• 복식문화연구
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• 제30권4호
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• pp.529-547
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• 2022

The purpose of this study was to understand the concept, form, and structure of the bata de cola through an investigation of the history of the costume and a study of the suitability of its functional elements during performance of 'Caña Flamenco'. Traditionally, Flamenco dance dresses were made by Spanish women from the lower classes, and the 'upward flow' of the dresses represented the women's individuality and unique style. The bata de cola, which appeared later, was an evolution of the Flamenco dress that was influenced by costume styles and silhouettes of the 19th and early 20th centuries, and it was made famous by Flamenco dancers. For practical costume production, a Flamenco artist who had performed in Spain and Korea was proposed as a study participant. The study was conducted using a stepwise wearing evaluation method whereby the Flamenco artist wore prototype dresses and evaluated whether they were practical for the required dance movements or not. A final bata de cola pattern was derived after the experiment was repeated five times based on the feedback of the Flamenco artist, focusing on the factors that were considered most important. Using stepwise clothing evaluation of the prototype, a costume that enabled the Flamenco artist to implement optimal movements was successfully produced.

• 문화기술의 융합
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• 제9권5호
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• pp.849-857
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• 2023

볼류메트릭 스튜디오는 XR 콘텐츠 시장의 성장을 견인하고 있다. 이에 따라, 볼류메트릭 캡처 기술에 관한 기술적 연구 수요가 증가하고 있다. 이 연구에서는 댄서들의 움직임을 3D 영상 이미지로 캡처하는 과정과 결과를 분석하였으며, 유의미한 결과를 얻기 위해 볼류메트릭 스튜디오의 인프라와 워크플로우를 평가하여 볼류메트릭 캡처 기술의 실제적 방법론에 관해 탐색하였다. 본 연구를 통해 볼류메트릭 스튜디오 내에서 영상 이미지 왜곡과 렌더링 시간과 관련된 제한사항들이 확인되었다.

• 복식문화연구
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• 제28권4호
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• pp.463-479
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• 2020

The purpose of this study identify the types and characteristics of Hanbok worn in lunar new year parade and Korean parade in New York over the past three years. As for the research method, I first collected domestic news articles, overseas Korean news articles, and literature reviews about the history of the Korean parade in New York and the events of each year. Second, I conducted a case study on Hanbok worn in the six parades from 2017 to 2019 using photo data collected through direct surveys, 'YouTube' video footage and news article photos. Third, I interviewed people related to the New York parade about the route of buying and renting the Hanbok in the New York area. The types of Hanbok shown in the Korean parade in New York can be largely classified as ceremonial, performance, and daily costume. There were 65 ceremonial costumes in all, with men wearing Dallyeong (official's robe) and Gorlyongpo (dragon robe) and women wearing Dangui (woman's semi-formal jacket), Wonsam (woman's ceremonial robe), and Hwarot (princess's ceremonial robe). A number of performance costumes were also worn by the Chwitasu bands, Nongak ensembles and fan dancers. Finally, of the 210 daily Hanbok, most men wore Baji (pants) and Jeogori (jacket), and women wore Chima (skirts) and Jeogori. The parade attempts to showcase the beauty of Hanbok, but the costumes repeat year after year, which can feel monotonous to onlookers. This research can be used as a reference to effectively utilize Hanbok in future Korean cultural events.

• 한국운동역학회지
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• 제25권2호
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• pp.199-206
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• 2015

Objective : The purpose of this study was to conduct a biomechanical analysis of a one-legged jump in a traditional Korean dance (Wae Bal Ddwigi) according to breathing method. Method : Participants for this study were 10 dancers with experience for at least 10 years in traditional Korean dance. Independent variables for this test were two different types of breathing methods. Dependent variables were ground reaction force and lower extremity kinematic variables. The jumping movement was divided into three separate stages, take off, flight, and landing. The subjects were asked a questionnaire regarding the degree of impact force and stability of landing posture after the experiment. The Kistler Force Plate (9281B, Switzerland) was used to measure ground reaction force. A digital camera was used to look into angles of each joint of the lower part of body. SPSS was used for statistical analysis via the dependent t-test(p<.05). Results : There were significant differences in jumping according to breathing method. The inhalation & exhalation method yielded significantly longer flight times combined with greater ground reaction force. The breath-holding method required more core flexion during landing, increasing movement at the hips and shoulders. Conclusion : Consequently, there was more flexion at the knee to compensate for this movement. As a result, landing time was significantly higher for breath-holding.

• 한국콘텐츠학회논문지
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• 제16권6호
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• pp.365-373
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• 2016

본 연구는 소매틱스(Somatics)를 발전시킨 무용 콘텐츠(Dance Contents)의 신경과학적 매커니즘(neuroscientific mechanism)을 문헌연구를 통해 밝히고자 하였다. 이에 따라 첫째, 소매틱스에서 사용하는 뇌과학적 매커니즘을 정리하고 둘째, 무용에서 활용되고 있는 소매틱스 훈련법을 통해 적용된 훈련법에 내포된 뇌과학적 메커니즘을 문헌연구를 통해 밝혀보았다. 본 연구에서는 소매틱스를 휄든크라이스(Feldenkrais)로 제한하여 신경가소성(neuroplasticity), 고유수용감각(proprioception), 감각통합(sensory integration)를 통해 작동원리를 설명할 수 있었다. 연구결과 가가(Gaga)와 타말파(Tamalpa)는 휄든크라이스의 주요기법인 움직임을 통한 자각(awareness thorough movement)을 수용하여 고유수용감각을 통해 받아들인 정보들을 통해 새로운 네트워크를 형성하고 감각통합을 하는 방식을 취하였다. 본 연구는 무용 훈련 안에서 일어난 뇌와 신체 간의 작용원리를 과학적으로 설명하고, 안무자, 무용가들이 자신의 무용연구 및 훈련에 이를 적용하고, 뇌과학적 관점에서 신체 움직임의 작동원리를 설명할 수 있는 밑거름을 제공하는데 그 의의가 있다.

• 한국콘텐츠학회논문지
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• 제18권9호
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• pp.544-554
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• 2018

본 연구는 4차 산업혁명시대의 무용분야의 현실-가상 미디어 연결 시스템을 분류하고 무용작품에서의 현실-가상 미디어 연결 시스템 활용을 사례 분석한 문헌연구이다. 본 연구의 대상은 인터렉티브 미디어 무용공연으로 제한하여 청키 무브(Chunky Move)의 "Glow"(2006), 남영호 "S.U.N"(2011)와 "달항아리"(2013), 아드리안 앤 클레이레(ADRIEN M & CLAIRE B)의 "PIXEL"(2014), 미다스 프로젝트(Midas Project)의 "Midas Space"(2011)에서 사용된 현실-가상미디어 연결시스템의 사례들을 연구하였다. 연구 결과 첫째, 현재까지 이루어진 무용공연에서의 현실-가상미디어연결시스템은 크게 동작 트레킹 시스템과 프로젝션 맵핑으로 구성되었다. 둘째, 사례 연구에서는 작품별로 다양하고 독창적인 현실-가상미디어 연결시스템이 고안되었고, 이 시스템은 움직임과 영향을 주고 받았으며, 시스템은 작품의 주제와 밀접한 관계를 맺었다. 따라서 앞으로 인공지능의 개발을 통해 현실-가상미디어연결시스템의 적극적인 사용, 모션 트레킹이 가능한 사물인터넷의 발달 가능성을 인지, 무용가와 엔지니어 간의 소통, 사례연구를 추가적으로 진행하여야 한다.

• 한국운동역학회지
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• 제25권3호
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• pp.265-274
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• 2015

Objective : The purpose of this study was to analyze the effect of the elastic band on ballet arabesque based on kinematics analysis. Methods : To observe the effect of the elastic band, the availability of the elastic band during movement was set as the independent variable, and the dependent variables were set by using factors from two different categories such as motor mechanics and kinematics variables. For motor mechanics variable, the muscle activity and the center of pressure(COP)'s trajectory and velocity were used. Furthermore, the physical angle was used for kinematic variables. Data samples from the experiment was used to understand the correlation between independent and dependent variables while using paired samples t-test as a data analysis tool. Results : After analyzing the result of experiment, the usage of the Elastic band on ballet arabesque movement seemed to increase the activity of the agonistic muscle, which is mainly used for movement, and to improve the stability of the supporting leg by decreasing the trajectory and velocity of the center of pressure(COP). Moreover, the elastic band increased the level of elevation of the stretching leg with reducing the angle of the hip joint that resulted into a more stable movement and furthermore providing more beauty while standing on it. Conclusion : The movement training program while the using elastic band are expected to lead to appropriate muscular development and reduce the muscle imbalance, which usually occurs to dancers, during training with unfamiliar specific movements or strengthening muscular strength for a specific movement. In addition, this work is expected to be used as a training reference to understand and learn the fundamentals of movements of ballet and other dance fields.

• 한국운동역학회지
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• 제21권1호
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• pp.77-83
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• 2011

In dance sport, hip movement is the most basic and essential technique, connecting the body movements to make the body move organically, and providing an overall balance of body movements. From that perspective, this study focused on the Cucarachas movement, representing a series of efficient hip movements in the center of gravity. For the purposes of this study, 4 dance sport participants who had won prizes at international contests were selected in order to analyze such variables as the radius of gyration (shift) on the hips and the shift of the center of gravity when scapula depression was performed and when it was not. To examine differences in these kinematic variables, a paired t-test was conducted, resulting in the following findings: First, the dancers were found to be able to control scapula depression, and a significant difference was observed in the vertical axis(Z) between the times when scapula depression was performed and when it was not. Second, when scapula depression was performed, shifts in the left-right axis(X) and anterior-posterior axis(Y) were found; the left-right axis showed a greater difference than the anterior-posterior axis. Third, scapula depression was found to have an influence on the shift to the left-right axis(X) of the center of gravity.

• 복식
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• 제23권
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• pp.151-168
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• 1994

The purpose of this study is to examine all kinds of Kwanmo of Kokuryo. The results are as follows . There are nine kinds of Kwanmo in Kokuryo : Kun(건), Chaik ( 책), Jeolpoong(절풍), Sogol (소골), Jowookwan (조익관), Rakwan (라관), Kagkwan(각관), Rip(립) and Jumdongkwan (금동관), Kun(건) is a piece of cloth which covers hair. There are two types of kun(건) : Hari band type and entire head cover type. Chaik(책) was originated in China , but people of Kokuryo didn't wore chinese Chaik (책) as it was. They created unique shape of their own. Jeolpoong (절풍) is the cone-shaped knwanmo which is chiefly made of leather. In the early period it was worn by the nobility , but gradually trickcled down common people's Kwanmo. Sogol(소골) is the cone -shaped Kwanmo which is made of silk and decorated with gold and silver. Only the nobility wore it, Jowookwan(조익관) is the knwanmo decorated with natural bird feather or metallic feather. Mainly it was worn by the nobility in hunting , Besides, worriors, diplomats, dancers and musicians wore it. Rakwan (나관) was worn by the highest class. There were three kinds of Rakwan (나관) : Baekrakwan(백나관). Cheongrakwan (청나관) and Birakwan (비나관). The king of Kokuryo wore BAekrakwan (백나관). It was simlar ini shape to chines Mookwan (무관). Kagkwan (각관) was the kwanmo unique to Kokuryo. It was used by the nobility . Rip (립)was originated on purpose to protect people form the sunshine or rain. There were two kinds of Rip(립) ; Bangrip (방립) and Pyungyangja(평량자). The former was used by the nobility, the lattr was used by common people in hunting . The Kwanmo which was decorated with gold and silver developed into Kumdongkwan(금동관). The Kwanmo which is similar to Kumkwan (금관) of Baekje and Shilla has been shown in Kaimachong (가마총) 무 dJumdongkwan(금동관) was excavated in the ancient tombs of Kokuryo.

• 복식
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• 제62권4호
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• pp.195-206
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• 2012

Today, people are obsessed with fashion, makeup, hair care, weight control, and plastic surgery. In order to be satisfied with their appearance and attract attention, they invest so much time and money. The core values of many people are influenced heavily by materialism and appearance. Belly dancing is effective not only in just weight loss, but it also improves the health and corrects body postures like pelvis correction, and it also gives the dancers the pleasure of dancing to exotic music. A growing number of women in their 40s or older and senior citizens have become maniacs of belly dancing. The studies suggest that the participation in belly dancing helps increase life satisfaction and self-respect of the middle aged who often suffer from depression. Belly dancing has a strong effect in the life style of the middle-aged women. The costume and accessories necessary for belly dancing class help the participants) focus on the dance. These costumes and accessories reflect the desire of the wearer to be recognized in society. It is well shown in belly dancing that "fashion and beauty related services and products are used as an indicator to tell social status and position of the wearer as external elements like clothes, accessories, and physical appearance and have a highly important effect on interactions among people in society as a means of expressing oneself". In this respect, this study aims to examine middle-aged women's involvement in fashion and beauty depending on their participation in belly dancing.