• 디자인학연구
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• 제18권2호
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• pp.293-302
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• 2005

한 시대의 정서와 문화는 여러 매체들을 통해서 반영 투영되어지며, 특히 일상생활에서 사용되어지는 생활용품을 통해서 그 특성과 일반성을 발견할 수 있게 된다. 본 연구는 민족의 '정서적 유대감'을 가진 브랜드 개발을 위한 선행연구로서, 선조들의 일상 용품들 속의 전통문양과 그에 대한 상징성 이야기성에 대해 연구하였다. 이를 기반으로 상징성을 가진 전통문양이 갖는 브랜드 가치와 잠재적 발전 가능성에 대해 고찰하였다. 전통문양의 상징성 분석을 위해 본 연구는 구복사상이라는 기준점으로 한국의 전통문양을 재분류하고 문양이 가지고 있는 본연의 의미와 상징, 더 나아가 이야기성을 발췌하고 정리, 분류하였다. 구복 사상을 중심으로 분류한 전통문양을 8가지 구복문양으로 정의하고, 구복문양이 가지고 있는 브랜드로의 발전 가능성과 파생적 가치를 고찰하였다. 본 연구를 통해 구복문양은 기본적으로 커뮤니케이션 기능을 수행하며, 그밖에도 브랜드 패러다임의 변화에 대응할 수 있는 4가지 기능과 브랜드 아이덴터티를 형성하는 6가지 구성요인을 가지고 있음을 발견하였다. 더 나아가 구복문양은 인지도 강화 기능, 표현 기능, 충성도 강화 기능, 차별화 기능, 상징 기능 5가지 측면에서 파생적 가치를 지니고 있음을 발견하였다. 본 연구는 한국의 '정서적 유대감'을 형성하는 브랜드 개발 연구의 기초가 되며, 슈퍼 브랜드 우산 브랜드로의 적용이 가능한 구복 브랜드 개발 연구의 기반이 될 것이다. 추후 연구로 '구복 브랜드 시리즈' 개발과 마케팅에 관한 연구를 추진함으로써 구복 브랜드 문화가 창출되며, 세계 시장으로 한국 브랜드 시장이 확대되어 지기를 기대한다.

• 복식
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• 제44권
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• pp.57-75
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• 1999

The purpose of this study is to infer the shape and change as auspicious symbolic meaning and figures of a peony pattern. For this study. I analyzed the example of a peony pattern, which is traditional Chinese pattern appeared on a ceramic and textile. The results of this study are as following. First, a peony has particular title, such as 'the king of flowers' and 'the most beautiful woman in country and the smell in heaven' originated in a verse of a poet at Dang's Dynasty. It is reputed to be the best of all flowers, representing beauty, and a beauty. Second, the basic meaning of a peony pattern used as auspicious pattern is prosperity and it has various meanings of it's similar kind through several auspicious objects and combination. Also, it was used for the purpose of adequating the desire of man's blessing mentality. Third, four kinds of characteristics of a peony pattern are as following. 1) A peony pattern has similar shape with 'Bosanghwamoon', which was used as a pattern at formerly period of peony flowers. It was used as realistic shape gave vividness to the characteristic of peony on the shape of 'Bosanghwamoon'. 2) 8-petaled, unique leaves and veins were described in detail by vivid sketching shape of real peony flower. 3) Laying stress on the characteristics of peony flower, which is large and magnificent, several folds petals were described abundantly by exaggerated shape or a shape of big honeycomb. And unique leaves were described realistically on these. 4) It was also expressed peculiar characteristic of peony flower composed of several pieces by weakened design shape.

• 복식문화연구
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• 제4권3호
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• pp.395-406
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• 1996

This article aims, by analyzing structurally the codification of dress sign in Korean society, the signifying system of the codes and their message communicated, to make clear a signifying structure that would be codified through the relationship between abstract concepts and real condition of dress. I used the semiotic theory of Ferdinand de Saussure′s conception on structuralismly the codification, cultural semiology of Roland Barthes and Myung-Sook Han′s formula of dress structure as tools analyse may objective of wedding dress of folks in Choson Dynasty, which has been successive our traditional Korean wedding dress. My results of the study are : The procedure of wedding ceremony in Choson Dynasty was presented in texts like Juga-garye, Sarye-peonram and Kukjo-orye, its dress system has been more emphasized on language, and aspect of social system, than parole, one of individual realization. In addition, the meanings of marrage such as "Oneness of bride and bridegroom", "Mixture of two sexes", "Blessing of good luck", were included in the signified like the style, pattern and color of the wedding dress, and specially, pattern and color, the articulated morphemes, was emphasized, When we combinated terms of dress in Choson Dynasty with syntagmatic, regarding their list as paradigmatic, it will signify a wedding dress, and according to combinating ways, it amy be divided as sign of dresses of bride and bridgeroom by sex or king, gentry and common people by class. Wedding Dress in Choson Dynasty = [{ODx(U/Dxu/d)}+AC·H·FW].

• 한국실내디자인학회논문집
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• 제30호
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• pp.68-77
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• 2002

From ancient to modern architecture, the light in the architecture spaces as the only changing factor, was the most important theme contributing vitality to the space and judging its character and expression. The efforts, to acquire both natural-physical light and internally experienced spiritual-supernatural light, had been revealed in several ways of the architecture from the ancient architecture. It was the main issues on the christian architecture. In this study, 1 have intended to determine how the light, the most important factor on the christian architecture symbolizing the blessing of God and forming the pious and restrained spaces has been expressed in the church spaces. For this purpose, I have compared and analysised the examples of the using the light, to the arts of the modern maestros of architecture and newly constructed churches in Korea on the way of light input pattern by the shape of windows. The results from the examples show that the most outstanding point of the modern christian architecture compare to the past, is that the natures of the inputted light has many diversities by the architects. And I reached the fact that the constructers by their own will to acquire the intended light, they are chose progressive light expressing methods through the shape of windows.

• International Journal of Knowledge Content Development & Technology
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• 제12권1호
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• pp.17-34
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• 2022

This informetrics study was conducted to find out the distribution of articles and authors that published in African Journal of Library, Archives and Information Studies [AJLAIS]) from 2009 to 2018; considering the year-wise growth of research articles; authorship pattern and collaboration ratio; subject and geographical distributions of authors; and authors' productivity level. A descriptive informetrics research design was adopted. Quota sampling technique was used to select all the articles published within the ten-year period. Data collected through a self-designed checklist was analyzed using frequency count and percentage. The findings revealed that 141 articles, contributed by 266 authors were published by AJLAIS during the period. An annual average growth of 1.20% was recorded. Overall year-wise authorship pattern revealed that majority of articles (62.41%) published in AJLAIS were multiple authored. Also, articles on Informetrics and ICT dominated the journal. Some subject areas not covered were identified such as: indexing and serial collections management. Average collaborative index across the 10-year period for the journal was 0.62. South Africa and Nigeria were the two major prolific contributors to AJLAIS, just as evidence-based research papers of survey type (65.25%) were the most common to the journal. There should be increased numbers of articles in each edition over the coming years, and awareness should be created by the publishers to familiarize the researchers with the publishing requirements of the journal. Also, LIS researchers should concentrate more on areas usually left untouched by previous studies. The study is original as no other similar study was found on publication pattern of articles in AJLAIS covering a ten year period of 2009-2018. The findings of the study will also serve as a feedback mechanism for the Publisher of the Journal and LIS researchers on how to improve the journal and LIS research in general.

• 한국전통조경학회지
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• 제33권3호
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• pp.58-65
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• 2015

중국 강남지방 고전 사가원림의 포장문양은 황가원림보다 종류도 다양하고 변화도 많다. 쑤저우 사가원림에서 다양한 문양을 도입하게 된 사상적 배경을 규명하기 위해서 세계문화유산으로 지정된 9개소의 원림을 조사 분석하였다. 그 결과 원시 자연숭배신앙인 애니미즘과 토테미즘의 영향은 소수로 나타났다. 쑤저우 고전원림 포장문양 가운데 큰 영향을 미친 것은 유교, 도교, 불교 사상인 것으로 나타났다. 유교 사상이 나타난 사례는 간방식, 팔방식, 육방식 문양으로 주로 진입로나 정당건물 앞에 넓은 면적에 포설된다. 도교 사상이 나타나는 문양은 오복봉수(五福捧壽), 반도(蟠桃), 암팔선 문양이다. 불교 사상이 나타나는 사례는 팔보 문양인데 그 가운데 윤회사상을 나타내는 반장 문양이 제일 많이 나타난다. 이밖에 쑤저우 고전원림 포장 문양 76 종류 가운데에는 복(福), 재물, 다산(多産), 신분상승을 기원하는 의미에서 선호하고 믿었던 민속문화라는 범주의 문양들이 있다. 박쥐, 나비, 잠자리, 사슴, 개구리, 금섬, 잉어, 동전 등이 있다.

• 한국가정과학회지
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• 제5권2호
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• pp.101-118
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• 2002

This study focuses on the ideas that Chok-Du-Ri(족두리)ㆍHwa-Gwan(화관) are mentioned a substitute preventing abuses of luxury mood by Gache(가채) as the sharpest social problem at that time. First, the origin of Chok-Du-Ri(족두리) was introduced from Ko-Ko-Gwan(고고관) of Mongo(몽고) in Korea dynasty, then was linked to Chosun. That is, Ko-Ko(고고) started from headgear reflecting spiritual view of the northen people, its size was getting smaller passing through Ming(명) dynasty, its essential decoration changed and it carried out Jeon-Ja(전자) remaining decoration nature by real accessories, then it might be descended to Chosun. Second, Hwa-Gwan(화관) is very different from Nanaec(난액) of Chosun Dynasty Records, rather Jeonia, the original form of Chok-Du-Ri, is more similar to it. Third, its decoration like color, jewel, pattern etc influenced wishes of this life like sex, prosperity, glory, longevity, blessing, wealth and fame. Fourth, Chok-Du-Ri(족두리) was restored a substitute for Gache(가채), it was accessory for preventing luxury life, besides it was modeled from headgear in China, Chosun people had it. It is worthwhile as it was based on Chosun Sinocentrism(조선중화주의) in the latter period of Chosun and made it the fruit of that age. Moreover, in those days Qing(청) society accepted the advanced culture and institutional profit of Qing(청) actually, social mood is that home and overseas policy was corrected in many parts, Chok-Du-RiㆍHwa-Gwan were mentioned a substitute of Gache, symbol of luxury. It shows one part of Practical Thougth that abolishes vanity and affectation and makes useful profits in the latter period of Chosun.

• 자연과학논문집
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• 제14권1호
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• pp.63-81
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• 2004

본 논문은 한국 전통사찰의 경관현황을 개관하고 조경식물을 통한 가람의 종교적 이미지를 부각시켜 불교신도들의 경건한 수도와 함께 관광적 효과를 한층 거양하기 위한 방안을 모색하고자 산지형 사찰인 낙산사, 부석사 및 불국사를 대상으로 연구를 수행하였다. 이에 얻은 결과를 요약하면 다음과 같다.1. 사찰경 내 수목의 식재현황 및 유형조사대상 사찰에서 석가모니불을 주로 모시는 곳인 대웅전 앞에는 아무런 교.관목이 식재되어 있지 않았다. 극락보전과 무량수전에서는 공통적으로 주목이 식재되어 있었으며 사찰에 따라 매자나무 외 15종이 식재되어 있었다. 또한 불국사의 비로자ㅣ불에서는 백목련을 위시하여 25종의 수목이 식재되어 있음을 볼 수 있었다.한편 낙산사와 불국사의 원통전 및 관음전에는 사철나무 외 26종의 수목이 식재되어 있었다.2. 수목과 사찰 건물과의 연관성 및 산지형 사찰의 교관목 식재모형수목과 각각 건물의 특성과는 특별한 연관성을 발견할 수 없었다. 다만 불교적 의미를 갖는 수종으로서 배롱나무와 불두화가 식재되어 있음이 밝혀졌다. 또한 대체적으로 지역적 특성, 기후 환경과 친화적인 식물이 식재되어 있었으나 수목과 사찰 건물과의 관계를 고려한 배식형식을 찾아보기 어려웠다. 본 조사를 토대로 산지형 사찰에서 교.관목을 식재할 때 활용할 수 있는 모형을 제시하였다.