• International Journal of Costume and Fashion
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• v.9 no.2
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• pp.49-66
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• 2009

In the 21st century, the lining design has been interpreted from diverse perspectives, as one of important elements in fashion design. The purpose of this study is to build up the foundation of elementary resources for Korean styled lining design. For this, it was understood through the theoretical research with respect to the history of lining. In order to preparing the standards to develop the lining design in a Korean image, the photos of women' swear collection taken from 2005 SIS to 2009 F/W and the results of marketing research on the women'swear industry were used for the analysis which are studied in three categories: brand symbolism, cultural identity and vogue. Based on these, the design was carried out.

• The Research Journal of the Costume Culture
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• v.18 no.1
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• pp.205-215
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• 2010

In modern society as people adapt to social and cultural changes, people prefer high-scarcity designed products rather than standardized ones. Consequently, this adaptation lays a foundation in art and cultural domains to express uniqueness and individuality. The purpose of this study is to develop fashion designs by fusing fashion painting and handicraft techniques through creative and various artistic expressions. The researchers studied the sociocultural background of modern handicraft fashion using document-based research methods. Based on the characteristics of modern handicraft, we produced six garments that applied fashion painting techniques. In this study, the origin of fashion painting was found in ornaments such as tattoo or body-painting. We determined that modern designers were using various fashion painting techniques and motives as unique and advanced ornamentary skills. Harmonizing various handicraft techniques(dyeing, embroidery, quilt, patchwork, beads, fashion painting, etc.) centered on fashion painting enabled creation of unique fashion design through varieties of artistic expressions.

• Journal of architectural history
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• v.29 no.2
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• pp.31-38
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• 2020

This paper aims at the examination on the fallacy of the name of 'Dadaepo-gaeksa'. The results are as follow: The so called 'Dadaepo-gaeksa' was one of the official buildings of Dadaejin, the naval forces in the late period of J osun dynasty. The building was moved to Molundae near the original site in 1970. And two years later, it was designated as a cultural asset. However it's real name is 'Dadaejin-dongheon', because Dadae-jin gaeksa was demolished about the time of the foundation of Dadaepo-elementary school. Otherwise, Dadae-jin donheon was used as a school building from 1904 to 1970. Futhermore, the architectural style of the existing building is different from the general gaeksa's in the period of J osun dynasty. Therefore, the name of Dadaepo-gaeksa needs to change into Dadaejin-gaeksa and to restore as its original style.

• Journal of Daesoon Thought and the Religions of East Asia
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• v.1 no.2
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• pp.115-132
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• 2022

Caodaism officially came into existence in 1926 in Southern Vietnam and soon became a spiritual phenomenon, in the sense of spiritual and social influence. Despite being sandwiched between political forces and ruling governments, Caodaism steadily grew far beyond its national boundary. After 95 years, Caodaism eventually reached Taiwan when a new small Cao Đài Congregation, approved by top Cao Đài Dignitaries in Vietnam, was established in Zhongli District, Taoyuan City by a group identifying as 'Vietnamese New Immigrants' in Taiwan. This article traced this religious organization's doctrine, philosophy, prophecy and relevant socio-cultural factors and found that (1) Caodaists see the successful spreading of Caodaism to Taiwan as having been prophesied long ago; (2) Caodaists believe that any human efforts by Cao Đài missionaries to spread Caodaism overseas without approval from Divinities could end up in failure; and (3) the similarities in social, cultural, and religious practices between the peoples of Vietnam and Taiwan lay a strong foundation for Caodaism to further develop in Taiwan.

• Proceedings of the KAIS Fall Conference
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• 2011.12a
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• pp.11-13
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• 2011

본 연구는 일반인들의 서울시 자치구 문화재단에 대한 인식을 유형화하여 사람들의 주관성을 다루고, 구조를 밝혀내고자 한다. 이를 통하여 향후 자치구 문화재단에 대한 지원체계나 관련제도를 마련하는데 근간을 마련하고자하며, 각 지역의 문화수용자에 관한 다양한 논의 및 자치구 문화재단의 운영계획을 수립하는데 기초자료로 활용될 수 있다.

• Journal of the Korean Society of Costume
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• v.52 no.5
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• pp.79-89
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• 2002

We can see various cultural elements appeared in modern fashion, of which Korean traditional cultural elements are being reinterpreted in many different ways. This study is to analyse on the basis of togetherness concept Korean traditional elements, which have been considered difficult to interpret by postmodernism and find the ways how to carry on our traditional culture practically in order to prepare the foundation for globalization of our tradition. Togetherness means 'with' or 'simultaneously', which also conveys the meaning of common cause and result, addition and annex, opposition and juxtaposition, or accumulation and integration. Characteristics of the togetherness appeared in Korean fashion are as follows. First of all, it shows the aspect of mixing and integration of different cultural fashion elements around the globe, which have been made possible in the course of globalization and development of information technology. The second characteristic is crossing and synchronization, which means that many different individual fashion elements in terms of time and space are being crossed over and integrated these days. Thirdly, continuation meaning 'without cease' and 'keep going' shows that togetherness is to create a whole new fashion trend by mixing postmodern revivalism and past clothing elements. Togetherness makes it possible for us to find reasons why tradition aspects are expressed so vividly in the modern clothing, gives us a standard to classify the reasons, establishes an identity and offers theoretical background for globalization of traditional clothing in the course of modernization of our tradition.

• Journal of architectural history
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• v.24 no.2
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• pp.45-54
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• 2015

The purpose of this study is to analyze the changing process in the Ddeulzip of Jaeryoung Lee's clan family. The subject of this study is clan family of Jaeryoung Lee in Andong Area. The period of Ddeulzip's changing process is divided into largely three parts. The establishment process and changing process for Jaeryoung Lee's family is analyzed during early (15~16C), mid(17~18C) and late(19~20C) periods. The characteristics of early periods is that it made a main ancestral building of Ddeulzip form. Those of mid Chosun period is in their strong will to preserve their ancestral house. During the late period, many of the different styles of Ddeulzip were constructed due to the stable environment of both political and economical status. The residential house of Jaeryoung Lee family that were centered in Youngduk and Youngyang area include diverse forms for both high and middle class social status. Jaeryoung Lee family's Ddeulzip is thus considered to bring about the firm foundation as a clan family representing the Andong cultural area through the development of Ddeulzip.

• The Journal of Engineering Geology
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• v.16 no.3 s.49
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• pp.301-306
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• 2006

Damages of cultural properties is caused by subsidence of foundation relating stone structures. To prevent of these structures, ground monitoring should be achieved certainly. Representative ground subsidence cause is saturated and unsaturated condition that is produced repeatedly by groundwater level fluctuations. It controls role that decrease porosity or effective porosity of soil media. Estimation of physical properties can predict from reaction of dielectric constant. Variations of dielectric constants are measured from physical characteristics change of pore, soil particle, air and water which are consisted to ground. Therefore, ground subsidence monitoring is thought that quantitative measurement is available using dielectric response of media.

• Journal of the Korean Society of Clothing and Textiles
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• v.43 no.4
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• pp.562-578
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• 2019

Fashion in modern society reflects contemporary times as well as plays an important role in understanding the relationship with various objects and socio-cultural phenomena. Fashion is also based on the idea that is accepted as suitable under contemporary judgement that forms an aesthetic notion of beauty and creates infinite ideal and fantasy. There is a need to see fashion from a broad approach within the socio-cultural concept. Fashion Thinking, based on diversified research on social roles and fashion value has been widely used in other industrial fields; consequently, this study examines phenomena that appears in the automobile industry. This study helps reveal the implied influence of Fashion Thinking toward other industries and socio-cultural aspects, by deriving characteristics and value of Fashion Thinking through an analysis of the applied cases of Fashion Thinking in the automobile industry. The result of this study has a practical meaning that lays the foundation for understanding Fashion Thinking for innovative creative management and utilizing it effectively in other industrial fields such as the automobile industry.

• Journal of the Korea Convergence Society
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• v.13 no.5
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• pp.201-207
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• 2022

This study analyzed the Seungmu research trends published in domestic academic journals from 1978 to 2021. Seungmu, a traditional Korean dance, has been handed down for a long time and has established itself as a traditional dance representing Korea. I think that the trend analysis of Seungmu Dance can present basic data that can solidify the succession, preservation and development of Seungmu Dance, a sustainable traditional cultural heritage. I think that the trend analysis of Seungmu dance is a meaningful process that lays the foundation for the vitalization and popularization of Korean traditional dance.