• Proceedings of the Korean Institute of Interior Design Conference
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• 2008.05a
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• pp.46-49
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• 2008

This research does Complexity form, Interior epidermis cell re-organization, Object discovery that have correct numerical value concept by purpose. Research applied by Grid re-organization in form generation, Parameter variation of cell unit (morphor, tweener), Symbol, pattern of variation, self-organization cell substitution order. Representation through 3d digital modeler of polygon, Nurbs and street-sheet program(x,y,z coordinates & Network way of points) etc. of main work. Investigator specified numbers of U profiles*30, V point-20 that is 600 Paramaters individual in volume, and define circle radius of lighting in object, Projection size variously and tried difference. Transposition cell to point and Heightened brightness of color using pointillism of painting. Led lighting cell object is expressed being decoded by digital code.

• Proceedings of the Korea Multimedia Society Conference
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• 2003.05b
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• pp.618-623
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• 2003

본 논문에서는 RGB 컬러 정보와 퍼지 이진화를 이용하여 차량 번호판의 개별 코드를 추출하는 방법을 제안한다 제안된 방법은 비영업용 차량 영상에서 차량 번호판 영역을 추출하기 위해 녹색의 분포가 밀집되어 있는 영역을 번호판의 후보 영역으로 설정하고 번호판의 후보 영역에서 흰색의 밀집도가 높은 부분을 번호판의 영역으로 추출한다. 개별 코드 추출은 추출된 번호판 영역에서 3×3 소벨 마스크를 이용하여 잡음을 제거하고 퍼지 이진화 방법을 적용하여 번호판의 영역을 이진화 한다. 이진화된 번호판 영역을 윤곽선 따라가기 알고리즘을 적용하여 개별 코드를 추출한다. 제안된 방법의 성능을 평가하기 위하여 실제 비영업용 차량 번호판에 적용한 결과, 기존의 방법보다 번호판 영역에서 개별 코드의 추출률이 개선된 것을 확인하였다.

• Proceedings of the Korea Information Processing Society Conference
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• 2008.11a
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• pp.766-769
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• 2008

디지털 형태의 문서가 널리 퍼지고 끊임없이 증가함에 따라 이를 자동으로 가공하고 처리하는 문서자동분류의 중요성이 널리 인식되고 있다. 본 논문에서는 복합기에서 컬러코드를 인식하는 모듈을 탑재하여 스캔된 문서를 자동으로 분류하는 시스템을 제안하고자 한다. 복합기에서 컬러코드가 부착된 종이문서를 스캔한 다음 그 컬로코드를 추출하여 인식하고 해당 컬러코드와 관련된 문서관리정보에 따라 스캔문서를 복합기 내부의 지정 폴더에 저장하거나 다른 곳으로 전달하는 시스템이다. 이렇게 함으로써 종이문서를 전자화하는 과정에서 수작업으로 분류하는 시간을 줄일 수 있고 또한 사람에 의한 오류를 줄일 수 있다는 장점이 있다.

• Restorative Dentistry and Endodontics
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• v.33 no.4
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• pp.352-368
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• 2008

This study was done to evaluate the reliability of the digital color analysis system (ShadeScan, CYNOVAD, Montreal. Canada) for dentistry. Sixteen tooth models were made by injecting the A2 shade chemical cured resin for temporary crown into the impression acquired from 16 adults. Surfaces of the model teeth were polished with resin polishing cloth. The window of the ShadeScan handpiece was placed on the labial surface of tooth and tooth images were captured, and each tooth shade was analyzed with the ShadeScan software. Captured images were selected in groups, and compared one another. Two models were selected to evaluate repeatability of ShadeScan, and shade analysis was performed 10 times for each tooth. And, to ascertain the color difference of same shade code analyzed by ShadeScan, CIE $L^*a^*b^*$values of shade guide of Gradia Direct (GC, Tokyo, Japan) were measured on the white and black background using the Spectrolino (GretagMacbeth, USA), and Shade map of each shade guide was captured using the ShadeScan. There were no teeth that were analyzed as A2 shade and unique shade. And shade mapping analyses of the same tooth revealed similar shade and distribution except incisal third. Color difference (${\Delta}E^*$) among the Shade map which analyzed as same shade by ShadeScan were above 3. Within the limits of this study, digital color analysis instrument for dentistry has relatively high repeatability, but has controversial in accuracy.

• Broadcasting and Media Magazine
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• v.10 no.1
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• pp.99-112
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• 2005

Christian Metz, the precursor of cine-semiology, considered cinema as a language in the sense that it is a set of messages grounded in a given matter of expression, and a signifying practice characterized by specific codifications. According to Metz, film forms a structured network produced by the interweaving of cinematic codes, within which cinematic subcodes represent specific usages of the particular code. For Metz, cinematic language is a totality of cinematic codes and subcodes, and history of the cinema is the trace of the competition, incorporations and exclusions of the subcodes. He also suggested a filmic text is not just a list of codes in effect, but a process of constant displacement and deformation of codes. Following Metz' textual analysis methodology, I investigated the formal configuration of Hayao Miyazaki‘s animation, Spirited Away. It is interesting to trace the interweaving of cinematic codes in Spirited Away, i.e. codes of lighting, color, movement, and auteurism, across the animation. I focused on the first scene at the bridge to Yubaba's bathhouse, analyzing each cinematic code and its subcode applied. The first bridge scene is carefully constructed to stand out the confrontation of Chihiro (with Haku) and the bathhouse. The bathhouse is not just a building, it represents the powerful witch, Yubaba, yet to appear on the scene, and functions as an antipode to Chihiro. In each shot, every subcode within the codes of framing, direction, angle, color, lighting and movement is used to maximize the contrast between the dominant bathhouse and the feeble 10-year-old girl. In Spirited Away, the subcodes within each cinematic ode are constantly competing and displacing each other to augment the antithesis between the characters and develop the narrative. As Metz's argument that film constitutes a quasi-linguistic practice as a pluricodic medium, Spirited Away communicates with the spectators with the combination and displacement of these cinematic codes and subcodes.

• Korean Journal of Remote Sensing
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• v.20 no.5
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• pp.289-305
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• 2004

Atmospheric correction of Landsat Visible and Near Infrared imagery (VIS/NIR) over aquatic environment is more demanding than over land because the signal from the water column is small and it carries immense information about biogeochemical variables in the ocean. This paper introduces two methods, a modified dark-pixel substraction technique (path--extraction) and our spectral shape matching method (SSMM), for the correction of the atmospheric effects in the Landsat VIS/NIR imagery in relation to the retrieval of meaningful information about the ocean color, especially from Case-2 waters (Morel and Prieur, 1977) around Korean peninsula. The results of these methods are compared with the classical atmospheric correction approaches based on the 6S radiative transfer model and standard SeaWiFS atmospheric algorithm. The atmospheric correction scheme using 6S radiative transfer code assumes a standard atmosphere with constant aerosol loading and a uniform, Lambertian surface, while the path-extraction assumes that the total radiance (L/sub TOA/) of a pixel of the black ocean (referred by Antoine and Morel, 1999) in a given image is considered as the path signal, which remains constant over, at least, the sub scene of Landsat VIS/NIR imagery. The assumption of SSMM is nearly similar, but it extracts the path signal from the L/sub TOA/ by matching-up the in-situ data of water-leaving radiance, for typical clear and turbid waters, and extrapolate it to be the spatially homogeneous contribution of the scattered signal after complex interaction of light with atmospheric aerosols and Raleigh particles, and direct reflection of light on the sea surface. The overall shape and magnitude of radiance or reflectance spectra of the atmospherically corrected Landsat VIS/NIR imagery by SSMM appears to have good agreement with the in-situ spectra collected for clear and turbid waters, while path-extraction over turbid waters though often reproduces in-situ spectra, but yields significant errors for clear waters due to the invalid assumption of zero water-leaving radiance for the black ocean pixels. Because of the standard atmosphere with constant aerosols and models adopted in 6S radiative transfer code, a large error is possible between the retrieved and in-situ spectra. The efficiency of spectral shape matching has also been explored, using SeaWiFS imagery for turbid waters and compared with that of the standard SeaWiFS atmospheric correction algorithm, which falls in highly turbid waters, due to the assumption that values of water-leaving radiance in the two NIR bands are negligible to enable retrieval of aerosol reflectance in the correction of ocean color imagery. Validation suggests that accurate the retrieval of water-leaving radiance is not feasible with the invalid assumption of the classical algorithms, but is feasible with SSMM.

• Korean Journal of Construction Engineering and Management
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• v.10 no.1
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• pp.26-35
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• 2009

Work breakdown structure (WBS) can be used as an information center in earned value management system (EVMS) for the construction project. Because EVMS results, such as schedule variance and cost variance, are analyzed for the selected WBS code, the role of WBS code is important in EVMS. This study suggests a methodology for organizing WBS map with a quadrant. It can represent the project organization collectively by work level in a coordinate system. And the study developed an EVMS tool based on the WBS map and this tool can visualize various attribute indexes of EVMS by color symbols. Those methodologies can be used for improving practical application of EVMS.

• Journal of the Korean Society of Costume
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• v.56 no.8 s.108
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• pp.148-159
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• 2006

The objective of this study is to consider the uniform as visual communication, and analyze the expression of symbol shown on the uniform design by the pattern by applying the visual symbol in the communication and operation of the meaning. Also, it is to construct the systematic modeling method of the expression of design symbol by the pattern of uniform in th e various fields. This study is to analyze the symbolic expression method of the uniform design by the pattern by suggesting the symbolic expression method as a frame through the visual symbolic approach of the uniform design and the analysis of semantic symbol according to that. As a result, there arose simplification and emphasis and a method of symbolic expression with the national flag, a conceptual factor characteristically in the sports uniform design. The characteristics of symbolic expression of uniform design were mainly used in the symbolic expression with the customary code and symbol. Also, the uniform in the enterprises were widely used in the expression of uniform with the suggestion and code by the color. As for the characteristics of symbolic expression shown on the event uniform design, the method of symbolic expression by the pattern of uniform was grasped differently asa result of symbolic expression through the image. The method of symbolic expression suggested on this study could be used on a basis of uniform design in the future. Accordingly, this study has a meaning of suggesting the methodology of uniform design that would be a parameter.

• The Journal of Korean Institute of Communications and Information Sciences
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• v.28 no.1C
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• pp.64-71
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• 2003

In this paper, we proposed an algorithm that shorten coding time maintaining image quality in JPEG2000, which is the standard, of still image compression. This method encodes only the bit plane selected as appropriate truncation point for output bitstream, obtained from estimation of frequency distribution for whole image. Wavelet characterized by multi-resolution has vertical, horizontal, and diagonal frequency components for each resolution. The frequency interrelation addressed above is maintained thorough whole level of resolution and represents the unique frequency characteristics for input image. Thus, using the frequency relation at highest level, we can pick the truncation point for the compression time decrease by estimating code bits at encoding each code block. Also, we reduced the encoding time using simply down sampling instead of low-pass filtering at low-levels which are not encoded in color component of lower energy than luminance component. From the proposed algorithm, we can reduce about 15~36% of encoding time maintaining PSNR 30$\pm$0.5㏈.

• The KIPS Transactions:PartD
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• v.19D no.1
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• pp.39-48
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• 2012

In order to quickly understand which changes of source codes have been made and to perform effective maintenance of a system, it is important to visualize the changed parts. Although there are many works for analyzing software changes, there are few works for visualizing both of the change types and change quantifications for Java based systems. In this paper, we propose a change analysis technique based on class diagram and provide a change visualization technique by using change quantification information. In order to check the structural changes in source codes, source codes are transformed to class diagrams by reverse engineering methods. On the class diagrams, the changes are analyzed and quantified by numbers. Based on the change quantification, the changes are visualized on the class diagram by color spectrum. By using visualization techniques, maintainers can easily recognize the code changes to reduce the cost and time of maintenance.