• 제목/요약/키워드: Color for the old

검색결과 559건 처리시간 0.026초

신구법천문도 채색 안료 비교 및 제작시기 추정 (Comparison of Pigments and Estimation of Production Period in Old and New Celestial Charts Folding Screens)

  • 오준석;황민영;야마토 아스카;아라이 케이;이새롬
    • 보존과학회지
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    • 제36권5호
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    • pp.351-367
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    • 2020
  • 신구법천문도 3점(국립민속박물관 소장 『천문도(병)』, 『신구법천문도 8폭 병풍』, 일본 국회도서관 소장 『황도남북양총성도』)에 대한 채색 안료 분석 및 이를 통한 제작시기를 추정하였다. 『천문도(병)』에서는 조선에서 널리 사용되어오던 석청(남동광), 청화(쪽), 석록(공작석), 하엽(아타카마이트), 주, 석간주(산화철), 연지(코치닐), 등황, 석자황, 연분, 활석 등과 같은 전통적인 유·무기질 안료들이 사용되었다. 『신구법천문도 8폭 병풍』와 『황도남북양총성도』에서는 19세기 중엽 이후 유럽에서 유입된 합성 무기안료인 양록(에메랄드 그린)과 양청(울트라마린 블루)가 사용되었다. 『신구법천문도 8폭 병풍』에서는 녹색과 청색에 합성 무기안료만 사용되었지만, 『황도남북양총성도』에서는 전통적으로 사용되어온 하엽과 청화도 함께 사용되었다. 신구법천문도의 성도와 도설 연구와 연계하여 안료 분석결과로부터 추정한 제작시기는, 조선시대 전통안료만으로 채색된 『천문도(병)』 18세기 중엽 이후로 추정되며, 『황도남북양총성도』와 『신구법천문도 8폭 병풍』은 19세기 중엽 서양의 녹색과 청색 안료가 도입된 후 제작되었다. 그리고 전통안료와 서양의 합성안료가 함께 사용된 『황도남북양총성도』가 『신구법천문도 8폭 병풍』 보다 제작시기가 빠른 것으로 추정된다.

Effect of Red Pepper (Capsicum frutescens) Powder or Red Pepper Pigment on the Performance and Egg Yolk Color of Laying Hens

  • Li, Huaqiang;Jin, Liji;Wu, Feifei;Thacker, Philip;Li, Xiaoyu;You, Jiansong;Wang, Xiaoyan;Liu, Sizhao;Li, Shuying;Xu, Yongping
    • Asian-Australasian Journal of Animal Sciences
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    • 제25권11호
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    • pp.1605-1610
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    • 2012
  • Two experiments were conducted to study the effects of red pepper (Capsicum frutescens) powder or red pepper pigment on the performance and egg yolk color of laying hens. In Exp. 1, 210, thirty-wk old, Hy-line Brown laying hens were fed one of seven diets containing 0.3, 0.6, 1.2, 2.0, 4.8 or 9.6 ppm red pepper pigment or 0.3 ppm carophyll red. Each diet was fed to three replicate batteries of hens with each battery consisting of a row of five cages of hens with two hens per cage (n = 3). In Exp. 2, 180, thirty-wk old, Hyline Brown laying hens, housed similarly to those in Exp. 1, were fed an unsupplemented basal diet as well as treatments in which the basal diet was supplemented with 0.8% red pepper powder processed in a laboratory blender to an average particle size of $300{\mu}m$, 0.8% red pepper powder processed as a super fine powder with a vibrational mill ($44{\mu}m$) and finally 0.8% red pepper powder processed as a super fine powder with a vibrational mill but mixed with 5% $Na_2CO_3$ either before or after grinding. A diet supplemented with 0.3 ppm carophyll red pigment was also included (n = 3). In both experiments, hens were fed the red pepper powder or pigment for 14 days. After feeding of the powder or pigment was terminated, all hens were fed the basal diet for eight more days to determine if the dietary treatments had any residual effects. In Exp. 1, there were no differences in egg-laying performance, feed consumption or feed conversion ratio due to inclusion of red pepper pigment in the diet. Average egg weight was higher (p<0.05) for birds fed 1.2, 2.4 or 9.6 ppm red pepper pigment than for birds fed the diet containing 0.3 ppm red pepper pigment. On d 14, egg color scores increased linearly as the level of red pepper pigment in the diet increased. In Exp. 2, feeding red pepper powder did not affect egg-laying performance, feed consumption or feed conversion ratio (p>0.05). However, compared with the control group, supplementation with all of the red pepper powder treatments increased egg weight (p<0.05). All the red pepper powder treatments also increased (p<0.05) the yolk color score compared with the control. The results of the present study suggest that both red pepper powder and pigment are effective feed additives for improving egg yolk color for laying hens.

간판개선사업을 위한 업종별 복합 색채 분석 연구 - 김해시 동상동 종로길을 중심으로 - (A Study on the Complex Color Analysis by Industry for Signboard Improvement Project - Focused on the Jongno-gil, Dongsang-dong, Gimhae-si -)

  • 박한나;손정은;최인규;백진경
    • 한국과학예술포럼
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    • 제37권4호
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    • pp.149-159
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    • 2019
  • 본 연구는 김해의 구도심 중심지역인 동상동 종로길 간판개선사업을 위해 대상지 간판 색채 현황을 파악하고 개선 방향을 제안하기 위해 시작되었다. 연구대상 지역은 오래된 시설물로 침체한 거리 분위기를 형성하며, 구도심 간판의 전형적인 유형으로 재정비가 필요한 실정이다. 이에 본 연구의 목적은 간판과 관련한 선행 연구 및 유사 간판 개선 사례를 조사한 후, 대상 지역의 간판 색채 조사를 통해 주조 색, 보조색, 강조 색을 분류하여 색채 현황을 파악하고 이를 바탕으로 향후 진행될 간판 사업에 바람직한 방향을 복합적으로 제안하는 것이다. 이에 본 논문은 대상 구간을 업종별로 나누어 간판 색채 분석을 시행하였다. 연구 결과 및 내용은 다음과 같다. 첫째, 전반적인 업소들의 주조 색 간판은 L*값이 평균적으로 높아 고명도와 고채도의 색채를 가지고 다양한 원색 분포를 보였다. 둘째, 보조 색은 대부분 백색 혹은 흑색 계열의 무채색을 사용하여 주조 색과 대비되는 색채를 선택하고 있었다. 셋째, 강조 색은 a*값이 양수(+)에 높은 분포를 보여 적색 혹은 황색 계열과 같이 난색 위주로 분포되어 있었다. 그러나 전 구간 점포들은 중간색보다 채도가 높은 색을 사용하고 있었기 때문에 통일성이 부족하며 이는 거리의 미관을 저해하는 원인이 되고 있다. 이러한 연구 결과를 바탕으로 향후 김해간판개선사업 색채 계획은 다양한 색을 사용하기보다 어느 정도 색채 수를 제한하고 김해시 대표색을 중심으로 무채색과 난색을 적절히 활용하는 것이 지역의 특색을 살리며 시각적으로 편안함과 안정감을 동시에 부여할 것으로 생각된다.

Identity and Construction in Postmodern Context of Art Film Blue is the Warmest Color

  • Li, Nan;Jung, Heonyong
    • International Journal of Advanced Culture Technology
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    • 제10권1호
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    • pp.10-16
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    • 2022
  • This paper focuses on the aesthetic ideology and aesthetic style embodied in the work of 'Blue is the Warmest Color' to dissect it and examine the identity and construction of identity as a minority group in a postmodern context. Blue is the Warmest Color is a film that focuses on homosexual emotions in adolescent development, showing the budding love and emotional orientation of a 15-year-old girl's adolescence, and the ecstsy and torment that comes with an awakened consciousness. The evolutionary process of the characters' emotional orientations is dissected, pointing out that the central theme of the film is the concern for fluid identity and self-identity. Through the narrative and the setting of the characters' emotional patterns and the "Body Writing" of women, this paper further examine the typical variability and fragmentation of postmodern identity, and interpret in detail the content, messages and effects of the characters' dialogues in the film to illustrate the way in which the work expresses class and identity differences. The research method is based on textual analysis and theoretical research.

給餌器具의 色彩變化에 따른 産卵用 育成鷄의 行動形態에 미치는 影響 (Effect of Colors of Feed-trough on the Behaviour of Pullets)

  • 송영한;고병대
    • 한국축산시설환경학회지
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    • 제2권2호
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    • pp.117-122
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    • 1996
  • The purpose of this study was to investigate the effect of colors of feed-trough on the eating behaviour of pullets. A total of 64 12wks old pullets were assigned to a $4{\times}4$ Latin square design with 4 treatments(control, blue, yellow, red colored feed-troughs). The results of the study are summarized as follows: 1. Average daily gain and eed intake of the pullets were significantly(P<0.05) decreased with red color feed-troughs. 2. Feed conversion ratio appeared to be improved in the yellow color group compared to the others. 3. Total time spent for eating were not significantly different, among treatments.

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A Study on Cerebral palsied children's Visual Perception

  • 이효정
    • The Journal of Korean Physical Therapy
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    • 제15권3호
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    • pp.265-276
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    • 2003
  • This study was to investigate the dffects of a color reversal visual perceptual training program on spastic cerebral palsied children's figure-ground discrimination disabilities and to investigate the difference between the control group and experimental group. Subjects of the study were composed of children with spastic cerebral palsy whose age varied from five to seven years old, whose I.Q. was over 70 and whose P.Q. was over 70. Implication of this study can be summarized as follows; First, Perceptual training and speech training programs should be emphasized to improve the preparative ability of spastic cerebral palsied children. Problems of perception cerebral palsied children are concerned with figure-ground discrimination disability. Second, Though it was demonstrated that color reversal visual perceptual training program can be effective through the prestudies and this study, more researches should be made to apply this kind of theory in real education environments. More interest in different color forms for training of cerebral palsied children should be taken. Third, Reprecations of the study should be considered with modified group identities(age, I.Q., P.Q.).

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패션 소재의 색채 이미지와 질감에 관한 연구 (A Study on the Color and Texture of Fashion Fabrics)

  • 추선형;김영인
    • 한국의류학회지
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    • 제26권2호
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    • pp.193-204
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    • 2002
  • Many fashion forecasting companies propose the fashion colors in every season. Modern fashion consumer respond to fashionable trends with utmost sensitivity. Therefore to satisfy the consumer with an trendy image, the fashion design must be found first, as image matters, followed by an analysis of each design element's effect on the total image composition. In previous studies of fashion image, has been discussed the positive correlation between fashion design elements of color, fabric, and form as the central issue. In this thesis, two of the fashion design elements, color and fabric are simultaneously considered to classify the image of fabric in fashion. For the color variables, 10 hues are selected from Munsell's system of color notation, and 12 tones from PCCS color notation., which are currently used in the domestic fashion industry. Texture variables used in this survey are classified by luster, prominence-depression of surface, thickness, and density of fabric. Graduate students from 20 to 50 years old and the specialists in fashion companies participated in the survey. The results of this survey are as follows: 1. The fashion fabric image is classified as 5 main images: 'elegant', 'comfortable', 'characteristic', 'light'and 'simple'. 2. The influence of hue, tone and texture is significant to the fashion fabric image. Following colors, yellow-red, red hues and light grayish, dark grayish tones convey the elegant image. The texture property for the elegant image is luster, thin and low density. Properties of fabric conveying the comfortable image are yellow-red and green-yellow hue, soft, light tones, matte and high density. Furthermore, hue turned out to be a insignificant variables for the unique image, whereas dark grayish, grayish tone, luster and prominent texture convey a unique image. For light image, properties of fabric are blue-green, purple hues, light, bright tones with thin, low density texture. Properties of fabric conveying the simple image are blue-green, purple-blue, green-yellow hues, and strong, vivid tones, with luster and flat texture.

모바일 기기용 게임 개발을 위한 가변 인덱스 컬러 응용 (Applications of Variable Indexed Colors for Game Development of Mobile Devices)

  • 정종필;김치훈
    • 한국콘텐츠학회논문지
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    • 제8권11호
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    • pp.49-56
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    • 2008
  • PC나 콘솔 기반의 게임들은 탁월한 하드웨어 지원에 힘입어 화려한 3D 효과와 이펙트 등을 보여주고 있지만, 다양한 컨버전스 또는 모바일 기기들은 상대적으로 가벼운 하드웨어 사양과 배터리 시간의 한계 때문에 계산양이 적은 가벼운 게임들을 선호하고 있다. 이러한 하드웨어 상의 게임 제작에 있어 최소한의 그래픽 품질을 유지하는 것은 매우 중요하다. 본 논문에서는 인덱스 컬러(Indexed Color) 팔레트를 하드 웨어 사양을 극복하여 발전시킬 수 있는 방법으로 제안 한다.

21 세기 로맨티시즘, 걸리쉬 패션 (A Study on the Girlish Fashion as a Romanticism of the 21st Century)

  • 이효진
    • 복식
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    • 제53권7호
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    • pp.111-123
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    • 2003
  • The purpose of this study was to investigate girlish fashion as a contemporary as well as Romanticism of the 21st century. The background of girlish fashion is regarded as a hot blast of restoration and a appearance of kidults, such characteristics of these factors, that is, the moderns's longing for the memory of old days and kidult's concerns for the dream of their childhood, have a direct influence on the Romanticism. So the plasticity of girlish fashion was analyzed as a results: 1) This plasticity named Recurrent Romanticism as 21st New Look, especially the plasticity represented in a princess style fashion. The princess style fashion of girlish fashion means not only a expression of the moderns's self-confidence but also nostalgia toward old days. 2) Sweet Romanticism developed into angel style fashion, which the style expressed the moderate cuteness with clothing construction and detail etc and the innocence with white color. 3) The plasticity of girlish fashion called a feast of color named Fantastic Romanticism. Fantastic Romanticism of girlish fashion means not only a expression of a lovely girlie's image but also hope toward 21st century. Throughout the study, Romanticism as a cultural code of 21st century was considered to reflected in the whole livelihood as well as contemporary fashion, especially, girlish fashion.

재래 묵염방법에 따른 피염물의 색상과 색차 분석 (Analysis of Color and Color Differences of Dyed Articles According to the Traditional Techniques of Dyeing Buddhist Priests' Robes)

  • 김종태;황춘섭;박민여
    • 복식
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    • 제60권2호
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    • pp.68-80
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    • 2010
  • In order to get the information needed for the preservation and application of Korean traditional dyeing techniques to modern textiles products, the present study analyzed the color and color differences of dyed goods according to the contents of fabrics and the traditional techniques of dyeing the Buddhist priests' robes. A spectrophotometer was used to measure the differences in achromatic color according to dyeing techniques, dyestuff, kinds of dyed fabrics, and after-treatment methods. Through experiments based on the traditional dyeing techniques used by Korean Buddhist priests, a total of 144 pieces of dyed fabrics were made and all the colors of those 144 pieces were analyzed. Among three dyeing techniques tested; (1) dyeing with a dye-bath made of ink stick that was ground down with water, (2) dyeing with a dye-bath made by shaking a bag containing ink powder in water, and (3) dyeing with a dye-bath made by rubbing a boiled ink stick on a fabric, dyeing with a dye-bath made of ink stick that was ground down with water was shown to be the best technique in terms of coloring. For fabrics, ramie was the best of all three techniques in terms of making achromatic color. Starching and rubbing was the most effective after-treatment method used on both fabrics dyed with a grounded ink stick and on fabrics dyed by rubbing a boiled ink stick on them. As a whole, yangyeonmook, made from minerals' soot, is better than songyeonmook, which is made by burning old pine trees or yooyeonmook, which is made by burning oils from seeds. Therefore, yangyeonmook could help to preserve and utilize the traditional dyeing techniques of Korea in a practical way in modern life.