• Journal of The Geomorphological Association of Korea
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• v.25 no.1
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• pp.67-80
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• 2018

This study used aerial and terrestrial images to build a three-dimensional model of cliffs located in Pado beach using SfM (Structure from Motion) techniques. Using both images, the study purposed to reduce the shadow areas that were found when using only aerial images. Accuracy of the two campaigns was assessed by root mean square error, and monitored by M3C2 (Multiscale Model to Model Cloud Comparison) method. The result of the M3C2 in closed areas such as sea cave and notch did not express the landforms partly. However, eroded debris on sea cliffs were detected as eroded area by M3C2, as well as in captured pictures by multi-camera. The result of this study showed the applicability of multi-camera and SfM in monitoring changes of sea cliffs.

• Journal of The Geomorphological Association of Korea
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• v.20 no.1
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• pp.1-9
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• 2013

This study aims to provide fundamental data for further shape-factor research on karst by measuring and classifying the shape of surface topography in Hogye, Mungyeong. First, in the research area, there are 35 dolines and uvalas. Second, large uvalas are found in three places, including Gulnomjae in Bugokri, and Teotgol and Denjimigol in Urori. Third, there are 13 round dolines and 22 oval dolines. Next examining the cross section of dolines, there are 27 bowl shaped dolines, 2 plate shaped dolines, and 6 funnel shaped dolines. Fourth, most dolines lay over 200m elevation, which is ridge and top of mountain. Fifth, development direction of dolines resembles the strike direction of limestone in Hogye, suggesting that the development direction of limestone affects doline corrosion. From this situation, we can guess sinkholes of the doline would be linked with limestone caves by the underground water pipe. Three limestone caves, karren and dry valley etc. appear in the research area.

• Journal of architectural history
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• v.3 no.1
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• pp.23-43
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• 1994

In this study, it has compared and investigated the architecture of Six-Dynasty in China which was the same period of Baegje. There are no buildings to remain as a Baegje's architecture, but the architectural traces are remained. Especially, the architectural traces in Six-Dynasty are much left in cave temples. The reason to compare the architecture between China and Baegje intends to restore the Baegje's architectural style ultimately. The two countries, China and Baegje, were very close and they traded each other at that time. In the method of comparison, it has been investigated the form, the style and characteristics in each parts such as podium, column base, column, doors and windoors, brackets and roofs. As a result of the study, it has shown that the Baegje's architecture was not splendid compared to the architecture of Six-Dynasty. Baegje developed it's own architectural technique and used it only to the Baegje architecture. Since there was historical records that Baegje sent it's own architectural engineers to surrounding countries, Silla and Japan, it confirms that Baegje's architectural techniques were excellent. We need more time and constant research to restore the Baegje's architectural style ahead of time.

• Journal of Korea Entertainment Industry Association
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• v.15 no.1
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• pp.13-25
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• 2021

Hoseonmu belongs to the genre of a composite of song, music, and dance. At that time, there was no widely known record of Hoseonmu in Baekje, but it is clear that it was popular enough to be invited to Changan by Emperor Yang of Sui. The musical instruments, songs, and dances were analyzed through the research method of literature and the content of the Hoseonmu version was established. The setting of the stage for the performance of Baekje instrumental music reveals its characteristics through sabangak from Gigaku in the neighboring countries. The stage for Hoseonmu was set up utilizing the creation of the imperial performance stage in the Baekje instrumental music. In particular, Hoseonmu has two types: heavenly and earthly. The heavenly Hoseonmu can be found on the wall of the Cave No. 220 formed in the Chodang (618-707) era. They include Dongbang Pharmacopoeia jingbian and Western Paradise jingbian. Hoseonmu would have chosen to be the fast-paced spinning dance. Motions for Hoseonmu could be set up through them. Meanwhile, Mimaji's instrumental dance is presented. Six dancers appear in two turns of the performance. Four dancers in front row and other two in the back are dressed up as hunters, wearing goblin masks, and holding flowering plum tree branches in their right hands. Through this, the movements and costumes of Hoseonmu are reproduced in more detail. Various sectors of education, theater, dance, and tourism in the Hoseonmu contents of Baekje instrumental music contributed to the Korean Wave.