• Title/Summary/Keyword: Color names

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A Study on the Ceremonial Costumes in New Aboriginal Religious Groups in Korea (한국 개창 신흥종교 의례복식에 관한 연구)

  • 김현경;임상임
    • Journal of the Korean Home Economics Association
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    • v.41 no.2
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    • pp.123-139
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    • 2003
  • This study examines the characteristics of 45 sects of seven new aboriginal religious groups in Korea including Jeungsan sect, Tangun sect, Soowoon sect, Won Buddhism, Bongnam sect, Gahksedo sect, Shamanism sect through field study and various documents. The purpose of the study is to elucidate how their religious ideas are reflected in their ceremonial costumes and what characteritics and underlying meanings these costumes have, and I reached the following conclusions 1. The new religious groups in Korea modified or mixed the designs or names of existing outfits to convey their ideas or beliefs in their costumes. 2. The costumes of new religious groups turned out to have certain characteristics in common: they all reflected the times, Korean tradition, ancestor worship. 3. I looked at the symbolicity, names, and types of the outfit, and their color scheme to establish their structural characteristics, and it turned out that they an symbolized the creeds and ideas of each religion. The names of the costumes such as Way-Robe, Law-Robe, and Ceremony-Robe, for instance, had to do with Buddhism Taoism, and Confucianism. The most common type of costume consisted of traditional hanbok top, pant, robe, and some type of headpiece for men, and hanbok top and, skirt for women, and if women were to wear a robe, it usually meant the sect believed in sexual equality. There was also a tendency to simplify or minimize the dress code, which seems to indicate that the sect was trying to adapt itself to, the times. The most common type of the outer garment for men was a robe with narrow sleeves, straight lapel, and no slits, and a robe with wide sleeves, straight lapel, and slits for women. The color scheme of the costumes included blue, white, yellow, red, and black, reflecting the influence of the Yin-Yang and Five Elements idea and traditional preference for white of Koreans. 4. These religious costumes were worn at various ceremonies, ritual, and various anniversary services for the master and other dignitaries of the sect to render greater piety to those gatherings, to distinguish the sect from other religious groups, to clarify the meaning of the ceremony, and to heighten the devout feelings of the participants. Thus, the structure (the symbolicity, names, and types of the outfit, and their color scheme) and religious background of the costumes of the new aboriginal religious groups in Korea turned out to have inherited and mixed various element of traditional Korean outfit and those of existing religions to symbolize their religious ideas. Many religions in and fall, and each has its own dress codes, and I hope this study provides a framework and data for other researchers and leaders of new religious groups that will emerge in the future.

The Impact of Ambiguous Food Color Naming on Consumer Evaluation Across Different Times of Consumption (음·식료의 모호한 컬러 네이밍이 소비 시간대에 따라 소비자 평가에 미치는 영향)

  • Dongkyun AHN;Se-Bum PARK
    • The Korean Journal of Franchise Management
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    • v.15 no.3
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    • pp.17-25
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    • 2024
  • Purpose: Color induces psychological responses in consumers, and the importance of color in marketing strategies is continuously emphasized. In particular, color can significantly influence consumers' purchasing decisions, even for food products. In this context, this study aims to examine the role of color naming in affecting consumers' product evaluations and purchase intentions for food products, with a focus on how the times of consumption acts as a moderating variable. Research design, data and methodology: This study designed the experiment using the Qualtrics program and recruited a total of 206 participants residing in the Eastern United States through the Amazon Mechanical Turk. Result: The experimental results showed that the ambiguity of color naming had different effects on consumer product evaluation and purchase intention depending on the times of consumption. Specifically, during the daytime, ambiguous color naming led to more positive evaluations and higher purchase intentions for the product, whereas these effects diminished during the nighttime. Conclusions: Considering the time of consumption in marketing strategies is essential for applying color naming effectively.

Color Culture of Japanese Modern Age -Focussed on Edo Period- (일본 근세의 색채 문화 -에도(江戶) 시대를 중심으로-)

  • Lee, Kyunghee
    • Journal of Fashion Business
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    • v.20 no.4
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    • pp.1-14
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    • 2016
  • Japan has several unique traditional colors. The traditional colors of Japan include a collection of colors used in traditional Japanese literature, textiles such as the kimono, and other Japanese arts. Japanese color system has a long history, leading to some consistencies in color and naming. During the Edo period(1603~1867), the unique color sense of 'iki' produced many color names that are often related to mouse(nezumi) and tea(cha), and fashion color originated as kabuki actors. As for colors named after animals, the most popular appears to be the mouse, which is used to express grey tones. Recently, many fashion companies in Japan have been working on reviving an interest in traditional Japanese colors. Ordinary people of Edo named even slightly different color tones, each with individual exquisite and mind valuing 'iki' senses. They translated these into their livelihood and culture. The colorimetry result of 49 restored dyed fabrics were as follows; Hue difference was 7.8, value difference was 2.9, chroma difference was 1.8 of prefix siro. Hue difference was 3.8, value difference was 1.6, chroma difference was 1.7 of prefix usu. Hue difference was 3.5, value difference was 1.5, chroma difference was 1.4 of prefix cha. Hue difference was 6.4, value difference was 1.1, chroma difference was 1.6 of prefix koi. Hue difference was 7.5, value difference was 0.8, chroma difference was 3.3 of prefix nezumi.

A Study of the International Color Sensibility through the Analysis of the Ethnic Color Preference (민족적 색채(Ethnic color)기호의 분석을 통한 국가별 색채감성)

  • Jo, Eun-Young;Yoo, Tai-Soon
    • Journal of the Korean Society of Costume
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    • v.62 no.6
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    • pp.38-52
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    • 2012
  • The purpose of this study is to confirm the international unique color sensibility according to the ethnic color preferences. The existing studies about color sensibility were investigated to analyze the international color sensibility. The countries were chosen according to its, strong regional and racial color. Also, the documents and websites about environment color such as structure color, natural feature color, traditional folk costume color and customary color names were investigated, and then, the international color sensibility was analyzed by using the color image scale. As a result of the analysis about the differences of color sensibility, internationally distinguished color sensibility was discovered. There were differences not only for the preference trend of hue but also for the tone or contrast of color among the selected countries. Especially, Great Britain had a strong preference for G categories that they preferred the warm-grayish color image. Russia has a preference for R, G, and B categories with the preference for the warm-clear image. Netherlands had a preference for R, Y, and PB categories and it preferred the cool-hard-grayish, warm-soft-clear image. Italy had a preference for R and Y categories and it preferred the warm-clear image. Morocco had a preference for R and B categories and it preferred the warm and cool, clear image. Japan had a preference for R, G categories and it preferred the warm-grayish image. Korea had a preference for R and B categories and it preferred the warm-soft-clear, and cool-clear image. With these results, the researcher concludes that the integrated analysis of the environment color and the traditional racial color factors are very persuasive methods to comprehend the international color sensibility.

Ten species of the tribe Syrphini (Insecta: Diptera: Syrphidae) newly recorded in Korea

  • Kim, Chan-Ouk;Hwang, Seul-Ma-Ro;Lee, Hak-Seon;Han, Ho-Yeon
    • Journal of Species Research
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    • v.11 no.3
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    • pp.208-237
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    • 2022
  • A total of 69 genera and 202 species of the family Syrphidae have been previously recognized in Korea. In the present study, we report the following 10 species new to Korea: Epistrophe aeka Kimura, 1989, Epistrophe aino (Matsumura, 1917), Epistrophe annulitarsis(Stackelberg, 1918), Epistrophe griseofasciata (Matsumura, 1918), Epistrophe sasayamana (Matsumura, 1918), Epistrophe shibakawae (Matsumura, 1917), Fagisyrphus cinctus (Fallén, 1817), Melangyna olsufjevi (Violovitsh, 1956), Melangyna pavlovskyi (Violovitsh, 1956), and Paragus clausseni Mutin, 1999. Among the four genera, the genus Fagisyrphus Dušek and Láska, 1967 is recognized for the first time in Korea. As a result, 70 genera and 212 species of the family Syrphidae are now officially recognized for the Korean fauna. For each newly recognized Korean species, we provide synonymy, diagnosis, and description with color photographs. In addition, we provide new Korean names for all newly recorded species as well as the genera Epistrophe, Fagisyrphus, and Melangyna, which previously did not have Korean names.

A Study on the Structural Characteristics of Ceremonial Costumes in New Aboriginal Religious Groups in Korea (한국(韓國) 개창(開創) 신흥종교(新興宗敎) 의예복식(儀禮服飾)의 구조적(構造的)인 특징(特徵)에 관(關)한 연구(硏究))

  • Kim, Hyun-Gyung;Im, Sang-Im
    • Korean Journal of Human Ecology
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    • v.13 no.1
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    • pp.185-194
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    • 2004
  • This study examined the characteristics of 45 sects of seven new aboriginal religious groups in Korea including Jeungsan sect, Tangun sect, Soowoon sect, Won Buddhism, Bongnam sect, Gahksedo sect, Shamanism sect that had given a considerable influence on the modem Korean society since the end of 19th century through the field study and the review of documents. The purpose of the study was to elucidate how their religious ideas were reflected in their ceremonial costumes and what characteristics these costumes had. The results were as follows: 1. The new religious groups in Korea modified or mixed the designs or the names of existing outfits to convey their ideas or beliefs through their costumes. 2. The costumes of new religious groups had common characteristics of the times, Korean tradition and ancestor worship. 3. All the ceremonial costumes symbolized the creeds and ideas of each religion in their names, designs, and colors. The names of the costumes such as Way-Robe, Law-Robe, and Ceremony-Robe, and of the headpieces such as Sky-Crown, Lotus-Crown, Ceremony-Crown, and Sevenfold-Crown, for instance, were related with Buddhism, Taoism, and Confucianism. The most common design of costume was consisted of traditional hanbok and some type of headpiece and robe for men, and hanbok modified to Western-style for women. Most sects adopted hanbok as their ceremonial costume, but they tend to simplify its design. The color scheme of the costumes reflected the influence of the Yul-Yang and Five Elements idea but the colors varied depending on seasons and occasions to suit their creeds and philosophy. 4. These religious costumes were worn at various ceremonies, ritual, and various anniversary services for the master and other dignitaries of the sect to render greater piety to those gatherings, to distinguish the sect from other religious groups, to clarify the meaning of the ceremony, and to heighten the devout feelings of the participants. Thus, the structure (the symbol, names, and types of the outfit, and their color scheme) and religious background of the costumes of the new aboriginal religious groups in Korea turned out to have inherited and mixed various elements of traditional Korean outfits and those of existing religions to symbolize their religious ideas.

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Biophilic Color Palette Development based on NeuroArchitecture towards Psychological Healing - Focused on the Landscape Painting of Impressionism 'Claude Monet' - (심리 치유를 위한 신경건축학 기반의 바이오필릭 색채 팔레트 정량화 - 인상주의 '모네'의 풍경화를 중심으로 -)

  • Choi, Yoon-Young;Lee, Hyun-Soo
    • Journal of the Architectural Institute of Korea Planning & Design
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    • v.36 no.2
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    • pp.43-52
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    • 2020
  • With the advent of the Fourth Industrial Revolution, people need healing. Research in neuroarchitecture shows that people feel happy and stable when working with nature, and patients heal quickly. Therefore, This study aims to quantitatively analyze the colors that help psychological healing in the painting images depicting nature by setting 'Natural Colors' of Biophilic Design as the subject of research. So the purpose of this study was to measure Biophilic Color and to develop Biophilic Color Palette. We extracted Biophilic colors using Impressionist Monet's Landscape painting. After extracting colors using Photoshop Color Picker, we converted RGB color code to NCS color code and Munsell color code. The results of this study were as follows; The ratio of Y was high in the GY-series and YR-series. This is due to the characteristic of impressionism that expresses the change of color by light in close relationship with light. Y is universally considered to be pleasant, representing happiness, sunshine and optimism. Therefore, it is possible to create an environment that helps psychological healing by utilizing the Y-series color palette. Average Blackness was 28. Average Chromaticness was 34.61. The significance of this study is to propose a biophilic color palette that is useful for psychological healing by quantifying the color code of biophilic colors depicted and expressed with adjective images and idiomatic color names. Quantitative and empirical studies on healing colors are needed continuously and should be actively utilized in healing environment planning.

A Study on the Ritual Dress of Jeung San Kyo (증산교 의례복식에 관한 연구)

  • 임상임;김현경
    • Journal of the Korean Home Economics Association
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    • v.39 no.5
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    • pp.89-105
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    • 2001
  • This study on Jeung San Kyo, one of Korea's new religions, considered the name, kind, form, color and the thoughts of ritual dress which is involved in 15 religious blanches acting currently according to books and the actual research. The following is below. 1 Each names of ritual dresses called rigious branches are Bob Bok(법복), Doh Bok(도복), Yeah Bok(예복) and Jea Bok(제복). 2 In most religious blanches, ritual dress is the Korean cloths which Poh is wear above and Kwan is put on, and the form of Poh(포) is the similar with Durumagi(두루마기), Danryungpoh(단령포), Jungchimak(중치막), Jikryungpoh(직령포) etc, but not the form of Git, Moo and Yiohmim. Kwanmoh is named Chill-Chung-Kwan(칠층관), Yiun-Hwa-Kwan(연화관), Yiun-Kwan(연관), In-Hwa-Kwan(인화관), Tong-Chon-Kwan(통천관) etc. 3. In most religious orders but Dae Suun Jin Li Hueay(대순진리회), Jeung San Doe Jang(증산도장), Colors are used, white, lightblue, and yellow is used in Jeung San Pop Jong Kyo(증산법종교), Dong Doe Pop Jong Gyum Gang Doe(동도법 종금강도). White color means the mind of a people tradition, and light blue expresses an Oriental nation, namely, “Korea”, and is the color representing Jeung San Kyo, and yellow shows the central religion in the future. 4. Jeung San Kyo ceremony fashion reflects the ideologies of the principal role, the Um and Yang-five elements, and, nationalism according to form, color.

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Investigation on the Current Labelling Trend of Tar Color Additives in Infant's Drugs Marketed in Korea (국내 시판중인 소아용 의약품에 함유된 타르색소의 표기실태 조사 연구)

  • Kim, Kwang Joon;Bang, Joon Seok;Lee, Wonjae
    • Korean Journal of Clinical Pharmacy
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    • v.23 no.3
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    • pp.248-255
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    • 2013
  • Objective: This paper was aimed to investigate the current labelling trend of tar color additives in infant's drugs used in Korea and other countries. Method: The current labelling system of the tar color additives in infant's drugs was investigated using inserted papers for drug information of infant's drugs as well as three drug information internet sites popular in Korea including internet sites of foreign countries of USA, UK, Japan, and China for infant's drug information. Results: Among 325 drugs registered as syrup form for infant's drugs (sources, http://www.health.kr), 4 drugs indicated tar color related information on the internet and only 2 drugs indicated tar color additives' name. And from the investigated results of 76 inserted papers for infant's drug information, among 31 drugs containing tar dyes, in only 19 drugs the tar color additives' names were notated. Among 6 drugs which do not contain tar dyes, only 1 drug was notated as 'Dye-Free'. Conclusion: For advanced labelling system in Korea, we proposed the below guidelines. [1] The name of tar color additives used in infant's drugs should be notated even in drug information on internet sites. [2] All drug ingredients used in infant's drugs need to be separately notated as active and inactive species on both internet sites and inserted papers. [3] 'Dye-Free' notation should be mandatory for infant's drugs which do not contain tar color additives in drug information on the internet sites as well as inserted papers.

A Study on Mineralogical Characteristic and Accelerated Weather Test of Red and Yellow Color Natural Inorganic Pigments (적색 및 황색 계열의 천연 무기안료의 광물학적 특성 및 촉진내후성 평가 연구)

  • Park, Ju Hyun;Jeong, Hye Yeong
    • Journal of the Mineralogical Society of Korea
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    • v.32 no.4
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    • pp.259-271
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    • 2019
  • We evaluated mineralogical, physical property and accelerated weather resistance of cinnabar, realgar and orpiment used as cultural heritages and traditional paintings. JB and JS are sample names of cinnabar and JH and UH are sample names of orpiment and Realgar, respectively. As a result of mineralogical property evaluation, Jinsa was identified cinnabar (HgS) and there was no difference in chemical composition according to the grade. UH and JH were confirmed realgar (AsS) and orpiment (As2S3), respectively. The polarization characteristics such as shape and color indicate that pigments using our test were natural mineral pigment observed by polarization microscope. Especially, in the case of cinnabar, it is not easy to distinguish between natural mineral pigment and synthetic pigment. But the results of polarization microscope said that cinnabar is natural occurring mineral which have authentic mineral particle and unevenly fracture. As a result of thermal analysis, JH has a higher glass transition temperature and heat stability than UH. After accelerated weather test, cinnabar, realgar and orpiment were striking result in color change because of light degradation. Red color of cinnabar turn into black and the color of realgar and orpiment became brighter than before. JB (meta-cinnabar) is more photosensitivity and faster becoming dark than JB (cinnabar). Finally light transforms realgar (red, As4S4) in arsenolite (As2O3).