay in Korea, while it turned to 'nature pattern' after the stay in Korea, followed by 'plain' one. In the textiles, the most preferred one was 'cotton', before and after the stay in Korea. However, their preference for cotton was lower after their stay in Korea than before the stay in Korea, and instead there was more preference for 'silk', 'synthetic fiber', and 'other' sources.

• 한국농촌건축학회논문집
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• 제18권1호
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• pp.75-82
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• 2016

The goal of this study is to identify the new Architectural type of house and Landscape design pattern of the collective housing area in American garden city, Midlothian near Richmond of Virginia. I had been surveyed old houses of the Virginia and new single family houses and landscape design style of Mariners village to find a different style of houses and lots. The Richmond, capital city of Virginia, is surrounded by five suburban areas and counties. One of them is the Chesterfield where it has main street of Midlothian garden city. The city of Midlothian has a function of residence area both to stay in the forest garden and to go to downtown office of Richmond. There are a lot of collective housing area out of the capital city. I surveyed house form, lots, and site design pattern of the Mariners village in Midlothian. The community of Mariners shows a particular characteristics and harmonious pattern of suburban residence area in a view point of new project. There are three results of this study as follows: First, the types of house in suburban garden city, Midlothian, are focused on vernacular Colonial style with country house, traditional house, and front gable house form which are an unique new American single home. Second, the landscape design of this collective housing area, the Mariners village, has a unity view of residence community, harmony between house and lots, and a sensitive cul-de-sac pattern and loops type with rational land using based on the forest topology. Third, the Mariners village shows that the design concept of landscape architecture has to consider of traditionalism, naturalism, and living condition of residents.

• 패션비즈니스
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• 제14권6호
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• pp.188-203
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• 2010

This study purposed to identify the design and composition characteristics of mantle through a historical review of its change and development focusing on women's dress. This analysis was particularly focused on the Victorian age because the variety of mantle designs introduced and popularized was wider than ever since ancient times to the present. For this study, we collected historical literature on mantle from ancient times to the $19^{th}$ century and made comparative analysis of design and composition, and for the Victorian age we investigated also actual items from the period. During the early Victorian age when the crinoline style was popular, mantle was of A.line silhouette spreading downward from the shoulders and of around knee length. In the mid Victorian age from 1870 to 1889 when the bustle style was popular, the style of mantle was changed to be three-dimensional, exaggerating the rear side of the bustle skirt. In addition, with increase in women's suburban activities, walking costume became popular and mantle reached its climax. With the diversification of design and composition in this period, the name of mantle became more specific and as a result, mantle, mantelet, dolman, paletot, etc. were used. The styles popular were: it looked like half-jacket and half-cape. Ornaments such as tassels, fur, braids, rosettes, tufts and fringe were attached to create luxurious effects. In the late Victorian age when the hourglass style was in fashion, mantle returned again to plain design emphasizing the details of the shoulders. The results of this study are expected to present motives for the development of contemporary designs, to contribute to the new recognition of the value of mantles, and to open a new research area of clothing history.

• 비교문화연구
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• 제45권
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• pp.433-478
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• 2016

이 논문은 국내에서 수년 전부터 유행하고 있는 북유럽디자인 소비에 대한 분석을 통해 한국 소비문화의 흐름에서 일본의 역할을 조명하는 연구이다. 비서구 국가 중 유일하게 선진 자본주의 국가의 대열에 합류했고 1980년대에는 미국과 경제력을 다투었던 일본이었지만 문화적 영향력에 대한 평가는 낮았다. 그런 일본이 1990년대 들어 대중문화상품으로 동아시아 지역에 어필하다가 대중문화 상품의 인기가 가라앉은 후에는 만화, 게임, 애니메이션 등 오타쿠계 서브컬쳐로 글로벌한 문화적 영향력을 행사하고 있다. 이 글에서는 1990년대부터 부상한 일본 문화의 영향력을 새로운 자포니즘으로 보고 한국의 북유럽 소비가 자포니즘의 매개와 주도 하에 진행되어 왔음을 제시한다. 일본이 구성한 북유럽에 대한 의미와 상징이 한국의 북유럽 소비에서 관철되고 있다는 의미이다. 의미와 스타일의 측면에서 일본의 슬로무비는 북유럽디자인에 미국발 '킨포크' 코드를 결합시켰다. 디자인의 측면에서는 아르누보를 매개로 일본 미학은 북유럽디자인과 시각적 유사성을 얻을 수 있었고 일본 가와이이 자카소품을 통해 북유럽디자인과 시각적 친숙함도 확보했다. 무엇보다 일본 잡화브랜드들이 출시한 북유럽풍 생활소품들을 통해 일상 속으로 북유럽디자인이 스며들었다. 또한 국내의 북유럽 소비는 일본 오타쿠들이 서브컬쳐를 포스트모던하게 소비하는 방식인 데이터베이스 소비방식으로 진행되고 있다. 일본이 만들어낸 북유럽에 대한 모에 요소가 한국에서도 북유럽 소비의 기호로 작동하고 있는 것이다.