• 제목/요약/키워드: Color Order

검색결과 3,169건 처리시간 0.025초

Color Filter Array에 대한 고품질 영상보간기법 (High Quality Image Interpolation for Color Filter Arrays)

  • 이봉준;이철희
    • 대한전자공학회:학술대회논문집
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    • 대한전자공학회 2000년도 하계종합학술대회 논문집(4)
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    • pp.171-173
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    • 2000
  • In this paper, we present a new interpolation method for the color filter away(CFA). In order to capture color images. typical input devices use a single chip CCD imaging sensor with color filter array. As a result, the single chip CCD does not provide sufficient color resolutions since it arranges different color filters sequentially on a single CCD, resulting in aliasing noise and loss of resolution. In order to reconstruct high quality color images, we propose to use the interpolation algorithm using high order B-splines. Experiments show promising results.

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한복 배색에 관한 연구 - 2005~2010년 치마, 저고리를 중심으로 - (Study on Color Coordination of Hanbok - Focusing on Chima, Jegori in 2005~2010 -)

  • 이경은;조우현
    • 한국의상디자인학회지
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    • 제15권2호
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    • pp.109-121
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    • 2013
  • Modern Hanbok uses newly different color coordination based on traditional color coordination and symbolic meaning. Thus, this study would investigate the aspects of color coordination and symbolic meaning and present the characteristics of Hanbok as the data of corresponding period in the modern times. In order to investigate recent trend of preferred colors and color coordination of Hanbok, this study focused on the period of 2005~2010. When analyzing colors of Jegori(jacket), Wh, Y, B, YG, P and Gy series are shown in order. For trends for color of Chima(skirt), Pk, R, P, Gy and Bk series are shown in order. When you look into the color coordination of skirt and jacket on whole, color coordination of Pk-Wh represents the highest frequency. Color coordinations of Pk-Y, Pk-B, R-Y, R-G and Pk-G are followed in order. Color coordinations of R-YG, Bk-Wh, O-Y, P-Wh, Pk-YG, Gy-Y, R-Wh series and Gy-Wh are followed in order. When looking into characteristics of overall color coordination of Hanbok, it was shown that there were many opportunities to meet a variety of culture and various colors had emerged depending on individual taste and skin color in the modern times within the framework of basic colors of woman's 'Nokeuihongsang'(Green upper garment and red skirt) R-G, Y series, which are traditionally inherited. In addition, unlike existing traditional color coordination of five elements in the past, P, Gy and Bk series of color appeared in the skirt and Jacket. It could be affected by fashionable drama and films at that time and newly attempted colors ahead of fashion were reflected on the magazine. Therefore, it implied that it naturally gave new awareness of colors to the general public and the width of selection of colors became diverse.

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신경망을 이용한 Color Filter Array 보간 기법 (Color Filter Array Interpolation Method Using Neural Networks)

  • 고진욱;이철희
    • 대한전자공학회:학술대회논문집
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    • 대한전자공학회 2000년도 하계종합학술대회 논문집(4)
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    • pp.242-245
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    • 2000
  • In this paper, we present a color interpolation technique based on artificial neural networks for a single-chip CCD (charge-coupled device) camera with a Bayer color filter array (CFA). Single-chip digital cameras use a color filter array and an interpolation method in order to regenerate high quality color images from sparsely sampled images. We applied 3-layer feedforward neural networks in order to interpolate missing pixel from surrounding pixels. And we compared the proposed method with conventional interpolation methods such as the proposed interpolation algorithm based on neural networks provides a better performance than the conventional interpolation algorithms.

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고차 다층구조 신경회로망을 이용한 LCD 모니터의 색 보정 (Color Collection of LCD Monitor Using High-order Multilayer Neural Network)

  • 정재훈;이동욱;안강식;조석제
    • 정보처리학회논문지B
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    • 제11B권2호
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    • pp.169-176
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    • 2004
  • 본 논문에서는 고차 다층구조 신경회로망을 이용한 LCD 모니터의 색 보정 방법에 관하여 제안하였다. LCD 모니터는 다양한 디스플레이 시스템 구성요소로 인해 비선형적인 특성을 지닌다. 이러한 비선형적 특성들을 해결하고 양질의 영상을 나타내기 위해서는 LCD 모니터좌표와 입력되는 색 자극치 사이의 비선형 색 좌표변환이 필요하다. 고차 다층구조 신경회로망은 학습을 통해 입력되는 색 자극치를 효과적으로 모니터에 가상한다. 실험을 통해 제안한 방법이 칼라 영상의 재현에 효과적임을 확인하였다.

색의 순서 변경을 이용한 색의 조화 개선 방법 (Enhancing harmony of color theme by changing the order of colors)

  • 유민준;이인권
    • 한국컴퓨터그래픽스학회논문지
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    • 제18권4호
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    • pp.9-15
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    • 2012
  • 색의 조화로움(harmony)은 조화로운 색들의 선택 뿐 아니라 각 색들의 배치에 따라서도 영향을 받는다. 본 논문에서는 색상의 배치 순서에 따라서 사람이 느끼는 조화로움에 차이가 있다는 사실을 보인다. 특히 색의 배색 및 선택에서 자주 사용되는 색 테마(Color Theme)의 구성 색들에 대한 예제를 보인다. 이를 위해서, 먼저 Ou [1][2]가 제안한 방법을 이용한 색상 배치 방법을 소개하고, 색 간의 차이를 최소로 하는 방법에 대해서도 제안을 한다. 이를 통하여 다수의 색이 구성되어 있을 때는, 각 색들 간의 조화로움을 계산하여 순서를 정하는 것도 중요하지만, 그 보다는 전체 색들 간의 차이가 적을 때 더욱 조화롭게 느껴진다는 것을 보인다. 사용자 평가를 통하여 본 논문에서 제안하는 방법이 색 테마의 전체적인 조화로움을 더욱 증가시킴을 알 수 있었다.

어패럴과 텍스타일 디자인을 위(爲)한 시스템배색(配色) (Systematic Color Combination for Apparel and Textile Design)

  • 이경희
    • 패션비즈니스
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    • 제2권1호
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    • pp.12-24
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    • 1998
  • The purpose of this study is to investigate the efficiency of systematic color combination for apparel and textile design. We planned the new color systems, HUE AND TONE COLOR SYSTEM 277 and HUE AND TONE COLOR SYSTEM 253 USED KOREAN TRADITIONAL COLORS. In order to emprove the efficiency, this study aims to explore the development of systematic color combination by computer graphics. With this purpose, this study progressed in the following order and we obtained these results. 1. First, we considered the possibility of the development of the systematic color combination used the new color system, HUE AND TONE COLOR SYSTEM 277. We considered the possibility of the development of the systematic color combination by graphic computer SDS-480. Through the experimental regulation of the RGB (Red, Green, Blue) and HLS (Hue, Lightness, Saturation) we obtained an approximation of the colors of the HUE AND TONE COLOR SYSTEM 277 on the CRT display of SDS-480. 2. We planned the new color system, HUE AND TONE COLOR SYSTEM 253 USED KOREAN TRADITIONAL COLORS for systematic color combination. 3. In a practical application, we tried five principal types of color combination in apparel and textile design, monochromatic combination, tone on tone combination, moderate combination, tonal combination, and contrast combination. 4. Furthermore, we applied the systematic color combination for the textile patterns by tone on tone combination. By using the systematic color combination for apparel and textile design, we realized the efficiency and utility of the systematic color combination.

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영상 압축에 강인한 디지털 워터마킹 (Robust Digital Watermarking for Image Compression)

  • 김희수;이호영;김형석;하영호
    • 대한전자공학회:학술대회논문집
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    • 대한전자공학회 2000년도 제13회 신호처리 합동 학술대회 논문집
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    • pp.701-704
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    • 2000
  • In this paper, we focus on digital watermarking for color images. At first, in order to embed the watermark signal in color image, we converted RGB color space to YCbCr color space which is a world-wide digital component video standard. In addition, we adopted the acceptable degree of color difference in order to keep the invisibility.

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A Comparison Analysis of Color Characteristics and Images in Flight Attendant Uniforms of Korea, China and Japan

  • Shao, Chiqian;Lee, Misuk
    • 패션비즈니스
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    • 제17권6호
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    • pp.111-124
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    • 2013
  • The purpose of this research was to conduct a comparison analysis of color in the characteristics and image of Korea/China/Japan airline uniforms. Research subjects for this research included 19 Korean, Chinese and Japanese airlines servicing the Incheon International Airport in South Korea. The analysis methods are based on the Munsell Color Order System and PCCS (Practical Color Coordinate System) tone classification in order to examine the color characteristics. For the color image analysis, the present research performed a positioning on Shigenobu Kobayashi's color images scale with adjectives in order to compare the resulting differences. As a result of the analysis, this research discovered the following; First, achromatic colors were found to be used most frequently in flight attendant uniforms of Korea/China/Japan. In Korean flight attendant uniforms, YR/Y, GY and B/PB/P; in Chinese, R/PB, RP, YR/Y/GY and BG/P; in Japanese, RP, R/P/PB and Y/BG were found in order. As for the main uniform colors, Korean flight attendant uniforms were found to be in the colors YR, and R/GY/B/P; Chinese flight attendant uniforms, R, PB, and P/B; and Japanese flight attendant uniforms, R, BG, B, RP and N. Second, Korean flight attendant uniforms used W and It most frequently; China flight attendant uniforms, W; and Japanese flight attendant uniforms, W and v. Regarding the main colors, Korean flight atteddant uniforms used lt/g and v/p; Chinese flight attendant uniforms, v, dp and s/d/dkg; and Japanese flight attendant uniforms, v/dkg and Bk. Third, after positioning each country's uniform color combination bars on the Kobayashi image scale, Korean flight attendant uniforms showed classic images along with casual/pretty/elegant/chic images; Chinese flight attendant uniforms displayed, casual images as well as, dynamic/gorgeous/chic/cool casual/dandy images; and finally, Japanese flight attendant uniforms converyed dandy images along with casual/gorgeous images. This research findings indicate that Korea/China/Japan airlines' flight attendant uniforms seek for differentiated image establishment by reflecting their own CIs and unique national cultures in the uniform color marketing.

색채기호도와 성격특성 및 개인적 요인과의 관계 연구 (The Relationship between Color Preference and Personality Traits & Personal Factor)

  • 백숙희;최종명;김인숙
    • 한국생활과학회지
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    • 제3권1호
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    • pp.71-80
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    • 1994
  • The purpose of this study was to investigate the relationship between color preference and personality traits & personal factor among secondary school girls. Personality traits were measured. with Lee et al's Personality Scale. The questioniare measuring color preference consists of items designed to assess color and clothing color(T-shirt and slacks) preference and color repugnance. These questionaire were administerd to 576 middle and high school girls in Chungbuk Province. As statistical analysis, chi-square, F-test and correlation were used. The result were; 1. The order of prefered colors were white, yellow and green, and the order of repugnated colors were gray, red and red purple. 2. Personality traits was no signifcant related to color perference and repugnance. 3. Color perference was positively related to age, residential area and type of school. Color repugnance was positively related to age, residential area, type of school and educational background of mother. 4. Yellow red, yellow and white T-shirt were prefered in spring and autumn, white and blue T-shirt were prefered in summer, and black, gray and red T-shirt were prefered in winter. White and blue slacks were prefered in spring, summer and autumn seasons, and black, gray and blue slacks were prefered in winter. 5. There was a positive relationship between color perference and T-shirt color, but was no positive relationship between color perference and slacks color.

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Color Analysis for the Quantitative Aesthetics of Qiong Kiln Ceramics

  • Wang, Fei;Cha, Hang;Leng, Lu
    • Journal of Multimedia Information System
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    • 제7권2호
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    • pp.97-106
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    • 2020
  • The subjective experience would degrade the current artificial artistic aesthetic analysis. Since Qiong kiln ceramics have a long history and occupy a very important position in ceramic arts, we employed computer-aided technologies to quickly automatically accurately and quantitatively process a large number of Qiong kiln ceramic images and generate the detailed statistical data. Because the color features are simple and significant visual characteristics, the color features of Qiong kiln ceramics are analyzed for the quantitative aesthetics. The Qiong kiln ceramic images are segmented with GrabCut algorithm. Three moments (1st-order, 2nd-order, and 3rd-order) are calculated in two typical color spaces, namely RGB and HSV. The discrimination powers of the color features are analyzed according to various dynasties (Tang Dynasty, Five Dynasties, Song Dynasty) and various utensils (Pot, kettle, bowl), which are helpful to the selection of the discriminant color features among various dynasties and utensils. This paper is helpful to promoting the quantitative aesthetic research of Qiong kiln ceramics and is also conducive to the research on the aesthetics of other ceramics.