• 한국멀티미디어학회논문지
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• 제10권10호
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• pp.1240-1250
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• 2007

본 논문은 2D 애니메이션 캐릭터의 자동 색 지정을 위하여 애니메이션 장면간의 캐릭터 색 변환 기술에 대해 제안한다. 사람이 지각하는 색은 조명이 달라지면 다른 색으로 지각된다. 이와 마찬가지로 애니메이션 장면에 등장하는 캐릭터도 의상, 피부 등의 색이 장면 분위기에 따라 각각 다르게 지정되고 있다. 본 논문은 이러한 2D 애니메이션 장면간의 캐릭터 색 지정을 수작업에 의존하지 않고 수학적으로 해결하기 위해 시도한 것으로써 조명에 따른 색 원리를 이용하여 장면간의 캐릭터 색 변환을 위한 행렬을 유도하였다. 이 색 변환행렬은 애니메이션 장면마다 각각 구해지는데, 기존의 2D 애니메이션에 등장하는 동일캐릭터의 기본색과 각 장면속의 색을 이용해서 구해진다. 이렇게 구한 색 변환행렬은 어떠한 캐릭터의 기본색만 주어진다면 다양한 장면 분위기와 잘 어울리는 색으로 변환이 가능해진다.

• 한국멀티미디어학회논문지
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• 제11권9호
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• pp.1286-1295
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• 2008

기존의 2D 애니메이션에 나타나는 캐릭터 색은 아트 디렉터의 주관적 색감에 의해 지정되고 있는데 장면의 분위기가 달라지면 동일 캐릭터일지라도 지정되는 색이 다르게 된다. 본 논문에서는 2D 애니메이션 각 장면마다의 캐릭터 색을 자동 생성할 뿐 아니라 아트 디렉터의 주관적 색감을 재현하기 위해 비선형시스템인 신경회로망을 이용하여 캐릭터 색을 자동적으로 변환하는 모델을 제안하였다. 구체적으로, 기존의 2D 애니메이션 장면에 있는 캐릭터 색을 활용하여 캐릭터의 기본색이 각 장면마다 달라지는 것을 신경회로망으로 학습시켜 어떠한 캐릭터 일지라도 기본색 만 주어진다면 그 장면 분위기에 잘 어울리는 색을 자동으로 변환하는 것이 가능하도록 하였다. 그리고 애니메이션 색채전문가들의 평가를 통해 다양한 장면에서 자동 변환된 캐릭터 색에 대한 자연스러움의 정도를 검증함으로써 본 연구에서 제안한 장면에 따른 캐릭터 색의 자동변환 시스템의 타당성을 입증하였다.

• 한국의류산업학회지
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• 제6권1호
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• pp.41-50
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• 2004

This research proposes the on-stage costumes for the play Hamlet of Shakespeare performed by Yunheedan Guhri Pae - the Street Theater Troupe. Stage costumes have an important role in displaying the characteristics of each characters to the audience and has big visual effects. However, in order to design the costumes in the object viewpoints of the audience, the survey on the images of the characters who had actually watched the performance was taken place and proposed the costume design according to the results of the survey. Hamlet a: This result was applied to propose a sweater in black color, black leather pants and vest. Hamlet b: This result was applied to propose hooded coat in purple in middle level of brightness and color spectrum and yellow coat. For free image, loose pants in blue and vest in the same color tone were proposed. Gertrude a: This result was applied to use purple (violet) with reddish tone to propose the formation of a dress applying tailored suit. Gertrude b: This result was applied to propose purple gown and the one-piece dress with black laces. Ophelia a: This result was applied to propose feminine white dress and cape in purple color tone. Ophelia b: This result was applied to propose dyed and weaved clothes. Through the surveys as above, the images of each character was driven in adjectives, and using the results driven from the brightness, coloration, and color, color images were proposed. Only one costume cannot make up for the stage costumes and because it exists as an element of stage production, it is true that costumes are limited in some areas. However, that limit can become the motive of the costume. There is a limit, which the designer cannot produce the costumes as he or she had designed but I believe it is the center of the on-stage customers to display the characteristics of the characters according to the given concept. The limit of this research is the fact that because the costumes were designed so they fit the conditions already given, thus it was difficult to regard the process of designing and producing the costume as a project done according to the interaction. And in the future, if it is possible, I wish for the joint research with the people responsible for stage art to take place as a practical stage art. It was possible to produce practical costume since they were produced for actual performance and the production of costumes considering the dance steps, line of flow, and acting, was able to reduce the trial and error on stage. Through this research, I felt that the understanding and smooth interaction on diverse other areas not limited to the costume design should be taken place and believe that this was a research that proposes new research method since there had been only a few previous research regarding the on-stage costumes for actual performances. Therefore, this research had depended on the surveys given to the audiences to endow objectivity, however, I wish this research can contribute to defining effective process and methods for the on-stage costumes with more active researches with diverse methods and in diverse areas. I am sorry that the costume production for all the characters and all the scenes in Hamlet couldn't be done due to many limitations. As the following research assignment, I am planning on designing the costumes for all the scenes.