• 제목/요약/키워드: Culture-Art

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The Uncertainties in Contemporary Art

  • Pan Bo
    • International Journal of Advanced Culture Technology
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    • 제11권2호
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    • pp.170-177
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    • 2023
  • In quantum mechanics, uncertainty refers to the uncertainty of a measurement physical quantity, because some mechanical quantity can only be in its eigenstate under certain conditions, and the values shown are discrete.The exact value can only be obtained by measuring it in the eigenstate of this mechanical quantity.Uncertainty is like a double-edged sword, which has both advantages and disadvantages in art itself and in the process of artistic creation. In this study, it is divided into three main parts. First, the existence of uncertainties in contemporary art is sorted out in two broad parts, the definition of the uncertainties in art and the specific expression in contemporary art, respectively, with examples from four aspects of psychological impact, accidental presentation effect, expression form and connection with the viewer. The purpose is to understand how uncertainties are expressed in the process of artistic creation. Second, the role of the uncertainties in artistic creation is analyzed through examples, and then it is proposed that artists should use uncertainties to serve art with a scientific and rational attitude. Thirdly, the application of uncertainties in my creative practice and their influences on my painting creation. In summary, every artistic creator should take art seriously and sincerely. The relationship among the creative subject, society and life is an eternal and continuous interaction, and art is a carrier of reflection. For the problems brought by uncertainties in artistic creation, from choosing new certainty by thinking to the emergence of uncertainties, such a cycle is the process of art sublimating from life and being closely related to life.

네오 팝아트 방식을 적용한 국가상징 패턴 개발 - 무궁화, 태극기, 국새를 중심으로 - (Study on the development of national symbolic patterns viewed from the standpoint of neo-pop art - Focusing on Mugunghwa, Taegeukgi, and the Great Seal -)

  • 구본혜;김미현
    • 복식문화연구
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    • 제23권4호
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    • pp.581-594
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    • 2015
  • The emergence of pop art in the 1960s exerted a profound impact on integrating art into the real lives of the general public, which continues in the current area of culture of post-industrial society. Thus, this study aims to attempt the popularization and modernization of Korean images by applying the concept of pop art to the development of a national symbolic image. This study utilized Mugunghwa, Taegeukgi, and the Great Seal, which are national symbolic images that establish the identity of Korea through differentiation, universality, and visual formativeness. It then proceeded with the development of neo-pop art motives and patterns using national symbolic images from the standpoint of symbolism, mix-match, and repetitiveness from among the characteristics of neo-pop art. This study carried out pattern design by departmentalizing each characteristic according to the standpoint of neo-pop art through scribbles composed of the following: Signs, pictograms, and childlike characters; drawing simplification for symbolism; a mix of the East and the West; a mix of subfashion and subculture for mix-match; the repetition of lines, characters, and icons; and the exaggeration and grotesqueness of characters and icons for repetitiveness. This study is expected to serve as momentum for raising the cultural value of Korea and for the development of a pattern design capable of achieving worldwide competitiveness through the combination of the permanence and continuity of national symbols with the popular universality of pop art.

스마트 미디어 기반의 온라인 미술관 예술 감상 프로그램 콘텐츠 개발 사례 연구 (The Case Study of Contents Development for Online Museum Art Appreciation based on Smart Media)

  • 양연경
    • 한국IT서비스학회지
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    • 제16권1호
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    • pp.139-162
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    • 2017
  • Museums contain a significant meaning as a place that reflects empirical knowledge that have been accumulated socially and scientifically in overall life of the public and provides the opportunity to enjoy prestigious culture, while serving as the extended place of education. The first objective of this study is to increase the accessibility of general public through the development of online museum programs as service contents and to present the ultimate direction the development of in art appreciation contents that can effectively expand the infrastructure of culture and art. Second, the effectiveness of online art appreciation programs by registered private museums, which continuously develop smart media-based online museum contents and systemization of archive as the distribution rate of smart devices is increased due to generalization of digital environments, was analyzed by each case to examine the objective distinctions strategies. Third, in terms of museum visitors and smart contents users, this study examines the expected effects of popular distribution by seeking various ways that can enhance the desired exhibit appreciation and autonomous utilization of educational programs, while not being restricted by the physical accessibility and limitation of space at the museums. The subjects of this study included cases of BoroomSan Museum, Savina Museum of Contemporary Art, Imageroot, Sangwon Museum of Art, Hello Museum, etc. and the online smarts contents art appreciation educational programs by registered private museums were analyzed. Results expected to achieve from such processes are as follows. First, the possibility to expand cultural participation in museum exhibition appreciation and museum education infrastructure became widen. Second, the educational program resources can be utilized as the culture and art asset that strengthens the museums' responsibilities in their social role. Third, museum archive can be constructed in more systematic way, and the efficiency of museum archive system can be enhanced to maintain the museum collection database in a consistent format. Fourth, the museum's smart contents users' continued access to museum's online contents may induce the exhibition effect of the site and voluntary participation in education, and can also expect an economic synergy effect as the users become potential visitors that may actually visit the museum in the future.

스마트 계약과 대체 불가능 토큰을 활용한 예술 후원 방법에 대한 연구 (Study on Methods for Arts Sponsorship Using Smart Contracts and Non-fungible Tokens)

  • 이은미
    • 문화기술의 융합
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    • 제8권1호
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    • pp.523-529
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    • 2022
  • 예술 후원은 예술 활동이 재무적으로 안정적일 수 있도록 지원함으로써 문화 예술의 발전에 기여하였다. 투기거래 등 대체 불가능 토큰(non-fungible tokens, NFT) 시장의 다양한 문제점들도 건전한 예술 후원을 통해 개선 가능할 것으로 기대된다. 본 연구는 NFT와 스마트 계약을 활용하여 예술 후원을 구현하는 방법들을 제안한다. 첫째, NFT 메타데이터를 활용하여 예술 후원에 대한 사사를 게시하는 방법을 제안한다. 둘째, time-locked wallets을 활용하여 프로젝트 일정에 따라 후원 자금을 전송하는 방법을 제안한다. 셋째, Event-Driven Execution을 활용하여 프로젝트의 주요 이벤트가 발생하거나 요건이 충족되었을 때, 후원 자금을 전송하는 방법을 제안한다. 제안된 방법들은 예술 후원에 대한 사실을 공유하고, 안전하게 후원 자금을 전달하는 데 사용될 수 있다. 하지만, 예술 프로젝트에 대한 많은 결정은 블록체인 밖에서 발생하는 정보를 기반해 이루어져야 하므로 오라클의 문제가 발생할 수 있고, 이에 대한 추가 연구가 필요하다.

중국 미술품 가격 형성 요인 실증분석 -컨템퍼러리 미술 작가 중심으로- (Factors of China Art Price Formation -Focusing on contemporary artists-)

  • 권혁인;이재화;이진경;송정석
    • 한국산학기술학회논문지
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    • 제12권2호
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    • pp.629-639
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    • 2011
  • 본 논문에서는 현재 미술시장에서 주목 받고 있는 중국 컨템퍼러리 미술품 가격을 형성하는 요인을 분류하고, 중국 미술품만이 가지고 있는 가격형성 특징에 대해 고찰해 본다. 중국 컨템퍼러리 미술품의 급격한 성장에는 일반적인 미술품의 가격 형성요인과 차별화되는 중국만의 특수한 요인들이 영향을 미쳤을 것으로 판단하여 기존 선행 연구에서 사용되었던 가격형성요인에 중국의 작가 및 사회적 특징을 반영한 요인을 추가하였다. 미술품이 가지고 있는 다양한 특성들을 개별요인함수로 두고 실거래 가격을 종속변수로 하는 헤도닉 가격모형을 적용하여 데이터를 분석하였다. 그 결과로 중국 컨템퍼러리 미술품은 경매도시, 경매회사, 경매 월 등의 판매요인보다는 출신지역, 주 활동지역, 최종학력소재지 등의 작가적 요인이 더 많은 영향을 미치는 것으로 나타났다. 또한 최근 제작된 작품일수록 가격이 높게 책정되었고, 중국 컨템퍼러리 미술의 특징인 '인물의 유무' 요인에서는 작품 속 인물이 존재할수록 가격이 높게 책정된 것을 알 수 있었다. 사회적 요인인 중국 GDP가 중국 컨템퍼러리 미술품 가격과 동반 상승하였다는 점에도 주목할 만하다. 중국 컨템퍼러리 미술에 대한 관심과 수요가 높은 시점에서 본 연구의 결과는 중국 컨템퍼러리 미술품에 대한 이해도를 높이고, 컬렉터들에게 설득력 있는 구매방향을 제시해 줄 것이라 생각한다.

Analysis of Visual Art Elements of Game Characters Illustrated by the Case of Glory of Kings

  • He, Yangyang;Choi, Chulyoung
    • International Journal of Internet, Broadcasting and Communication
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    • 제12권3호
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    • pp.213-219
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    • 2020
  • Visual art elements can most intuitively express the information expressed by a game character and play an important role in shaping a successful game character. We compares and analyzes the role design in the skins of the "Five Tiger-like Generals" series in Glory of Kings in terms of color, line, graphic and other visual elements. Different visual elements form different visual impacts and influences, which brings people different psychological feelings and presents different emotional colors. The reasonable use of visual elements gives people a refined visual experience and a comfortable psychological feeling, adding more influencing factors to the "immersion" of the game. It not only can strongly attract the attention and love of players, but also spreads traditional culture of the nation and the country. Therefore, whether the visual art elements of a game character can be appropriately used is an important part of the success of the game work. The analysis of visual art elements of game characters has important learning and research value.

The Formation and Analysis of the Concept of "New Dimension Art"

  • Chen Yucheng
    • International Journal of Advanced Culture Technology
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    • 제11권3호
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    • pp.199-204
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    • 2023
  • "New Dimension Art" is an artistic concept of the new era that the author puts forward by combining the background, the artistic environment and the artistic market.It relates to the consciousness of thought, the way of feeling, the form of expression and even the style of language in artistic creation.The author expounds this concept of art.At the same time, this paper deeply studies the characteristics of "new dimension art" by analyzing personality and commonality, as well as the creator's personality transformation.The author hopes that he and more artists can create and express more accurately through this concept, so that his works can fully reflect the author's individual characteristics and release more dimensional field energy. We are confident that this paper will affect the area of painting in the future.

Digital immersive experiences with the future of shelf painting -From "Kandinsky, the Abstract Odyssey."

  • Feng Tianshi
    • International Journal of Advanced Culture Technology
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    • 제12권1호
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    • pp.123-127
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    • 2024
  • In the early 20th century, Walter Benjamin analyzed the changes in the value of traditional art forms under the industrial era and the changes in the aesthetic attitude of the masses. A century later, in the contemporary multi-art world, the traditional medium of shelf painting is once again experiencing a similar situation as the last century. Emerging technology display modes such as digital virtual reality and digital immersive experience can achieve digital reproduction of paintings on shelves and reach a certain level of performance, which once again shocks the public's aesthetic perception. This paper attempts to illustrate the outstanding characteristics of the new art form after digital reconstruction by exploring the transformation and sublimation of digital technology to shelf painting. We predict that art research on future reality and augmented reality according to the artificial intelligence era will be conducted in depth in the future.

한국단편애니메이션을 활용한 주제중심 통합교육 모형 연구 (A Study on the integrated art & culture education using short animations of Korea)

  • 김재웅;고민정
    • 만화애니메이션 연구
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    • 통권20호
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    • pp.15-29
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    • 2010
  • 문화예술교육은 전 국민의 문화예술향유를 통한 삶의 질 향상과 국가의 문화 역량 강화를 지향하는 교육으로서, 지금까지 다양한 프로그램들을 통해 그 범위가 확산되어 왔다. 그러나 실제로 학교수업을 통해 진행되는 학교문화예술교육은 표면적이고 기능적인 교육에 그치는 등 수업 내용과 방식에서 한계를 보이고 있다. 학교문화예술교육이 원래의 목적을 달성하고 학교 안에서 체계적이고 안정적인 부분으로 자리 잡기 위해서는 양적인 성장에 더하여 질적 심화의 측면을 고려해야 할 시점에 와있다. 이 논문에서는 학교문화예술교육의 질적 제고와 활성화를 위해, 초등학교 교육과정에서 한국단편애니메이션을 활용해서 기존 교과와 문화예술교육을 통합할 수 있는 문화예술통합교육 모형을 개발하였다. 단편애니메이션은 감독 개개인의 세계관과 개성, 개인의 삶과 사회적 관계 및 역사적 성찰에 이르기까지 다양한 주제를 독창적인 미학으로 표현해내고 있어, 풍부한 미적 경험과 더불어 주제중심통합교육을 위한 단초를 제공한다. <오늘이>(2003)는 제주도의 원천강 본풀이라는 신화적 소재와 민화라는 전통적 소재를 현대적으로 재해석한 작품이다. 이 작품은 국어(언어지능)와 도덕(대인/자성지능)을 통합적으로 구성하여 자신의 생각을 글, 만화, 그림으로 표현하게 함으로써 언어지능과 공간지능을 발휘할 수 있다. 이러한 문화예술통합교육 모델을 통해 개별교과 로 이루어지는 분과교육과정의 한계를 극복하여 정규 교과의 경계를 확장해서 전반적인 교육의 질을 개선하고자 한다.

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미술잡지 저널리즘의 형성과 기능 (A Study on the Formation and Function of Art Magazine Journalism in Korea)

  • 안인기
    • 미술이론과 현장
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    • 제2호
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    • pp.121-146
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    • 2004
  • Compared to the influences of Korean art journalism, the researches on them are rarely conducted. This study aims to examine the influence of art journalism in art magazines in Korea. Although it is essential to consider media, journalism, public opinion altogether, I focused only on the media due to the absence of previous studies I have analyzed the current conditions of korean art journalism, types of feature articles, sponsors, their relations with articles and the comparison with foreign art journalism in terms of production conditions. There have been about one hundred art magazines published in previous sixty years and currently there are twenty three. Monthly periodicals are the majority: the publishers are sorted out as publishing houses, galleries, newspaper company in order specialized art magazines developed from the eighties. Through an examination of feature articles in these art magazines, I found that they repeated similar art issues and covered the same artists sponsors and articles. Moreover, when the magazines went through the conflicts between managers and editors, the ascendency of managers obstructed the development of art journalism regarding journal quality. These days, art journalism have been comparatively regressed compared to other art systems such as art museums, curatorship, international aft festivals, distributions and art promotion policies. The main causes for failure were the lack of professional management, the limited effort to diversify sponsors, and the repetition of the same informants and events without making an effort to be specialized Magazines are published media which contribute to the creation of culture, distribution, and preservation. Therefore art magazines can be said the most influential media in forming art culture and distributing it. It is quite necessary to reform the problems of repeating of information and the lack of speciality in conjunction with the commitment of management and editorialship.

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