• 제목/요약/키워드: Cultural Globalization

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Translated Picture Books in Korea from 1969 to 2012

  • Ko, Seonju
    • Child Studies in Asia-Pacific Contexts
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    • 제4권1호
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    • pp.65-76
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    • 2014
  • This study aims to explore the characteristics of translated picture books in South Korea and their cultural meanings over a five-decade period. This time can broadly be divided into three periods, being the Settlement Period (pre-1990), the Flourishing Years (1991-2000) and Globalization (post-2001). During the Settlement Period, picture books in South Korea were derived mainly from Japan and America and tended to be informational in nature or based on folk tales. These were translated into Korean to meet the public's curiosity for foreign cultures or for scientific information. The Flourishing Years were characterised by the availability of picture books on a wide variety on themes and forms from all over the world. In this period, the translation of books into Korean focused on a literal rendition of the meanings and sounds of names from the original text. There was also a proliferation of audiotapes, videos and TV programs based on famous picture books. In the current period of Globalization, Korean publishers, who have built confidence through studying foreign picture books over time, have increased efforts to produce their own picture books and export them abroad.

지식정보사회의 경제지리학 발전과 과제 (The Development and Prospect for Economic Geography in a Knowledge-Information-Based Society)

  • 한주성
    • 한국경제지리학회지
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    • 제11권3호
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    • pp.273-301
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    • 2008
  • 본 연구는 지식정보사회의 등장 배경으로 세계화, 정보화, 네트워크화에 대하여 살펴보고 이들이 만들어낸 '지식지리학'의 연구분야와 지식정보사회에서의 경제지리학의 연구과제를 밝히는 것을 목적으로 한다. 1970년대 후반 세계화, 정보화, 네트워크화가 토대가 되어 지식정보사회를 맞이하였으며, 지식정보사회에서는 신경제가 주도적인 역할을 했다. 이러한 신경제는 높은 기술수준과 고부가가치를 가진 지식을 중요시하는 경제이므로 지리학 분야에서 투입과 산출과정에서 지식집약도가 높은 경제활동을 대상으로 하는 '지식지리학'의 등장을 가져왔다. '지식지리학'은 제조업의 첨단기술산업과 신산업집적론, 금융 서비스 산업, 미디어 산업, 문화산업, 창조산업 등이 넓은 의미에서의 지식창조로 경제지리학에서도 이에 대한 연구의 축적이 이루어지고 있다.

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새로운 시민성의 공간 등장 : 국가 시민성에서 문화적 시민성으로 (New Space of Citizenship : From National Citizenship To Cultural Citizenship)

  • 조철기
    • 한국지역지리학회지
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    • 제22권3호
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    • pp.714-729
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    • 2016
  • 근대 이후 국민국가의 출현으로 국가 시민성이 강조되어 온 것이 사실이다. 그러나 최근 세계화의 물결 속에서 경계화된 영역을 통해 담보되고 공고히 되는 국가 시민성의 영향력은 갈수록 줄어들고 있다. 세계화는 한 국가의 시민들로 하여금 밖으로는 지구촌 사회에 걸맞는 글로벌 시민성을, 안으로는 다문화 사회에 적합한 문화적 시민성을 요구하고 있다. 이러한 경향은 시민성에 대한 지리적 초점이 정치적 영역에서 점차 사회적 문화적 영역으로 이동 확장하고 있음을 보여주는 것이다. 뿐만 아니라 개인의 일상적인 측면 역시 강조되면서, 시민성은 서구적 관점에서 표준화된 개인에서 젠더, 연령, 계층, 민족 등의 사회적 차이에 근거한 비서구적 관점, 즉 미시적인 일상적 공간에서의 포섭과 배제로 확장되고 있다. 이처럼 개인의 충성과 의무를 강조하는 국가 시민성 일변도에서 벗어나 개인의 권리와 차이를 강조하는 문화적 시민성과 일상적 시민성이라는 새로운 시민성의 공간이 도래하고 있는 것이다. 이는 한 국가가 공통적인 국가 시민성을 구축해야 하는 과제와 함께, 개인 또는 시민의 다양성 역시 인정해야 하는 도전에 직면하고 있음을 말해 준다.

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공간정보 및 문화콘텐츠 융합 환경에서 공공 문화콘텐츠 서비스 프레임워크 구현 (An Implementation of Service Framework for Public Culture Contents in the Convergence Environment of Spatial Information and Culture Contents)

  • 홍대기;송병선;이남용
    • 디지털콘텐츠학회 논문지
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    • 제11권2호
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    • pp.195-201
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    • 2010
  • 최근 문화산업은 세계화, 컨버전스, OSMU(One Source Multi use)의 확산 등 환경 변화에 따른 글로벌 경쟁이 본격화되고 있으며 감성, 체험 등 문화적 창의성이 국가 발전을 위한 핵심 경쟁력으로 부상하고 있다. 그러나 디지털화된 문화콘텐츠는 자료의 축적, 보존, 관리 수준으로서 그 정체성 및 활용성 저하가 심화되고 있어, 문화의 공간화 및 공간의 문화화를 통한 상생 모델화가 필요하다. 문화콘텐츠 산업이 더욱 활성화되기 위해서는 창조 콘텐츠가 생산될 수 있는 기반으로 시공간 정보를 포함하고 있는 공공 문화콘텐츠를 자유롭게 검색하고 원하는 대로 가공 또는 재생산하여 전시, 유통할 수 있는 문화공간(Culture Space)을 제공할 수 있어야 한다. 본 논문에서는 문화(Culture) 및 공간(Space)의 융합 형태를 통하여 시공간의 디지털 정보를 담고 있는 문화콘텐츠에 개인이 자유롭게 확대 재생산 및 부가가치를 창출할 수 있는 문화공간을 제공하기 위한 공간정보와 문화콘텐츠 융합 환경에서 공공 문화콘텐츠 서비스 프레임워크를 구현하였다.

East Asian Trade Flows of Cultural Goods: A Gravity Model Approach

  • Yu, Shasha;Park, Eui Burm
    • 아태비즈니스연구
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    • 제2권1호
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    • pp.49-73
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    • 2011
  • With the market evaluation of economic globalization exchanges between different cultures, cultural trade has been developing at an accelerated speed, and also playing an important role in East Asian intra-regional trade. In this research the author used gravity trade model to explain the causal relationship between dependent variable trade flows and several independent variables applying with five categories cultural goods which classified in HS codes. Firstly for cultural heritage trade flow, the results indicated that economic masses of bilateral countries have no significant influences on it; GDP per capita of host country and adjacency factor with partner country have significant negative influences on it; Internet coverage ratio has improved cultural heritages exchanges in East Asian regions. Secondly for printed matter cultural goods trade flow, the distance factor has significant negative influence but common language has significant positive influence on it. Thirdly for recorded media cultural goods, only economic masses and GDP per capita of bilateral countries can improved their trade flows. Fourthly for visual arts cultural products trade flows, almost all variables we tested have significant influences on it. Fifthly for cinema photography cultural goods trade flow, the influenced factor are same with cultural heritage products except they have strong positive interaction relationship with economic masses and common language. At last, the paper figured out some important and potential sectors for cultural goods trade in East Asia and gave some suggestions to government and cultural goods product enterprises.

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A Study on Mobile Telephone Design and Application with Chinese Cultural Characteristics

  • Wei, Sun
    • 한국콘텐츠학회:학술대회논문집
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    • 한국콘텐츠학회 2010년도 춘계 종합학술대회 논문집
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    • pp.478-482
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    • 2010
  • Considering the globalization and the development of regional culture, culture and design become more and more closely connected. It is obvious that every country, based on politics, economy, society, industry, has a different understanding to the design. With the popularity of mobile phone, it has been in close contact with our lives. Mobile phone is changing our way of life, it also has become a culture, and is reflected in a period in different countries and different ethnic's cultural traditions and lifestyle. In this paper, the study is about the impact of culture on mobile telephone design and application, especially for appearance and input for mobile telephone.

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디지털 이미지의 표현과 해석 관점에서의 정성적 비교 문화 연구: 문화적 Schema 를 중심으로 (Qualitative Cross-Cultural Study on the Expression and Perception of Digital Images: Focusing on Cultural Schema)

  • 최지웅;김소령;김지현;이인성;김진우
    • 한국HCI학회:학술대회논문집
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    • 한국HCI학회 2009년도 학술대회
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    • pp.1301-1308
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    • 2009
  • In this paper, we conducted cross-cultural studies on digital images, which is an important element of the user interface. We brought in the schema theory to explain the cross-cultural difference in expressing and perceiving digital images. Participant-ethnography, in-depth interview, and card sorting were conducted to explore how expression and perception of image are influenced by schemas. Our results of qualitative studies indicate that there are differences in schemas between cultures depending on the topic of expression and perception. With these results, we suggest globalization and localization strategies of website.

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예술가 해외거주 프로그램(Artist-in-residence)의 확산과 진화 - 창조도시 구도에서 국가 간 협력 프로그램까지 (Expansion and Evolution of Artist-in-residence Program: From Structure of Creative City to the Nations' Cooperation)

  • 박신의
    • 미술이론과 현장
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    • 제6호
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    • pp.123-145
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    • 2008
  • Artist-in-residence which gets chances to create by artists' moving and encountering new culture is heightening its level in 21th century. Under the circumstance that issue of cultural diversity and the role of artists which is for city revitalization and sustainability are affect residency program in the midst of highly proceeded globalization that international exchange. Therefore, in the aspect of creative city, a new model is creating by reuse of abandoned industrial facilities and Asia or Eastern country become the subject in residency program management, the issue of cultural diversity is getting more important, programs based on project not just residence are managing. Furthermore, it has inter-country cooperating system in the rage of cultural management. It means that artists' space of creating activity has a new, social role in spontaneously we need to approach to following model in Korea, as well.

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Qualitative Cross-Cultural Study on the Expression and Perception of Digital Images: Focusing on Cultural Schema

  • Choi, Gi Woong;Kim, Solyung;Kim, Jihyun;Lee, Inseong;Kim, Jinwoo
    • International Journal of Contents
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    • 제8권4호
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    • pp.78-87
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    • 2012
  • In this paper, we conducted cross-cultural studies on digital images, which is an important element of the user interface. We brought in the schema theory to explain the cross-cultural difference in expressing and perceiving digital images. Participant-ethnography, in-depth interview, and card sorting were conducted to explore how expression and perception of images are influenced by schemas. Our results of qualitative studies indicate that there are differences in schemas between cultures depending on the topic of expression and perception. With these results, we suggest globalization and localization strategies for websites.

소비사회의 전개와 한국 세대문화론의 시각 (Debates on the ′Generation Culture′ in the Process of Consumer Society)

  • 송도영
    • 인문언어
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    • 제5권
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    • pp.293-310
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    • 2003
  • This study starts with a remark on the frequent usage of the term 'generation culture' in the explanations of cultural change. The term 'generation culture' itself does have neither a clear meaning nor any academic consensus for its operational definition yet. Depending on intuitions or common senses, in most cases, of everyday lift experience, the tends to designate the co-existence of different cultural layers as composing subsystems of a little broader Korean cultural trend. I tried here to analyze different positions and perspectives in the employment of this term, sometimes with strategic intentions of each social groups. Economic or political positions, for example, are intertwined with the quest of identification concerning 'we' and 'other' grouping dynamics in the Age of Globalization, which accelerates the speed of cultural re-territorialization. And the role of consumption activity as a kind of cultural indication has gained more weight in that process. This analysis will remind us, also, of the post-modem society's assumption about the space-and-time in transition, and its fluctuation.

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