• Journal of Korea Multimedia Society
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• v.25 no.2
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• pp.411-420
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• 2022

Entering the digital cinema era, movies and games are remediating each other. The shots of digital movies are being transformed into realistic content through digital Moving long-take shots that transcend time and space and move smoothly. At this time, the digital Moving long take shot that continuously captures the space in all directions without an external screen induces a game experience. In addition, the camera that constantly accompanies the person enhances the sense of immersion in the game in a way similar to the point of view of the game. While various immersive device contents represented by VR, AR and XR are emerging, the advent of <1917> suggests significant implications for post-cinema in that it creates a game experience while maintaining the traditional screen environment and cinematic paradigm.

• Proceedings of the Korean Society of Computer Information Conference
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• 2022.07a
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• pp.181-182
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• 2022

본 논문에서는 코로나19로 인해 최근 2년간 비대면 강의가 일반화 되어졌고, 비대면 강의를 통한 강의의 장단점을 파악하게 되었다. 개인 시간을 중요시 여기는 디지털 네이티브 세대의 특성과 시공간의 제약이 없는 비대면 수업의 편리함은 차츰 정착되고 있으나 비대면 수업으로 인한 집중력 저하, 대면수업 특유의 재미 요소 적용 등이 힘든 문제점 또한 많이 있기에 이를 보완하기 위해서는 차세대 콘텐츠를 활용하여 진화하여야 한다고 생각한다. 국내, 해외 활용 사례를 검토하고, 그 요소를 도출하여 차세대 콘텐츠를 활용하여 본교의 학생에게 적용한 결과 만족도가 향상되었다. 이 결과를 토대로 본 논문에서는 앞으로 차세대 콘텐츠를 활용한 교수법에 대한 연구 방향을 제시하여 더욱 수업의 질적 양적 향상에 기여하고자 한다.

• Proceedings of the Korean Society of Computer Information Conference
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• 2022.01a
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• pp.381-382
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• 2022

본 논문에서는 VR 콘텐츠의 확장 전망에 따라 콘텐츠 몰입과 경험을 향상시키기 위한 VR-UI 디자이너를 양성하기 위해 필요한 교육내용에 대해서 고찰하였다. 본 교의 교육과정 개발절차에 따라 역량을 설정하고, VR-UI 개발 프로세스를 정립하여 각 단계에서 필요한 역량을 충족시키기 위해 학습해야 할 내용과 이에 따라 학습이 필요한 소프트웨어와 VR-UI디자이너를 위한 교육내용에서 반드시 포함되어야 하는 내용에 대래서 정리했다. 시대가 요구하는 VR-UI 디자이너의 양성을 위해 게임개발자를 위한 역량에 더해 차세대 콘텐츠 제작 역량을 갖추고, 시뮬레이션을 적극적으로 시행할 수 있는 교육내용으로의 개선이 필요하다.

• Proceedings of the Korean Society of Computer Information Conference
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• 2022.07a
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• pp.217-218
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• 2022

본 논문에서는 코로나19 팬더믹(pandemic)으로 최근 3년가 비대면 강의가 대부분 이루어졌고, 자연스럽게 비대면 교수법 또한 여러 가지 형태로 시도되어졌다. 게더타운(Gather Town)이라는 온라인 화상회의 공간을 2D게임화 시켜서 세계적인 인기에 힘입어 본교 학생 500명 가까이 활용해 보았고, 이후 국내에서 3D기반의 매타버스 플랫폼 디토랜드(DITO LAND)를 개발하여 본교 학생 300여명의 학생들을 대상으로 실시하여 2D, 3D 기반의 장단점을 파악하게 되었다. 이를 바탕으로 추후 어떠한 방향으로 메타버스 콘텐츠를 활용한 교수법이 더 효과가 있을 것인지 예측하고, 메타버스 콘텐츠 개발자들에게 조금이라도 도움을 주고자 한다.

• Journal of Korean Medical classics
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• v.37 no.1
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• pp.41-56
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• 2024

Objectives : The purpose of this paper is to model each Xíng(行) of the Yīnyáng Wǔxíng(陰陽五行) theory as a vector, to interpret the Xiāngshēng Xiāngkè(相生相剋) theory as a vector sum, and argue the objectivity and universal applicability of the Xiāngshēng Xiāngkè(相生相剋) theory. Methods : The five xíngs of the Wǔxíng were modeled and expressed as vectors, and the Xiāngshēng Xiāngkè theories were quantitatively explained by vector summation. Results : We calculated the Wǔxíng vectors using the vector sum formula, and found that the Xíng vectors that received mutual support increased in size by about 62%, and the Xíng vectors that received opposition decreased in size by about 38%. Conclusions : This result could be considered as quantitative interpretation of the contents of the Xiāngshēng Xiāngkè(相生相剋) theory which has mostly been explained qualitatively. The results of this study could hopefully provide ideas to quantify various theories based on the Yinyangwuxing theory such as Korean Medicine and other traditional fields in East Asian culture.

• Proceedings of the Korean Society of Computer Information Conference
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• 2024.01a
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• pp.61-62
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• 2024

게임을 개발하는데 있어 게임 컨셉을 설정하는 것은 게임 개발에 참여한 개발자들이 하나의 목표점을 정하고 게임을 개발하게 하는 장점이 있으며 참여한 모든 개발자들이 자신들의 역할을 수해함에 있어서도 함께 가고자하는 방향성 및 개발하고자 하는 게임의 방향성을 설정하여 단계별로 개발하는데 중요한 시작점을 시사한다. 기존에 제안된 FGI를 활용한 게임 컨셉 디자인 방법론에 의하여 도출된 핵심 단어들을 분석하여 현재 젊은 개발자들이 어떠한 영역에 관심을 가지고 있는지에 대한 분석은 보다 성공적인 게임 개발 목표를 명확히 할 수 있다.

• Asia pacific journal of information systems
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• v.28 no.1
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• pp.19-35
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• 2018

This study uses the concepts of mental accounting and coupling in consumption to demonstrate a systematic relationship between behavioral costs, sunk costs, coupling, and user intention to discontinue social network services (SNS) use. An analysis of 213 SNS users found that coupling and sunk costs are two major factors that influence an individual's intention to discontinue SNS use. An interesting finding of this study is that the perception of coupling is created by behavioral costs in the context of an SNS. This finding implies that the source of cost perception when perceiving coupling may differ depending on whether the product or service is traditional or web-based. These results contribute to an expansion of the theoretical discussion of individual-level discontinuance intention after adopting SNS by conceptualizing the perception of coupling.

• The Journal of the Korea Contents Association
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• v.12 no.12
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• pp.742-760
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• 2012

Festival contents have played a role as a mediator that connects consumers and producers of the Festivals to express the purpose or theme of those. The successful quality factors to be successively sustainable excellent Festivals include ritual, experience, exhibition, sales, education, competitive, performance. In this study, Festival contents scales, that is named CONTSQUAL, being consisted of seven factors were drawn through the analysis of Cultural Tourism Festival 2012. Festival CONTSQUAL is ritual, experience, exhibition, sales, education, competitive, performance. The research sample is participants in the "Geumsan Insam Festival". Empirical analysis was carried out for visitors to verify the scales and research model. As a result, among festival CONTSQUAL, all components of qualities affected positively on Festival Flow but ritual and education. Festival flow affected positively on festival satisfaction while festival satisfaction affected positively on behavior intention. This study not only measured festival quality through the newly developed CONTSQUAL scales underlying sustainable competitive festival, but also built basic foundation for objectively assessing the festival contents quality, which would result in ensure successful local festival.

• The Journal of the Korea Contents Association
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• v.11 no.2
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• pp.178-185
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• 2011

The recent development of 3D and its application contents have made it possible for people to experience more various 3D contents such as 3D/4D, VR, 3D ride film, I-max, sensory 3D games at theme parks, large-scale exhibitions, 4D cinemas and Video ride. Among them, Video ride, a motion-based genre, especially is getting more popularity, where viewers are immersed in and get indirect experiences in virtual reality. In this study, the production process of the genre of sensory 3D image getting attention recently and ride film are introduced. In the material selection of 3D images, the space and the setting up which is suitable to the fierce movement of rides are studied and some examples of the realization of creative direction ideas and effective technologies using the functions of Stereo Camera which has been first applied to MAYA 2009 are also illustrated. When experts in this 3D image production create more interesting stories with the cultural diversity and introduce enhanced 3D production techniques for excellent contents, domestic relevant companies will be sufficiently able to compete with their foreign counterparts and further establish their successfully unique and strong domains in the image contents sector.

• The Journal of the Korea Contents Association
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• v.22 no.8
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• pp.126-139
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• 2022

This study aims to present the criteria of location selection and contents composition of Sewol ferry memorial space from the perspective of placeness and dark tourism, one of the main concepts of cultural tourism theory, and to draw academic concepts and implications related to it. First, the location selection of Sewol ferry memorial space was proposed by applying the concept of placeness to each important location, and the direction of the contents composition was presented based on the contents components such as characters, stories, places and dark tourism composition directions. As a result, when the Sewol ferry memorial space is designed in use of systemizing the narrative structure of the storytelling method and implementing it specifically, it is suggested that it is possible to construct a Sewol ferry memorial space by distributing and course-making based on the narrative structure rather than focusing on the location selection of a specific place. In addition, it was argued that the contents composition criteria should be more complex and systematically established and applied considering the connection between placeness and dark tourism when the Sewol ferry memorial space is constructed in various sites like 416 life safety parks and Mokpo New Port. This study, which aims to answer research questions related to major issues based on the perspective of placeness and dark tourism on the Sewol ferry memorial space, is expected to be used as a reference for the construction of the memorial space in the future.