• 아시아태평양코퍼스연구
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• 제1권2호
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• pp.41-56
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• 2020

This paper aims to investigate how word order interacts with cliticization in Sakizaya, a Formosan language. This paper looks into nominative and genitive case markers from a corpus-based approach. The data are collected from an online dictionary of Sakizaya, and they are classified into two word orders: nominative case marker preceding genitive case marker and vice versa. The data are also divided into three categories, according to the demarcation of the case markers, which include right, left, or no demarcation. The corpus includes 700 sentences in the construction of predicate + noun phrase + noun phrase. The results suggest that the two case markers tend to be parsed into the preceding word and show right demarcation. The results also reveal that there are type difference and distance effect of the case markers on the cliticization. Nominative case markers show more right demarcation than genitive case markers do in the corpus. Also, the closer the case markers are to the predicate, the more possible the case markers undergo cliticization.

• 대한음성학회지:말소리
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• 제40호
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• pp.29-49
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• 2000

This study has two aim: one is to clarify the restructuring of English in utterance and the other is to make use of text-setting to be applied to getting accustomed to the English rhythm and pronunciation. Clitics prove to play a crucial role on the English restructuring, and are found to be attached to their previous and to their next head or host, thus forming, respectively, an on-cliticized rhythm, trochee and a pro-cliticized rhythm, iambus. En-cliticization proves to be preferred to pro-cliticization in most types of English rhythms. Accordingly, the restructuring turn out to occur all over the levels of the Prosodic Hierarchy. That is, syllables, words and clitic groups are restructured in poetry as well as in song words, which means the necessity of restructuring throughout the levels of the Prosodic Hierarchy from the syllable to the utterance. The present study suggests a good use of a rhythmic textsetting for learners of English to get accustomed to the stress-timed rhythm as well as to such changes in pronunciation as reductions, deletions, resolutions, contractions, and rhythms in English.

• 대한음성학회지:말소리
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• 제35_36호
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• pp.77-100
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• 1998

This research, based on the support for the existence of 'Clitic Group', proves the 'Clitic Cadence' as the solid evidence to the point that music underlies poetic rhythm in the words or poetic lines which, in turn, underly speech rhythm. Through the relation of stress-beat and clitic cadence to musical schema, such as measure, motive and period, the study clarifes the figurations of cliticization, sometimes procliticized and sometimes encliticized, even if the former appears more often than the latter. Above all, this research puts emphasis on the separate position of clitics not criticized but positioned in strong positions in music, Finally, it suggests some use of clitics to teachers and learners of English for stress-beating for rhythmization of English.