• 법제연구
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• 제41호
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• pp.303-335
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• 2011

통신산업에서 급격한 변화는 통신법 규제체계에 많은 영향을 미치고 있으며, 개인정보 보호의 측면에서도 이러한 변화가 요구되고 있다. 전통적인 통신법에서는 개인정보(privacy)의 비밀을 보호하는 것이 가장 중요한 정책 목표였지만, 디지털화된 통신 환경에서는 정보의 형성, 저장, 전송 등의 모든 과정에서 개인정보의 보호가 문제가 되고 있으며, 특히 통신사업자 등이 개인정보 보호의 주체로서 중요한 의미가 있다. 2003년 EU의 프라이버시 지침의 제정이나 1996년 미국 통신법의 개정을 통하여 새로운 관점에서 개인정보 보호의 필요성을 반영하고 있으며, 우리 통신법 체계에서도 이러한 제도 개선이 이루어져 왔다. 즉 개인정보 보호에 관한 일반법으로서 "개인정보보호법"이 제정되고, 통신산업에서의 특별한 규율의 의미가 있는 "정보통신망 이용촉진 및 정보보호 등에 관한 법률"과 "위치정보의 보호 및 이용 등에 관한 법률" 등이 특별법으로서 개인정보 보호의 근거가 되고 있다.주제어:개인정보, 통신산업, 프라이버시 지침, 개인정보보호법, 정보통신망법이와 같은 개인정보 보호를 위한 통신법 체계는 긍정적인 것으로 평가할 수 있지만, 개인정보 보호의 구체적인 유형에 상응하는 규제 내용을 보완하고, 개인정보 보호의 기본 요건으로서 정보주체의 동의를 실질화 하는 방안을 지속적으로 강구해야 할 것이다.

• 대순사상논총
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• 제22권
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• pp.471-507
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• 2014

Edification in Daesoonjinrihoe is not only a phenomenon that occurs following the differences of religious experience or spiritual development among the community members, which enables the members to share teaching and learning experiences with one another, but also an issue determined as one of the major activities of the religious order and a plan for achieving the purpose of the religious order-Podeokchenha(Wordly Propagation), Gujechansaeng (Salvation of all mankind) and Jisangcheonguk Geonseol(Building of earthly paradise). The purpose of this article is to clarify its concept and provide an example of edification, through considering the historical model for edification to help the cultivators with their work of edification. The archetype of edification of Daesoonjinrihoe was formed and gradually developed in phases by Sangje, Kang Jeungsan, the Supreme God(姜甑山, 1871-1909), Doju, Jo Jeongsan(趙鼎山, 1895-1958) and Dojeon, Park Wudang(朴牛堂, 1917-1995), by the three of whom the Religious Authority was succeeded. Sangje descended to the human world and preached to people to live by the rule of Haewon Sangsaeng(Resolution of grievances for the mutual beneficences of all life) and set an example of abolishing the old customs, living in mutual beneficences and having respect for human being. Doju, in revering the last will of Sangje, established the religious order by setting its creed, rituals and activities, which formed most contents of the archetype of edification. Dojeon set up a religious faith system by firmly establishing the Religious Authority and performed the True Law in accordance with Sangje's program of heaven to educate the cultivators to achieve the goal of self-cultivation following the last will of Doju. Through this, a perfect method to reach the state of Dotong(The Truly Unified State of Dao) is fulfilled. In this way, the archetype of edification was formed in the process of succession of Religious Authority. In conclusion, edification in Daesoonjinrihoe contributes to a 'systematic conveyance and understanding' through the historical archetype of edification, and it can be described as a concept that becomes a model to put into practice the 'True Law' of teachings given by two Sangjes for Dotong. Therefore, edification of Daesoonjinrihoe is drawing attention of its development as an important activity that realizes the ultimate value of the religious order because it solves the problems of immorality(absence of Dao), disorder and disregard of human value generated from the other side of this material civilization, with the truth of Haewon Sangsaeng, and has a function of rebuilding and leading the individuals and the society to the Truly Unified State of Dao through performing of the True Law.

• Composites Research
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• 제37권1호
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• pp.7-14
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• 2024

이중 롤러는 Gap block 설계에 따라 동일한 크기와 하중 조건에서도 다양한 변형 양상을 가질 수 있다. 이러한 특성을 활용하여, 본 연구에서는 제품 이송 과정에서 발생되는 주름과 같은 결함을 최소화하기 위한 Carbonfiber reinforced plastic (CFRP) 이중 롤러의 Gap block 설계 방법을 제안한다. 가장 먼저, Gap block에 대한 주요 설계 변수와 공정 정밀도를 고려한 분석 case들을 선정하고, 유한 요소 해석을 활용하여 CFRP 이중 롤러의 변형 양상을 추출한다. 여기서, 본 연구의 목적을 만족하는 최적의 Gap block 설계를 수행하기 위해, 제품과 롤러가 접촉하는 지점들 간의 변형 편차에 기반하여 CFRP 이중 롤러의 변형 양상들을 비교 분석한다. 그 결과, 본 연구에서 제안한 Gap block 설계 방법을 통해, 롤러의 직경 또는 길이와 같은 전체적인 크기 변화없이 제품 이송 시 결함을 크게 감소시킬 수 있는 최적화된 CFRP 이중 롤러를 구축할 수 있었다.

• 동의생리병리학회지
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• 제16권1호
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• pp.32-44
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• 2002

Gu-Chang is a disorder characterized by recurring ulcers confined to the oral mucosa. Despite much clinical and research attention, the causes remain poorly understood. In this paper, we will compare Gu-Chang with Recurrent Aphthous Stomatitis(RAS) in order to know what is the similiarity between Gu-Chang and RAS. So we will arrange various oriental and western medical literatures which are important. As a result of arrangement of the causes, symptoms and therapys of Gu-Chang, we can conclude through the studies as follows. 1. The etiologies of Gu-chang are following. In the Sthenia syndrome, there are evil heat of external factor, heat of heart and spleen, insomnia, heat of upper warmer, stress and diet, heat of lung and heart, excessive heat of upper warmer, inappropriate food intake, heat conveyance of organ, heat of stomach merdian, moistured heat of spleen and stomach and stasis of liver energy. In the Asthenia syndrome, there are deficiency of stomach energy, deficiency of upper warmer leading to heat, deficiency of middle warmer leading to cold, deficiency of lower warmer leading to heat, deficiency of middle energy, deficiency of blood, decreased fire and deficiency of soil, yin fire of lower warmer, deficiency of heart yin, deficiency of spleen yin and deficiency of qi and blood. 2. In western medicine the causes of RAS is presumed as local, microbial, systemic, nutritional, genetic, immunologic factors. 3. Once Gu-chang is compared with RAS, in the deficiency of yin leading to hyperactivity of fire, deficiency of yin leading to floating of fire and stasis of liver energy, recurring of Gu-chang is similar to RAS. Although recurring of Gu-chang due to tripple warmer of excessive fire has no recurrance, since there are the degree of Pain, site of lesion, dysphagia etc, it is similar to major RAS. It is may be believed that Sthenia Gu-chang is similar to major RAS, shape of recurring, site of lesion, degrree of Pain and white color of Asthenia Gu-chang are similar to minor RAS, but there is no similarity concerning herpes RAS in the literatures that describe the symptoms. 4. Generally, the treatment of Gu-chang is divided into Asthenia and Sthenia Syndrome. The method of cure to Sthenia syndrome is heat cleaning and purge fire, Asthenia syndrome is nourish yin to lower and adverse rising energy and strength the middle warmer and benefit vital energy. 5. Following is the medication for Sthenia syndrome. Heat of heart and spleen is Do Jok San, Yang Gyek San, Juk Yup Suk Go Tang, evil heat of external factor is Yang Gyek San Ga Gam, Stasis of liver energy is Chong Wi Fae Dok Yum, moistured heat of spleen and stomach is Chong Gi Sam Syep Tang. The medication for Asthenia Syndrome is following. Deficiency of upper warmer leading to heat is Bo Jung Ik Gi Tang, deficiency of middle warmer leading to cold is Bu Ja Lee Jung Tang, deficiency of lower warmer leading to heat is Yuk Mi Ji Hwang Tang, deficiency of yin leading to hyperactivity of fire is Ji Baek Ji Hwang Hwan, deficiency of yin leading to floating of fire is Lee Jung Tang Ga Bu Ja Medicine for external use were Yang Suk San, Boo Wyen San, Rok Po San, Yoo Hwa San ate. 6. In western medicine, there is no specific treatment for RAS, and management strategies depend on dinical presentation and symptoms and includes antibiotics, oral rinses, glucocorticoids, immunomodulatory drugs, vitamines, analgesics, laser and antiviral agents.

• 한국콘텐츠학회논문지
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• 제12권1호
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• pp.197-210
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• 2012

본 논문에서는 소비자들이 우유 제품을 구매시 Packaging 디자인 요소가 어떠한 영향을 미치는 가를 파악하기 위해 수도권 지역에 거주하고 있는 성인남녀 중 유제품을 구입한 경험이 있는 소비자 120명을 연구대상으로 선정하였다. 수집된 자료의 통계처리는 SPSS 12.0 for Windows 통계 패키지 프로그램을 이용하여 빈도분석과 평균과 표준편차의 기술통계량을 이용하여 산출하였다. 또한, 우유패키지 디자인을 선정하기 위해 2010년 한국리서치 소비자 정성 조사 보고서 자료와 예비조사를 토대로 출시되고 있는 전체 일반우유 패키지 디자인 중 가장 선호하는 3가지 제품과 가장 비선호하는 3가지 제품을 선정하였다. 아울러, 초코와 딸기 우유 중 가장 선호하는 우유 3가지를 선정하여 연구대상으로 선정하였다. 분석결과는 첫째, 소비자들의 우유제품 구매시 가장 고려하는 사항은 가격으로 나타났고, 둘째, 소비자들의 시중 우유패키지 디자인에 대한 평가는 우유제품의 포장 디자인에서 중요한 사항으로는 색채가 3.81점으로 가장 높게 조사되었다. 셋째, 각 제품별 우유 패키지 디자인에 대한 평가를 분석한 결과, 우유 제품 패키지 디자인은 복잡하지 않은 것으로 평가되었다. 또한, 전체 9개의 제품을 평가한 결과 1번 우유(남양: 맛있는 우유)가 다른 8개의 우유에 비하여 매우 높은 평가를 보였고, 이는 우유제품의 선택에 있어 색채패키지 디자인이 중요한 역할을 하는 것으로 풀이된다. 따라서 본 연구에서는 색채마케팅 전략을 다음과 같이 설정하였다. 첫째, 패키지 디지인의 특성을 강조할 수 있도록 심미적 호감, 정보전달, 생태계 보호, 홍보 강화 등의 기능역할을 강화, 둘째, 색채가 부여하는 심리적 내지 생리적 효용, 커뮤니케이션 매체로서 시각전달에 사용하는 효용 이외에 상품의 이미지를 전달할 수 있는 색채마케팅 전략을 구축, 셋째, 기업 이미지 통합을 위한 색채마케팅 전략을 구축하고, 마지막으로 기업과 제품 스타일에 적합한 색채를 구성해야 하며, 기업색채를 활용한 디자인마케팅을 도입해야 한다.

• 한국수자원학회논문집
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• 제47권5호
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• pp.459-468
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• 2014

수제는 일반적으로 하천에서의 흐름 방향과 유속을 제어하여 하안 또는 제방을 유수에 의한 침식작용으로부터 보호하기 위한 목적으로 설치될 뿐만 아니라 운하의 운영을 위한 충분한 수심 확보 목적으로도 이용된다. 특히 하천복원 및 자연하천 정비에 대한 관심이 커지면서 수제는 국부적인 흐름제어와 수중서식처 조성을 위한 주요 수공구조물로 제시되고 있다. 수제는 단일구조물로 설치되는 경우보다는 군수제의 형태로 설치되어 지는데 군수제의 경우 설치간격에 따라 수제역내 흐름이 다양하게 변화하기 때문에 수제간격은 군수제 설계에 있어서 가장 중요한 설계인자라 할 수 있다. 본 연구에서는 설치간격에 따라 다양하게 변화되는 수제주변 및 수제역내 흐름에 대한 검토를 통해 상향수제를 대상으로 수제설치에 따른 적절한 간격을 제시하고자 하였다. 이를 위해 주흐름영역과 재순환영역으로 구분하여 수제주변에서 발생하는 흐름을 대상으로 검토하였다. 주흐름영역은 통수능 저감으로 인해 증가된 유속이 하상안정성에 영향을 미치는 인자로 설치간격에 따른 최대유속의 변화에 대하여 검토하였다. 수제역내 재순환흐름은 수제역내 세굴 및 퇴적에 영향을 미치는 요소로서 수제역내 흐름 및 제방의 안정성에 문제를 야기시킬 수 있다. 재순환영역은 회전류의 규모와 제방부 안정성에 영향을 미치는 제방주변에서의 흐름에 대하여 분석하였으며, 수제역내 발생하는 회전류의 중심점 위치변화에 대한 비교검토를 수행하였다. 결과를 종합적으로 검토한 결과 상향수제설치에 따른 유속저감, 하상안정성확보, 수제역내역류로 인한 제방안정성 확보 등을 고려하였을 때 적절한 설치간격은 최소 4배에서 최대 6배 이내로 설치할 것을 제안하고자 한다.

• 한국연극학
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• 제49호
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• pp.5-47
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• 2013

Among the styles of performing arts, perhaps the genre that has attracted the largest audience would be musical. Popularity of musical has brought diverse changes in our performing arts market, and, upon emerging another musical genre, called 'Korean Traditional Musical Comedy,' it has been well-received by the audiences. 'Korean Traditional Musical Comedy' is a word that are formed by merging two other terms such as 'Korean Traditional Music' and 'Musical (Comedy).' In the meantime, however, it has yet some problems in order to be defined as the genre that has concrete concepts. It is because the term such as Korean Traditional Musical Comedy was created being closely associated with a marketing purpose rather than a term that defines the characteristics of a genre of performing arts. Although this new musical genre has drawn attentions of many audiences by adding 'Musical Comedy' to 'Korean Traditional Music' that was not quite popular to the public, it still does not have any established forms so that there is a fine line between "Korean Traditional Musical Comedy" and another genre like traditional style folk opera ("Changgeuk"). Looking at the characteristics of the musical work called 'Korean Traditional Musical Comedy, in general, first of all, it is a performance where music and drama are played. Here, the distinctive characteristic of this musical is that 'Korean Traditional Music' is sung. And the kinds of Korean traditional musics being sung are mainly Pansori (dramatic story-singing) and folk-songs, and, in most cases, Korean traditional musical instruments are being used as accompanying music. In this paper, the researcher investigated the aspects of experiment centering around Korean Musical Group, Taroo. These days, various experiments has been repeated not only for the works of Taroo but other musical work presently called 'Korean Traditional Musical Comedy' also. Having encompassed overall performance factors including use of musical instruments, dance, acting, materials for drama as well as music in drama, the researcher has gone through experiments repeatedly. Meanwhile, however, the subject matters that make 'Korean Traditional Musical Comedy' mostly attractive to the audiences are music and songs or sounds. ["Sori" also called "Chang" (唱)] Particularly, under the current situation of our musicals, the role of "Sori" is extremely important. The factor that plays absolutely most important role in acceptance and transformation of "Sori" is the created Pansori. Since the created Pansori is composed with new rhythmic patterns and new narrative poems, it tells the present story. Also it draws good responses from the audiences owing to easy conveyance of dialogues. And, its new style brings diversification to organization of musical instruments, so then this leads to the arrangements of music for Korean traditional music instruments, as well as instrumental music ensemble, orchestra, and jazz band, etc. Likewise, upon appearing creative musics in 'Korean Traditional Musical Comedy,' professional music and vocal compositions have begun to emerge naturally. And, the song specialist and writer, of course, staffs including direction, lighting, and sounds, etc are required. That is, professional composition method are forced to be introduced to all areas. Other than this, there are many music pieces which are based on our unique songs and sounds ("Sori") and such traditional factors as use of lead singer for ceremony or chorus, and the method that puts weight on Pansori. Accordingly many things accomplished. However, it is required that 'Korean Traditional Musical Comedy' go through numerous discussions and more experiments. Above all, the most important things are the role of actor and actress, and their changes, and training of actor and actress further. Good news is there are good audience responses. 'Korean Traditional Musical Comedy' is an open genre. As musicals are divided into several domains according to the characteristics thereof, 'Korean Traditional Musical Comedy' will be able to show its distinctive features in various styles according to embodiment.

• 조형예술학연구
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• 제7권
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• pp.64-104
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• 2005

Visual media transmits image and information reproduced in large quantities, such as a photography, film, television, video, advertisement, or computer image. Correspondence to the students' reception and recognition of culture in the future. arrangements for the field of studies of visual culture. 'Visual Culture' implies cultural phenomena of visual images via visual media, which includes not only the categories of traditional arts like a painting, sculpture, print, or design, but the performance arts including a fashion show or parade of carnival, and the mass and electronic media like a photography, film, television, video, advertisement, cartoon, animation, or computer image. In the world of visual media, Image' functions as an essential medium of communication. Therefore, people call the culture of today fra of Image Culture', which has been converted from an alphabet convergence era to an image convergence one. Image, via visual media, has become a dominant means for communication in large part of human life, so we can designate an Image' as a typical aspect of visual culture today. Image, as an essential medium of communication, plays an important role in contemporary society. The one way is the conversion of analogue image like an actual picture, photograph, or film into digital one through the digitalization of digital camera or scanner as 'an analogue/digital commutator'. The other is a way of process with a computer drawing, or modeling of objects. It is appropriate to the production of pictorial and surreal images. Digital images, produced by the other, can be divided into the form of Pixel' and form of Vector'. Vector is a line linking the point of departure to the point of end, which organizes informations. Computer stores each line's standard location and correlative locations to one another Digital image shows for more 'Perfectness' than any other visual media. Digital image has been evolving in the diverse aspects, such as a production of geometrical or organic image compositing, interactive art, multimedia art, or web art, which has been applied a computer as an extended trot of painting. Someone often interprets digitalized copy with endless reproduction of original even as an extension of a print. Visual af is no longer a simple activity of representation by a painter or sculptor, but now is intimately associated with a matter of application of media. There is some problem in images via visual media. First, the image via media doesn't reflect a reality as it is, but reflects an artificial manipulated world, that is, a virtual reality. Second, the introduction of digital effect and the development of image processing technology have enhanced a spectacle of destructive and violent scenes. Third, a child intends to recognize the interactive images of computer game and virtual reality as a reality, or truth. Education needs not only to point out an ill effect of mass media and prevent the younger generation from being damaged by it, but also to offer a knowledge and know-how to cope actively with social, cultural circumstances. Visual media education is one of these essential methods for the contemporary and future human being in the overflowing of image informations. The fosterage of 'Visual Literacy' can be considered as a very purpose of visual media education. This is a way to lead an individual to the discerning, active consumer and producer of visual media in life as far as possible. The elements of 'Visual Literacy' can be divided into a faculty of recognition related to the visual media, a faculty of critical reception, a faculty of appropriate application, a faculty of active work and a faculty of creative modeling, which are promoted at the same time by the education of 'visual literacy'. In conclusion, the education of 'Visual Literacy' guides students to comprehend and discriminate the visual image media carefully, or receive them critically, apply them properly, or produce them creatively and voluntarily. Moreover, it leads to an artistic activity by means of new media. This education can be approached and enhanced by the connection and integration with real life. Visual arts and education of them play an important role in the digital era depended on visual communications via image information. Visual me야a of day functions as an essential element both in daily life and in arts. Students can soundly understand visual phenomena of today by means of visual media, and apply it as an expression tool of life culture as well. A new recognition and valuation visual image and media education is required to cultivate the capability of active, upright dealing with the changes of history of civilization. 1) Visual media education helps to cultivate a sensibility for images, which reacts to and deals with the circumstances. 2) It helps students to comprehend the contemporary arts and culture via new media. 3) It supplies a chance of students' experiencing a visual modeling by means of new media. 4) There are educational opportunities of images with temporality and spaciality, and therefore a discerning person becomes to increase. 5) The modeling activity via new media leads students to be continuously interested in the school and production of plastic arts. 6) It raises the ability of visual communications dealing with image information society. 7) An education of digital image is significant in respect of cultivation of man of talent for the future society of image information as well. To correspond to the changing and developing social, cultural circumstances, and the form and recognition of students' reception of them, visual arts education must arrange the field of studying on a new visual culture. Besides, a program needs to be developed, which is in more systematic and active level in relation to visual media education. Educational contents should be extended to the media for visual images, that is, photography, film, television, video, computer graphic, animation, music video, computer game and multimedia. Every media must be separately approached, because they maintain the modes and peculiarities of their own according to the conveyance form of message. The concrete and systematic method of teaching and the quality of education must be researched and developed, centering around the development of a course of study. Teacher's foundational capability of teaching should be cultivated for the visual media education. In this case, it must be paid attention to the fact that a technological level of media is considered as a secondary. Because school education doesn't intend to train expert and skillful producers, but intends to lay stress on the essential aesthetic one with visual media under the social and cultural context, in respect of a consumer including a man of culture.

• 대순사상논총
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• 제30집
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• pp.163-199
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• 2018

『전경』은 1974년 박우당 도전(都典)의 명에 의해 발간되었다. 7편이며 각 편은 다시 17개의 장으로 되어 있다. 구천상제(1871~1909)에 대한 기록은 역사적으로 보아 1926년 이상호(1888~1967)에 의해 발간된 『증산천사공사기』로부터 시작된다. 이상호는 구천상제의 친자 종도들을 직접 만나 자료를 수집하여 최초의 구비문학을 탄생시켰는데 그것이 『증산천사공사기』이다. 3년 뒤인 1929년 이상호는 다시 자료를 보완 증보하여 경전의 형태를 띤 교술(敎術) 문학작품으로 발간된 것이 바로 『대순전경』 초판이다. 이후 『대순전경』은 이상호가 1965년 마지막으로 발간한 6판까지 증보 발간되며 긴 일대 장정을 마치게 된다. 이중 『대순전경』의 「천지공사」장은 『대순전경』 초판 총 13개 장 가운데 여섯 번째 장이었으나 9장으로 줄어든 6판에서 4장으로 오늘에 이르고 있다. 그 구절도 판본을 증보하며 대대적으로 증가하여 초판에서는 최초 81절이었다가 재판에서는 94절, 3판에서는 148절, 5판에서는 151절, 6판에서는 175절이 되어 37년간 두 배 이상으로 증가하였다. 초판에서 국문본인 재판을 거쳐 1947년 발간된 3판에 와서 구절이 가장 많이 증가된 것(54절 증가)은 일제의 탄압으로 일본 관련 내용들을 수록하지 못하던 상황에서 1945년 해방 이후 자유롭게 실을 수 있었다는데 있다. 3판(148절) 이후 5판(151절)은 3개 증가, 6판(175절)은 27개 증가하였다. 이글은 1929년 초판이 발간된 후 1965년 6판까지 전해져온 『대순전경』의 「천지공사」장과 비교하여 1974년 최초로 발간된 『전경』의 「공사」편 구절들이 어떠한 변이를 거쳐 왔는가를 고찰하였다. 『전경』의 「공사」편 각 구절에 대해 『대순전경』 초판으로부터 6판까지 「천지공사」장을 비교해서 살펴 본 결과 다음과 같은 면을 찾을 수 있었다. 첫째, 『대순전경』 초판 「천지공사」장으로부터 『전경』 「공사」편에 이르기까지 구절의 분량 차이는 있으나 내용의 추가 및 탈락이 이루어지고 있다. 둘째, 『대순전경』 6판의 구절수가 『전경』보다 69절이 많아 그 구절들이 『전경』의 어느 편에 속했는가를 보면 「행록」과 「교운」 및 「예시」편에 많은 구절이 속하고 있다. 이는 「천지공사」장 구절의 성격이 종교의 예언적 측면을 강하게 갖고 가르침이 어떻게 전개되는가의 특징을 보여준다. 셋째, 『대순전경』 6판 「천지공사」장에 없는 『전경』 「공사」편의 구절은 『대순전경』 6판의 2장「천사의 성도와 기행이적」, 3장「문도의 추종과 훈회」, 5장「개벽과 선경」장에서 많이 등장한다. 이는 「천지공사」가 기행이적, 성도, 문도에 대한 가르침, 개벽, 선경과의 연관성 속에서 이루어지고 있음이다. 넷째, 『전경』의 「공사」편과 『대순전경』의 「천지공사」장의 각 구절이 서로의 문헌에 없는 경우도 나타난다. 이는 『전경』과 『대순전경』의 전승과정에서 서로 다른 전승물의 유입이 있었음을 보여준다. 『대순전경』에서 「천지공사」장에 속했던 구절이 『전경』의 각 편에 속해 천지공사의 의미가 그 구절이 속했던 편의 속성을 갖고 있음이다.