• 한국문화재보존과학회:학술대회논문집
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• 한국문화재보존과학회 2006년도 제24회 학술대회발표 논문집
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• pp.23-28
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• 2006

• 디자인학연구
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• 제9권
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• pp.1101-1114
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• 1994

As of today-half a century has passed after 1945, the liberation from Japanese imperialism-it's significant to introspect our culture. On the one hand our culture has succeeded due to the peculiar history, but on the other hand it hasn't. So to speak, it has gained in Quantity but lost in Quality. There are keen, international competition and exchange in the modern culture. So the Qualitive success of modern design depends on if it had an original character or not. According to Korean rapid industrialization, technological extence, and economic growth, the export has increased greatly, but package design hasn't been match for them. Korean expoters have been meeting with cutthroat competition in world market. Under these circumstances it's very important that we have a real understand and interest in our culture, we strengthen the competitive power of home products with good package design. This is our age of not home market but world market. We live in an age when design wins, so that we have to develop the good design native to Korea. Many designers have proposed their opinions with the characteristic designs, but it has been only a fragmentary and passive method. We must seek for the new method more positively. The effective and proper method resolves itself into the following four points. First, to understand Korean history and culture. Second, to have the exact grip of this economic situation. Third, to promote the national emotion. Fourth, in conclusion, to accord the package design with them. We cannot put off this task to overcome the cultural subordination, to place Korea on a firm cultural basis in the world, and to contribute to the cultural exchange of package design. First, to understand Korean history and culture. Second, to have the exact grip of this economic situation. Third, to promote the national emotion. Fourth, in conclusion, to accord the package design with them. We cannot put off this task to overcome the cultural subordination, to place Korea on a firm cultural basis in the world, and to contribute to the cultural exchange of package design.

• 영미문화
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• 제10권2호
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• pp.49-72
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• 2010

As the first of Philip Roth's recent series of novels that delve into American Cold War history deeply entwined with the post-war Jewish American experience, American Pastoral traces the tragic fall of a third-generation Jewish American named Seymour "Swede" Levov, whose dream of complete assimilation to the post-ethnic American paradise is irrecoverably disrupted when his young daughter blows up the local post office to protest against the Vietnam War. This essay proposes to examine Swede Levov's interrupted pursuit of the American dream by locating it within specific Cold War contexts and national imaginaries propagated particularly during the years from John F. Kennedy to Lyndon B. Johnson. In so doing, I will argue that Roth presents a paradoxical vision of Jewish American identity that could be acquired by performing perpetual self-effacement and submergence into the non-place of anonymity and doubleness, a mythic location of the post-ethnic Cold War American family. Levov's life becomes true part of the mythic narrative of American history when he realizes that his life, just like the nation's history, is a series of temporalities radically discontinued without any manageable detour ot divine bypass to cross over. Rather than indicating Roth's retraction from the postmodern understanding of subjectivity, the novel's historical realism, I will argue, serves to illuminate the postmodern conditions of American Cold War history and ethnic identity.

• 건축역사연구
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• 제2권2호
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• pp.9-25
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• 1993

The storehouse for ice was an installation to use the ice during summer season. Even though it shows various versions of styles according to the different periods and regions, it consistently developed through the history with structural characteristics. In this study, first, the management of the icehouse system through the history is examined; second, seven existing icehouses in Korea are investigated in terms of their size, material, history, structure ; and finally, the structural patterns of the ice houses are examined.

• 보존과학회지
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• 제32권2호
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• pp.203-213
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• 2016

대한민국역사박물관 소장 인력거의 보존처리를 진행하였다. 근 현대문화재인 인력거의 보존처리는 '의자부', '덮개부', '바퀴부' 세부분으로 나누어 실시하였으며, 금속 목재 도료 섬유 및 가죽에 대한 재질적 분석값을 참고하여 보존처리 과정을 수립하였다. '의자부'에서는 도료의 들뜸 및 탈락이 확인되어 결손부에 대한 보강 및 복원을 실시하였다. 등받이와 팔걸이, 안장부분의 경우 전체적으로 손상이 많이 진행되었으며 추가 손상이 우려되었다. 추가 손상을 방지하기위해 유사 재질의 직물로 보강을 해주었다. '덮개부'에서는 백색 얼룩과 '바퀴부'의 바퀴살, 바퀴 틀 사이 철부식물이 확인되어 세척을 실시하였고 확인된 균열부의 접합 및 보강작업을 진행하였다. 근 현대문화재는 기존에 사용되었던 재료와 함께 근대에 발명되고 생산된 새로운 재질이 공존한다는 것이 가장 큰 특징이다. 대한민국역사박물관 소장 인력거의 보존처리가 근 현대문화재의 장기적 보존처리 방안을 모색할 수 있는 기초 자료로 활용 될 것으로 기대한다.

• 한국융합학회논문지
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• 제13권2호
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• pp.151-166
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• 2022

박물관은 역사와 문화 축적의 실체이자 상징이고 박물관 유물은 역사의 혼을 담고 있는 단서이며 박물관 문화 창작물은 언제나 가지고 다닐 수 있는 역사이다. 현대박물관은 전통 박물관의 '물중심'을 '사람중심'으로 변화시키고 그 활태전승에 치중하는데, 박물관의 문화 창작물은 활태전승의 일종의 표현 방식이다. 이 글은 인터넷 조사 연구, 현지 답사, 전문가 인터뷰 등의 방법을 통해 중국 박물관 문화 창작물이 현재 직면한 기회와 어려움을 분석하여 박물관 문화 창작물의 디자인 방법을 보완하려 한다. 박물관 문화 내포 요소의 발굴과 박물관 문화 창작물 기능 요소의 확대와 박물관 문화 창작물 디자인 요소의 혁신과 문화 창작물과 인간의 공감 요소의 제조에 의한 4가지 요소를 일체화한 디자인 방법으로 탐구하고 사례실천을 검증하여 중소형 박물관의 문화 창작물들이 디자인 기법 미비로 인한 문화 창작물 기능성 부족, 혁신성 부족, 전파성 부족 등의 단점을 보완한다. 더 많은 사람을 박물관으로 안내하고, 전통 문화를 전파선양하며, 인간과 유물, 인간과 인간의 공감대를 형성시킨다.

• 통상정보연구
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• 제11권1호
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• pp.465-484
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• 2009

Since the launch of the GATT system, one of the most controversial topics in trade liberalization has been the conflict between culture and trade. The sticking point has been the necessity of cultural exceptions in trade rules. Some countries do not wish to allow further exceptions to basic principles even in cultural industry, while many other countries make their efforts to obtain "cultural safety valve." The latter group asserts that it is indispensable for the protection of cultural identity, whereas the former seems to doubt the truth of the assertion. That is because cultural policy measure possibly constitute a means of arbitrary or unjustifiable discrimination between countries, or a disguised barriers to trade in cultural products. Unfortunately, cultural exceptions still remain unresolved in the WTO, the successor to the GATT. This paper is to review the history and rules of multilateral trading system on cultural industry, address the critical issues to deal with in the DDA negotiations, and lastly provide some perspectives on the appropriate shape of the cultural safety valve.

• 대한안전경영과학회:학술대회논문집
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• 대한안전경영과학회 2013년 춘계학술대회
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• pp.485-500
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• 2013

Cultural assets of the country's history and cherish the living conditions of the people, conscious and cohesive crystals, and the pride of the hearts of the people as a haven. In the country worth preserving national treasure, bomulgeup, local cultural heritage as a major cultural property protection are. Cultural properties, etc. Most are wooden, is vulnerable to fire, and, moreover battling to far away from the city and due to the geographical conditions are very challenging aspects. The national cultural assets, such as the many temples, vows to fire one if the loss of a centuries-old cultural property is a big loss of national posterity to great shame is not. Still cultural assets and a large number of visitors have flocked temples. All of us to keep the look and feel of the cultural assets pleasure to conserve cultural assets preserved to ensure that fire prevention is always unmistakably bear in mind that sees.

• 건축역사연구
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• 제20권1호
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• pp.61-75
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• 2011

This study aims to investigate the changing aspects about research methodology of stone pagoda from the period of Japanese colonial to now. There were the differences in purpose, method and analysis of the research according to each period. In Japanese colonial period, the purpose of research was to make lists of almost stone pagodas in Korea. Following this, Japanese researchers conducted detailed research for academic purpose. They took measurements of stone pagodas and made drawings. After liberation the research was focused on the relics contained in pagodas. They proceeded to investigate the inner relics in order to attract the attention of the people. In the late 1900's, the repair works of cultural heritages were increased. Many reports of the repair works were released and sent to administration offices. The reports contained the change aspects of situation between before work and after with drawings or simple investigation documents. In the 1990's, the restoration works for important stone pagodas were started by the National Research Institute of Cultural Heritage. Since then, researches from various way - architectural and conservational researches about historical interpretation, shape, structure, proportion, technique, etc. - progressed for careful restoration and accurate study. In Recent years, various professional organizations(in the field of structure, physics, chemistry, biology, lithology, etc.) started to join the researches. Researches conducted studies directly with the stone pagodas, as well as conducting indirect studies with the stone pagodas, such as the structural stability of stone pagodas, the characteristics of rock, and conservation chemicals. Today the research project 'The preservation project of stone cultural property' is being conducted by the National Research Institute of Cultural Heritage. The purpose of this project is to gain more detailed and accurate investigation documents to be provided for the people. In conclusion, researches from various fields must be included in the research. Furthermore, a synthetic study should be done through comparing similar characteristics or different characteristics among many research results.

• 건축역사연구
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• 제15권4호
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• pp.7-22
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• 2006

The purpose of this study is proposing a method of developing experience program for organizing continuous 'Recreating Cultural and Traditional Village'. Therefore, with having purpose of developing experience program which is deeply related with residents organization and architecture in the village, the researcher has participated in '2005 An-dong Gunjamaul Recreating Cultural and Traditional Village', accomplished developing experience program which can continuously manageable by residents and space and facilities which are accompanied with program. The results of this research are as follows. The developing process of experience program has four phases, selecting program, planning program, growing and changing program, and practicing and firmly establishing program. Moreover, the relationships between space planning and setting up a resident's organization and the experience program need to be considered. The things that experts have to consider are come up with three subjects. First, planning experience program with citizen participation. Second, designing experience program with spaces which will contain the programs. Third, developing programs which are accompanied with rediscover village's resources through continuous feedback.