• 한국의상디자인학회지
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• 제4권3호
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• pp.27-32
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• 2002

This study attempted to make a comparative analysis of dress and architecture to investigate the spatial effect of transparency expressed in fashion. As a result, the following findings were obtained: First, the openness of the space. It means that the human body or the dress inside it can be seen through or the inside space is opened. The volume, form and color of the undergarment seen through this transparent outer garment brings about any change to design. Also, it can be found that the role of the space is further extended as the inside space is seen through outwardly due to the outer garment. Second, interpenetration of the internal and external space. That the human body and the undergarment are seen through due to transparent dress brings about the linkage between spaces and opens the inside outwardly. Third, the briskness of the space. The trait of transparency that exposes the object behind outwardly as it is causes its form and space to be activated and conveys its spatial briskness.

• 한국항만경제학회지
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• 제21권4호
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• pp.1-31
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• 2005

Major companies in USA, Europe and Japan as well as even China and Russia put more overseas investment in Asian regions than before, while northeast Asian regional trade gets more attractive and important under the influence of China's super-speed economic growth. Possibly, it is expected that such ever-increasing gravity of regional trade will help spotlight the importance of local trade route considerably. In particular, northeast Asian region's economic briskness and step-up in international economic partnerships will expectedly contribute to much boosting up the quantity of goods transported via local coasting route. Thus, it is advisable that both Busan New port specialize in dealing with freights via East Sea rim, while Gwangyang port specialize in dealing with freights via Yellow Sea rim. Furthermore, it is required that both ports share some of their own roles as hub port and hub & spoke port respectively, so that both of them can be devoted to stepping up into northeast Asian hub ports.

• 한국정보통신학회논문지
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• 제11권6호
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• pp.1156-1161
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• 2007

영상에서 명암 차이가 큰 두 영역간의 경계를 나타내는 에지는 대상 물체에 대한 다양한 정보를 포함한다. 따라서 영상분할을 비롯한 물체인식 등의 분야에서 이러한 에지정보를 이용하고 있다. 에지는 밝기 변화의 크기와 지속시간 등에 따라 다양한 종류가 있으며, 일반적으로 미분을 통해 검출된다. 최근에는 영상처리와 컴퓨터비전 등의 분야에서, 특정 응용에 적용하기 위한 에지검출 방법들이 제시되고 있다. 따라서 본 논문에서는 개선된 에지검출 특성을 위한 웨이브렛 함수를 제안하여, 영상의 라인-에지 성분을 검출하였으며, 시뮬레이션을 통해 그 성능을 확인하였다.

• 한국의상디자인학회지
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• 제3권1호
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• pp.57-76
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• 2001

This study was intended to make a comparative analysis of the plastic features of Korean and Japanese dragon patterns found in the process of recreating traditions in comtemporary fashion based on the investigation into the style of expression in relation to the origin, formative evolution, symbolism and traditional costume of the dragon. The form of the dragon has evolved with some similarity and peculiarity between both countries and been changed into many kinds and diverse forms such as the humorous dragon pattern of the Yi Dynasty and the simplified and designed dragon pattern symbolizing the Japanese family crest and the like, Its symbolism has lasted in terms of the sacrificial object, royal power, good omen, Buddhist guardian and the like. There is a difference in the aesthetic sense due to the different traditions and cultural background between Korea and Japan, and the dragon pattern found in the process of recreating the tradition in comtemporary fashion manifested itself as the peculiar aspect. An attempt was made to make a comparative analysis of the dragon pattern found in comtemporary fashion between Korea and Japan. The following results were obtained: First, the commonality between both countries was to make a contemporary expression of the dragon pattern, which was expressed in a realistic form because of a traditionally inherent strong image of the dragon. On the other hand, the designed dragon pattern rarely found expression. It can be said that carefully treating the dragon pattern is attributed to the Oriental thinking like this. Second, Korean people have arranged one or more simplified dragon patterns taking on a form of the coiling dragon in the composition of the scattered point and made a comtemporary expression of them by the contrast of black and white shading in Korea. And the humorous form of the dragon pattern manifested itself in the Yi Dynasty. On the other hand, the case of printing the dragon pattern in the black dragon sword of all over the Kabuki costume in a pictorial composition has frequently appeared in Japan. And Japanese people have expressed its lightness and briskness rather than the dignity and strength that the dragon pattern gives with the use of strong color tones and new materials.

• 한국식품과학회지
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• 제23권1호
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• pp.98-101
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• 1991

한국산(韓國産) 시판녹차(市販綠茶)의 향기성분(香氣成分)을 제조공정별(製造工程別(찐차(茶), 볶은차(茶))과 차(茶) 잎을 딴 시기별(時期別)(1번차(番茶), 2번차(番茶))로 구분區分하여 분석(分析), 동정(同定)하였다. 그 결과(結果), 찐차(茶)와 볶은차(茶)에서 terpene alcohol류(類) 8종(種), 그 외의 alcoholel류(類) 9종(種), aldehyde류(類) 5종(種), ketone류(類) 8종(種), ester류(類) 4종(種) 및 기타 7종(種)을 포함(包含)하는 총(總)41종류(種類)의 향기성분(香氣成分)을 확인(確認)하였다. 찐차(茶)는 볶은차(茶)에 비(比)하여 nerolidol, indole등의 함량(含量)이 많았고, 볶은차(茶)에서는 linalool, geraniol, benzylalcohol, phenol 등(等)이 함량(含量)이 많았다. 차(茶) 잎을 딴 시기별(時期別)로보면 6월(月)에 딴 찐 2번차(番茶)의 경우 4월(月)에 딴 찐 1번차(番茶)에 비(比)하여 1-penten-3-ol, cis-2-penten-1-ol과 cis, trans-2,4-heptadienal과 trans, trans-2,4-heptadienal의 현저(顯著)한 증가(增加)가 보였다. 볶은차(茶)의 경우에서도 대체로 같은 경향(傾向)을 나타내었다.