• 패션비즈니스
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• 제12권1호
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• pp.30-44
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• 2008

The purpose of this study is to investigate the effect of eyeshadow color(brown, purple), lipstick color(red, red purple, and yellow red), and lipstick tone(vivid, light, dull, and dark), clothing tone(vivid, light, dull, and dark) on image formation. Sets of stimulus and response scales(7 point semantic) were used as experimental materials. The stimuli were 64 color pictures manipulated with the combination of eyeshadow color, lipstick color, lipstick tone, and clothing tone using computer simulation. The subjects were 384 female undergraduates living in Gyeongnam-do. Image factor of the stimulus was composed of 4 different components (attractiveness, visibility, gracefulness, and tenderness). In the 4 image components, eyeshadow color and clothing tone showed independent effect. Lipstick tone influenced independently on the visibility and tenderness. In the contrast color coordination of clothing and makeup, visibility image by the coordination of lipstick color with lipstick tone, lipstick color with clothing tone or lipstick tone with clothing tone, gracefulness image by the coordination of eyeshadow color with lipstick color, tenderness image can be produced by the coordination of eyeshadow color with lipstick color, eyeshadow color with lipstick tone or eyeshadow color with clothing tone.

• 한국정보디스플레이학회:학술대회논문집
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• 한국정보디스플레이학회 2008년도 International Meeting on Information Display
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• pp.745-748
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• 2008

The theory of Bartleson and Breneman that the perceived image contrast changes with surround luminance (the lighter surround provides higher contrast) was tested an over bright condition($8500d/m^2$). Contrarily to the Bartleson and Breneman's results, we observed the fact that perceived constrast was decreased when surround huminance increased from dark to over bright through two sets of psychophysical experiments based upon both uniform gray patches and complex color images.

• 복식
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• 제30권
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• pp.239-259
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• 1996

This research is to observe background of origination and process of changing style for men's suits and also to observe the root of aes-thetics which has made the changing style be maintained for nearly 200 years. The aesthetic characteristics are 1)The revival of the Neo-Classicism beauty in the 18th century could be regarded as the root of incipient style of the modern men's suits design. And the cutters recreated ancient nude hero which was an object of envy at that time and also reproduced men's suits through modifying the existed suits to make the ancientnude conform with the sewing regulations in order to describe and convey the perfect image of gender,. 2) The cutter who pursued merit of the classicismic aesthetics in the late 18th cen-tury artistically upgraded English rough country coat to keep pace with Nordic coat style of netherland Russia Germany while in constrast with the coat style mode which was in fashion in France and Italy then And also they changed the English country coat to a noble natural clothing structure in relation to ancient sculpture to keep the English tradition. 3) Im the 18th century Neo-Classicism art emphasized transparent and monochromatic beauty and thus color was limitedly used. In the use of the limited color however ancient aesthetical simple purity was well described within the more realistic outline. In those days the cutter who admired the English neo-Classicism removed color-luster and preferred colorless finished dimly and transparently. And thus color of the men's suits become to be also dim colored in los brightness. This means that it did not express pure beauty but brought such effect of the Classicism beauty that the nude itself was figured out.

• 한국지구과학회지
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• 제42권3호
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• pp.247-263
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• 2021

최근의 기후변화는 연안에서 더욱 가속화되고 있어 연안에서의 해양 환경변화 감시의 중요성이 커지고 있다. 클로로필-a 농도는 해양 환경 변화의 중요한 지표 중 하나로 수십년 동안 여러 해색 위성을 통해 전구 해양 표층의 클로로필-a 농도가 산출되었으며 다양한 연구 분야에 활용되었다. 하지만 연안 해역의 탁한 해수는 외해의 맑은 해수와는 구별되는 구성 성분과 광학적 특성으로 인해 나타나는 심각한 오차 때문에 일반적으로 사용되는 전지구 대양을 위하여 만들어진 클로로필-a 농도 알고리즘은 연안 해역에 대입할 수 없다. 또한 연안 해역은 해역에 따라 성분과 특성이 크게 달라져 통일된 하나의 알고리즘을 제시하기 어렵다. 이러한 문제점을 극복하기 위하여 연안의 탁도가 높은 해역에서는 구성 성분과 광학적 변동 특성을 고려한 다양한 알고리즘들이 개발되어 사용되어 왔다. 클로로필-a 농도 산출 알고리즘은 크게 경험적 알고리즘, 반해석적 알고리즘, 기계학습을 활용한 알고리즘 등으로 나눌 수 있다. 해수의 반사 스펙트럼에 기반한 청색-녹색 밴드 비율이 기본적인 형태로 주로 사용된다. 반면 탁한 해수를 위해 개발된 알고리즘은 연안해역에 존재하는 용존 유기물과 부유물의 영향을 상쇄시키기 위한 방식으로 녹색-적색 밴드 비율, 적색-근적외 밴드 비율, 고유한 광학적 특성 등을 사용한다. 탁한 해수에서의 신뢰성 있는 위성 클로로필-a 농도 산출은 미래의 연안 해역을 관리하고 연안 생태 변화를 감시하는데 필수적이다. 따라서 본 연구는 탁도가 높은 Case 2 해수에서 활용되어온 알고리즘들을 요약하고, 한반도 주변해역의 모니터링과 연구에 대한 문제점을 제시한다. 또한 다분광 및 초분광 센서의 개발로 더욱 정확하고 다양한 해색 환경을 이해할 수 있는 미래의 해색 위성에 대한 발전 전망도 제시한다.