• 제목/요약/키워드: Culture Nation

검색결과 442건 처리시간 0.036초

문화, 제국, 민족 -비판적 전유를 위한 에드워드 사이드의 『문화와 제국주의』 읽기 (Culture, Empire, and Nation: A Critical Appropriation of Edward Said's Culture and Imperialism)

  • 고부응
    • 영어영문학
    • /
    • 제58권5호
    • /
    • pp.903-941
    • /
    • 2012
  • This essay examines Edward Said's Culture and Imperialism focusing on the concepts of 'culture,' 'empire,' and 'nation'. The approach is critical, theoretical, and historical rather than explicatory. Consequently, the range of the essay is not limited to Said's own explanation and argument about Western imperialism and its culture presented in the book. In doing this, this essay finally purposes to be a discursive resistance to the current global empire, the United States, via a critical reading of Said's work. Said's notion of culture is set upon to disclose the function of culture as an apparatus of ideological consent of the dominated to the dominant. When applied to imperial practice, Western culture functions to subject the colonized to the colonizer. Said's geographical approach to imperialism complements the historical understanding of imperialism. Imperialism is not only the practice of Western-centered historicism but also the spatially mutual interaction between the West and the rest of the world. Along with European imperialism, Said poses the current global empire of the United States as his main target of criticism. Said's problem is that he takes the United States as a nation-state. When examined, the United States is not a nation-state, but today's empire. The empire in the appearance of the nation-state United States does not work for the interest of the American nation, that is, the American people. The empire is the transnational and postnational political and economic institution that works for the interest of global capital. In order to resist the current global empire, this essay suggests that the building or restoration of nation-states with its basic principle of people's sovereignty is in need.

우리나라 포(袍)와 터키 Sultans′의 의례용 외의 형태 비교 연구 - 1400∼1800년대를 중심으로 - (A Comparisonal Study between Korean Po and Turkish Sultans′ Dress)

  • 이상은;김영란
    • 한국의상디자인학회지
    • /
    • 제6권1호
    • /
    • pp.55-63
    • /
    • 2004
  • The dress culture of Korea and Turkey should be necessary to study in view of a similar culture of Korea and Turkey due to similarity of oriental culture. Thus, as two nation's dress is investigated, cultural characteristics and dress form of two nations are analyzed with cultural background in detail. Also, comprehension is determinated for the dress color and texture as well as dress culture. In this paper, It is investigated theoretically for the function, type, and class of dress. Also, The form of Korean Po are compared to background of Turkish dress and Sulltans' dress form. To unify a cultural propagation and dress form, technical, inductive contents analytical method as well as literature review are used in positivism. Subject is limited to the Korean Po and Sultans' dress of Turkey. As a results, as the nation's dress reflect to culture and society of the nation, Korean dress have some similarity and differences comparing Turkish dress as followings. In dress form of two nation, rectangular Gil's shape was very similar. Mu's shape was similar too. However, Sultans' dress had outside shape of caftan type and Po had full or partial wrinkles by transforming Mu. Also, Sultans' dress did not have Sup. Korean Po have side slits or back side slits and Jun-Sam but Sultans' dress had only some side slits.

  • PDF

우리나라 다목적 공연장의 탄생배경에 관한 소고 (A Brief Review of Backgrounds behind "Multi-Purpose Performance Halls" in South Korea)

  • 김경아
    • 공연문화연구
    • /
    • 제41호
    • /
    • pp.5-38
    • /
    • 2020
  • 이 연구는 군사정권의 권력 전개양상에서 드러나는 문화정책이념이 '다목적 공연장'의 개념형성으로 발현되는 과정을 살펴보는데 있다. 한국의 공연장 현황은 우리나라 공연문화와 깊은 관계가 있다. 각 지방자치단체마다 그 지역을 대표하는 문화예술회관(문예회관)을 중심으로 한국의 공연문화와 향유문화가 깊이 자리 잡고 있기 때문이다. 오늘날 문예회관들은 다목적홀로 운영되고 있으며 운영주체는 절대다수 정부와 지방정부 또는 출자출연기관의 재단법인 등 공공영역에서 운영한다. 따라서 정부와 지방정부의 문화예술정책의 대상이며 제도적 측면과 긴밀한 상관관계를 가지게 된다. 박정희 정권은 초헌법적인 유신을 공포하고 우리나라 문화예술법의 시초라고 할 수 있는 「문화예술진흥법」(1972.9)을 제정한다. 이법을 근거로 「문예중흥5개년계획」(1973)을 수립하고 문화시설들을 짓기 시작했다. 전국의 '문화예술'회관, 또는 '문화'회관이 다목적홀로 지어진 데에는 문화예술진흥법의 "문화예술"에 대한 정의를 "문학, 미술, 음악, 연예 및 출판에 관한 사항"으로 명시함으로써 지금의 '다목적'개념의 근거가 된다. 한편, 문화공보부의 조직직제는 "문화와 예술"을 관장함을 명시하고 대중문화와 예술진흥을 구분 짓는 문화행정체계를 갖춘다. 그러나 이시기 대통령의 연설에 나타난 박정희의 화법은 '문화예술=예술'로 인식하고 있다. 예술은 문화에 포함되는 개념이지만 문화예술=예술로 인식함으로써 정치적 시국이나 시행부서에 따라 그 해석을 달리하였고, 이러한 모호성은 예술이 이데올로기적 활용에 정책적으로 동원되는 기제가 된다. 이러한 배경에서 문화예술진흥법에 근거하고 문화공보부의 관장 하에 1978년 다목적 공연장인 세종문화회관이 개관한다. 그러나 제도상의 문화예술=다목적과 설립을 추진했던 정부조직의 문화≠예술, 권력이 인식했던 문화예술=예술은 대중음악의 대관문제를 두고 가치충돌로 표출된다. 1979년 12·12사태로 정권을 장악한 신군부는 민족문화를 앞세운 국풍81을 통해 저항세력을 체제 안으로 끌어들이고자 했다. 정권의 의도는 실패하였고, 저항과 지지의 양축에서 국민적 지지를 확보하는 방안으로 국민의 문화향유 기회확대 정책에 방점을 둔다. 이는 앞 정권의 문화예술에 관한 인식의 전환이며 박정희 정권과의 차별화를 추구한 것이다. 전두환 정권에 있어 앞 정권과의 차별성은 곧 정권의 정당성 확보를 의미하는 것이었고 향유기회의 확대는 문화영역의 분배 차원에서 추진되었다. 따라서 장기적인 안목의 예술발전으로 자리매김 되지 못했고 하드웨어의 상징성으로 정권의 정당성 확보를 실현하려고 하였다. 오늘날 다목적 공연장의 개념은 유신체제하에 만들어진 법체계의 "문화예술"의 정의에 기인한 것이며 이를 근거하여 공공 공연장의 운영목적으로 '다목적'의 개념이 탄생한다. 군사정권을 이은 전두환 정권은 프로시니엄 구조의 다목적 공연장을 정권의 정당성 확보의 수단으로 표출하였고, 전국적으로 재생산 되어 오늘날 한국의 공연문화에 중요한 비중을 차지하고 있다.

당대 향문화 연구 (A Study on the Culture of Incense in the Period of T'ang)

  • 전혜숙;이애련
    • 한국의상디자인학회지
    • /
    • 제7권3호
    • /
    • pp.113-127
    • /
    • 2005
  • From the ancient times, incense was used for various usages including a means of beauty expression with flavor, a medicine for disease treatment and a device for religious event or ritual. The period of T'ang was the times when cultural and material exchanges with foreign countries were very actively made under the political openness of the Chinese nation. Here the exchanges were made mainly through inland trade, called Silk Road(絲綢之路) and marine trade routes, Incense Road(香料之路). This indicates that incense was one of the main items actively traded at that time. In addition, literatures of the T'ang period show that in the Chinese nation, a wide range of classes from the imperial family to the public used incense for many different purposes. This suggests that the culture of incense was deeply prevailed and very socially significant in T'ang. This study investigated social factors that promoted the incense culture of T'ang and the applications and types of incense widely used in the period of T'ang. First, influential religions and the openness of sex culture were main social factors that made incense culture flourish in the period of T'ang. Above all, two main religions of the Chinese nation, Buddhism and Taoism became secularized under political protection by the imperial family. As Buddhism was popularized, the Buddhist ritual of incense burning made a contribution to making public incense culture. Providing its doctrines of eternal youth and eternal life, Taoism necessarily used incense to form a Taoistic climate. The flourishment of the foresaid religion in T'ang added more fuel to that of incense culture in the Chinese nation. The openness of sex culture brought about the Inauguration of the empress, improvement in female position and free relationships between man and woman. It was accelerated by sexology as a method of eternal youth provided by Taoism. The opened culture also developed the culture of kibang where female entertainers called kinyeo consumed lots of incense for decoration and sexual desire stimulation. These open climates of T'ang society made a great contribution to making incense culture, especially for decoration, prevailed throughout the Chinese nation. Second, types of incense prevailed and widely used in the period of T'ang included olive incense, germander(廣藿香), olibnum(乳香), myrrh Resinoid(沒藥), jia Xiang(甲香), clove(丁香) and Shen xian(沈香), all of which were imported from foreign nations and had various applications. Specifically, olive incense, germander(廣藿香), olibnum(乳香) and myrrh Resinoid(沒藥) were used for religious purposes while, jia Xiang(甲香), clove(丁香) and Shen xian(沈香) for the purposes of religion and decoration. In conclusion, a number of social factors including political, religious and medical purposes and the openness of sex culture set fundamentals on which the culture of incense was extensively developed and established as a social trend in T'ang. In the Chinese nation, incense culture was not just an option for taste, but a part of life style social members needed to know. People of T'ang not only enjoyed incense mainly for purposes of religion, pleasure and make-up, but also had the wisdom to know various effects of incense, curiosity about such new things and the will to imitate and pursue alien culture, resultantly flourishing incense culture. Thus the culture of incense represented many social aspects of T'ang.

  • PDF

한국철도차량의 디자인 포시셔닝 (Design Positioning of the Korea Railway)

  • 이희엽;김창현
    • 한국철도학회:학술대회논문집
    • /
    • 한국철도학회 2007년도 춘계학술대회 논문집
    • /
    • pp.1268-1275
    • /
    • 2007
  • The Korea railway design trends has been developed by the change of the society and culture through the consideration of the history of railway. The railway design trends is as the vehicles in the external form of railways, instantly means to plan and create the value added something like the form of the exterior design. The railway design has been changing form instinctive methods to settle the mass transport of the early days, to sensitive methods to pursue the railway culture centering around human being. As dividing by the style's change of railway in image scale aspects between 1800's and 2005 according to the life environment into the external nation, there are big differences so that is to study the development history of the railway design accordingly each nation (Korea, United Kingdom, Germany, France, Japan) and the style's change, to confirm into the design applied in society and culture needs, and to analyze by a year in changes of the environment and the railway design history. This paper analyzed railway introduced as railway models by top 4 nation (United Kingdom, Germany, France, Japan) and Korea in the past years(1800-2005) for their Korea railway design trends by image scale positioning.

  • PDF

이미지 스케일에 의한 철도차량 디자인 트렌드 분석 (Analysis of Railway Design Trends by Image Scale)

  • 이희엽;홍석기;김창현;나희승
    • 한국철도학회:학술대회논문집
    • /
    • 한국철도학회 2006년도 추계학술대회 논문집
    • /
    • pp.1115-1122
    • /
    • 2006
  • The railway design trends has been developed by the change of the society and culture through the consideration of the history of railway. The railway design trends is as the vehicles in the external form of railways, instantly means to plan and create the value added something like the form of the exterior design. The railway design has been changing form instinctive methods to settle the mass transport of the early days, to sensitive methods to pursue the railway culture centering around human being. As dividing by the style's change of railway in image scale aspects between 1800's and 2005 according to the life environment into the external nation, there are big differences so that is to study the development history of the railway design accordingly each nation (United Kingdom, Germany, France, Japan) and the style's change, to confirm into the design applied in society and culture needs, and to analyze by a year in changes of the environment and the railway design history. This paper analyzed railway introduced as railway models by top 4 nation (United Kingdom, Germany, France, Japan) in the past years(1800-2005) for their railway design trends by image scale positioning.

  • PDF

Whitman's Strategy of Cultural Independence through Reterritorialization and Deterritorialization

  • Jang, Jeong U
    • 영어영문학
    • /
    • 제55권3호
    • /
    • pp.497-515
    • /
    • 2009
  • Culture as a source of identity, as Edward Said says, can be a battleground on which various political and ideological causes engage one another. It is not mere individual cultivation or private possession, but a program for social cohesion. Sensitively aware that a national culture should be independent from Europe, Walt Whitman enacts a new form of literature by placing different cultural values against Old World tradition. His interest in autochthonous culture originates from his deep concern about national consciousness. He believes that literary taste directed toward highly-ornamented elite culture is an obstacle to cultural unification of a nation. In order to represent American culture of the common people, Whitman incorporates a lot of cultural material into his poetry. Since he believes that America has many respectable writers at home, he urges people to adjust to their own taste instead of running after foreign authors. Whitman differentiated his poetry from previous literary models by disrupting the established literary norms and reconfiguring cultural values on the basis of American ways of life. In his comment on other poets, he concentrates on the originality and nativity of poetry. By claiming that words have characteristics of nativity, independence, and individuality, he envisions American literature to be distinguished from British literature in literary materials as well as in language. Whitman s language is composed of a vast number of words that can fully portray the nation. He works over language materials in two ways: reterritorialization and deterritorialization. Not only does his literary language become subversive of the established literary language, but also makes it possible to express strength and intensity in feeling.

철도차량 특징요인에 의한 철도차량 트렌드 평가 (Evaluation of Railway Trends by Railway Characteristic Factors)

  • 이희엽;김창현
    • 한국철도학회논문집
    • /
    • 제9권6호
    • /
    • pp.705-710
    • /
    • 2006
  • The railway has been developed largely by the characteristic factors of the railway through change of the society and culture. The railway trends has been changing from instinctive methods to settle the mass transport of the early days, to sensitive methods to pursue the railway culture centering around human being. As dividing by period according to the changes of railway trends into the external nation, there are to analyze the development history of the railway design. Accordingly each nation (United Kingdom, Germany, France, Japan) and the style's change, to confirm the changes into the design applied in society and culture needs, and to analyze by a year in changes of the environment and the railway history from the 1800's to 2005, so there contribute in the development of railway design to present the paradigm of the future railway by analyzing the trend according to the changes of railway design and the life environment in this paper.

서사시에 나타난 '민족' 형상화에 관한 비교 연구 - 고은의 『백두산』과 리욱의 『고향 사람들』, 『풍운기』를 중심으로 (A comparative study on configuration of the nation in epics)

  • 장은영
    • 비교문화연구
    • /
    • 제25권
    • /
    • pp.337-362
    • /
    • 2011
  • This study focused on difference of the nation's concept between Ko un's Baekdusan and Lee uk's Gohyangsaramdul, Pungungi. These works are epics restructure nation's history. A epic's story provides framework of recognition to social members. An individual and community accept their story and then stories construct pesonal identity and community's identity. So we can say a epic configurates national identity by story nation history and nation territory. The nation's concept is understood steadfast and very pure as like a blood relationship in Korea. This is aspects of Korean nationalism. But the Nation is modern, social and historical concept. That is different from ethnic identity. This way throws open the door to analyze nation identity. Ko un's Baekdusan narrates permanence and sacralization of the nation for emphasizing the unification of North Korea and South Korea. Baekdusan expresses the social desire of Korea in the 1980s. In comparison, Lee uk's Gohyangsaramdul representate ambivalent attitude. One is a position as a settler and the other is a new master of Yanbian Korean Autonomous Prefecture. So Gohyangsaramdul narrates and remembers their motherland Chosun. But Pungungi exclude recognition of Chosun as motherland. This work's narration focuses on association with struggle of classes and anti-Japanese Movement during the Japanese colonial period. Because these events are able to unity Korean and Chines. Three works deal with same history and same background, but those show defferent recognition about the Nation. Because each society has different social desire and expect different future. The present desire and future prospect construct nation identity.