• 인지과학
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• 제3권2호
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• pp.311-328
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• 1992

인간이나 기계변역기에 의해 생성되는 영어 문장은 이들이 가지고 있는 동사사전의 내용과 효율적인 생성 알고리즘에 의해서 문장의 수준이나 정확성이 결정된다.이렇게 생성된 문장을 검사하는 기존의 영어 문법검사기들은 문자의 문형을 결정하는 중요한 요소인 동사형이나 문법적인 중요한 규정들을 포함하지 않고 있어서 비영어권의 사용자가 이용하기에는 부적절하다.본 논문에서는 인간이 번역하였거나 기계 번역기에 의해 생성된 문자을 검사하고 교정할 수 있도록,확장 동사형을 기반으로 한 동사 사전을 제안하고 이를 이용하여 영어 문장의 검사에 적용하는 방안에 대해 연구한다.

• 한국생활과학회지
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• 제3권1호
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• pp.15-21
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• 1994

In this critique, the mission of child/family professionals is reidentified as educators, researchers, and practitionars. In order to more effectively assist child and family in coping with a changing society, educators need to give serious attention to such issues as self-formation for the individuals and human relations for the families. The missons of researchers are shifted from quantitative to both qualitative and quantitative emphases. The micro - and macro - intervention are seen as primary two roles for the practitioners. Implications of these missions are discussed in terms of specific suggetions for the future direction. Consequently, challenges and opportunities abound for child/family professionals.

• 기술혁신학회지
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• 제3권3호
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• pp.125-140
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• 2000

The paper studies on the cooperation between the humanities & social sciences and natural science & technology in 1990's. The article showed policy alternatives about the crisis of humanities & social sciences. That was science wars and we heard that was announced by Sokal affair. In this article, the author inquired into the Korean research policy's crisis and presented the policy alternatives about the crisis of humanities & social sciences and natural science & technology in various ways. In the concrete, the policy alternatives are cultural critique of technology and science and science & development of domain about interdisciplinary studies at the humanities & social science and natural science & technology. In conclusion, First, the author showed the appraisal and institutionalization of interdisciplinary studies. Second, the researcher proposed few policy alternatives and developmental area of interdisciplinary studies between the humanities & social sciences and natural science & technology.

• International Journal of Contents
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• 제8권3호
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• pp.94-99
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• 2012

Science fiction films touch coming-future themes, particularly those referring specifically to futuristic technology and its influence over human life. Dealing with the resistance of the replicants in the approaching millennium, Blade Runner brings the feat of modern civilization into doubt through the image of the dystopian future. In Blade Runner, a city is filled with waste, pollution, and dirt and a corrosive rain falls from the polluted clouds. Adorno criticizes contemporary society and its civilization. Characterizing advanced capitalist society by its total administration penetrating into every sphere of life, he contends that modern society promotes alienation, atomization, conformism, and fatalism. Blade Runner provides a chance to contemplate the problems of modern society, proposed by Adorno's critical works. Therefore, this paper attempts to analyze futuristic characteristics described in the film with Adorno's critique of modern society.

• 셀메드
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• 제5권3호
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• pp.16.1-16.3
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• 2015

Evidence based medicine involves using both the individual clinician's expertise and the current best available external clinical evidence from systematic research in deciding on the appropriate care for individual patients. The current approach to evidence based practice in healthcare adds a third component which is patient values. Evidence based practice is thus a triad, in which the practitioner's expertise, research evidence and the patient's values are all given consideration. The balance to be struck between them depends on the individual case. The literature indicates that complementary medicine practitioners are moving away from traditional knowledge and towards the use of evidence based practice in their clinical discussions. In the context of the daily practice of complementary medicine practitioners and their continuing development of their knowledge base of evidence based practice, this short review discusses the good and bad of a review journal article.

• 정보관리연구
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• 제30권2호
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• pp.53-68
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• 1999

본 논문은 인용분석에 대한 비판적 견해를 살펴봄으로써 인용분석에 대한 미래를 전망하고자 하였다. 구체적으로는 인용분석의 발전과정을 기술의 발전, 도구의 개발, 사회적 환경이라는 측면에서 검토하고, 이러한 발전을 주도하였던 규범이론을 설명하였다. 그리고 미시사회학적 견해에서 제시되었던 인용분석에 대한 비판을 가정의 한계와 데이터의 문제로 구분하여 검토하였다.

• 건축사
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• 통권547호
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• pp.66-67
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• 2014

• 인문언어
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• 제1권2호
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• pp.141-158
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• 2001

Criticism of today finds itself in an awkward situation, for it is now being transformed in the same way that literature and the arts were transformed by the avant-garde movements at the end of the 19th century and the beginning of the 20th century. It is characterized predominantly by a break with harmony and with the values of realism. As such, it is driven by a post-modem ethos, an artistic, social, and cultural phenomenon that veers toward open, fragmentary, and indeterminate forms. In this paper, I examine today's most urgent social and cultural issues with reference to artistic production and criticism, in order to illuminate the true nature of criticism. The outstanding questions in the world of art criticism are given in five categories: the lack of critical reality in argumentative criticism; the problem of artistic and literary production in global capitalism; the artistic mind and its consciousness of socio-historical ideology; anxiety of the rise of cyberjournalistic criticism; and the question of subordination to western systems in the field of interpretation and criticism. For my analysis, I have tried to formulate a three-dimensional critique structure that will help us organize the relationships between the points of argument: 1) criticism as a creative force behind the artist; 2) criticism as critique of artistic production; and 3) criticism as critique of other critics. This multi-layered structure will be appropriate to our task of interpretation and evaluation, as the proposed complex structure of criticism will be able to embrace the diverse aspects of our problematic argument. In the final analysis, my argument resolves itself into a question of art, more specifically into a question of criticism as a protective device of art in an age threatened by globalization and cultural monopolization.

• 철학연구
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• 제147권
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• pp.29-58
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• 2018

이 글의 목적은 헤겔의 법철학이 자유주의에 대한 변증법적 비판이라는 점을 밝히는 데 있다. 이 글에서의 변증법적 비판이란 형식논리학적 부정이 아닌 자기부정적 자기복귀라는 헤겔적 의미의 변증법적 부정을 의미한다. 따라서 헤겔 법철학이 자유주의에 대한 변증법적 비판이라면 헤겔 법철학은 자유주의에 대해 비판적이면서 동시에 자유주의를 거부하지 않고 오히려 자유주의적 측면을 갖게 될 것이다. 자유주의에 대한 비판은 개인의 자유와 권리가 개인의 자유로운 행위를 통해 주관적으로 실현될 수 없고 반드시 사회적 매개를 통해 상호주관적으로 실현된다는 점을 함축한다. 그리고 이는 현대 자유주의자들의 논쟁에서도 발견된다. 왜냐하면 현대 자유주의는 개인의 자유와 권리의 실현을 위해 정부의 역할이나 제도적 마련을 요구하고 있기 때문이다. 그리고 헤겔 법철학의 자유주의적 측면은 헤겔이 인륜성 속에서 실현하고자 하는 가치가 결국 개인의 자유와 권리의 구체적 실현과 확장이라는 점에서 드러난다.

• 영미문화
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• 제14권2호
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• pp.287-309
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• 2014

The purpose of this paper is to critique British imperialism in Bapsi Sidhwa's Cracking India (1991) by analyzing the partition of India from the perspective of nation, religion, and women. Dubbed "Punjabi-Parsi-Indian-Pakistani," Sidhwa is in a position where she can view the partition from an objective and neutralized stance. Rather than focusing on the lives of nationally well-known political figures such as Gandhi, Nehru, or Jinnah, Sidhwa delves deep into the miserable lives of the lower classes before and after the partition. First, I analyze the process of the partition, as it is performed through the manipulation of British imperialism. By adopting the viewpoint of an 8-year-old Lenny, who is the daughter of a Parsi family, Sidhwa is able to critique both British imperialism as well as the male-dominated Indian society where the treatment of women is unthinkably harsh. Second, I focus on the tragedy of the confrontation of three religions, Hindu, Muslim, and Sikh. Religious people fight each other while they were forced to move from South to North or from North to South. I argue that the religious conflicts have much to do with political issues. Third, I want to argue that women are the major victims of the partition. Ayah, Hamida, and Papoo are victims of male-dominated India during the partition. They symbolize the feminized India, which is exploited and victimized by British Imperialism. Even though Ayah is shattered by Ice-candy-man while working as a prostitute and dancer, she decides to return to her home in India, which shows her challenge against male-dominated India as well as against British colonialism. In conclusion, Sidhwa tries to heal the suffering of the Indian women who fell victim to male-dominated Indian society by criticizing the problems of British imperialism. In addition, by dealing with the lives of silenced people, Sidhwa asks readers not to forget the historical tragedy and not to repeat the tragedy again.