• The KIPS Transactions:PartA
• /
• v.15A no.6
• /
• pp.317-324
• /
• 2008

In this paper, we propose a system which easily controls the existing serially connected multi-channel speakers in a general personal computer by using a USB(Universal Serial Bus) interface. The personal computer as a host of the USB interface analyzes a sound source and sends audio data in a real-time fashion by the use of the isochronous transmission, one of four transmission methods provided by the USB interface. In addition, a channel is assigned by means of the bulk transmission, one of four transmission methods provided by the USB interface. Transmitted data from the USB host are sent to each speaker through compression and packet generation process. Each speaker detects corresponding digital data and regenerates audio signals through DAC(Digital-to-Analog Converter). A user can easily select a sound source file and a channel by the use of a GUI environment in a personal computer.

• The Journal of the Acoustical Society of Korea
• /
• v.28 no.7
• /
• pp.653-660
• /
• 2009

This paper proposes a robust audio watermarking algorithm for copyright protection and improvement of sound quality after embedding a watermark into an original sound. The proposed method computes the FFT (fast Fourier transform) of the original sound signal and divides the spectrum into a subbands. Then, it is necessary to calculate the energy of each subband and sort n subbands in descending order corresponding to its power. After calculating the energy we choose k subbands in sorted order and find p peaks in each selected subbands, and then embed a length m watermark around the p peaks. When the listeners hear the watermarked sound, they do not recognize any distortions. Furthermore, the proposed method is robust as much as Cox's method to MP3 compression, cropping, FFT echo attacks. In addition to this, the experimental results show that the proposed method is generally 10 dB higher than Cox's method in SNR (signal-to-noise ratio) aspect.

• Journal of the Institute of Electronics Engineers of Korea CI
• /
• v.38 no.2
• /
• pp.33-41
• /
• 2001

Currently, the compression is one of the most important technology in multimedia society. Audio files arc rapidly propagated throughout internet Among them, the most famous one is MP-3(MPEC-1 Laver3) which can obtain CD tone from 128Kbps, but tone quality is abruptly down below 64Kbps. MPEC-II AAC(Advanccd Audio Coding) is not compatible with MPEG 1, but it has high compression of 1.4 times than MP 3, has max. 7.1 and 96KHz sampling rate. In this paper, we propose an algorithm that decreased the capacity of AAC encoding computation but increased the processing speed by optimizing psychoacoustic model which has enormous amount of computation in MPEG 2 AAC encoder. The optimized psychoacoustic model algorithm was implemented by C++ language. The experiment shows that the psychoacoustic model carries out FFT(Fast Fourier Transform) computation of 3048 point with 44.1 KHz sampling rate for SMR(Signal to Masking Ratio), and each entropy value is inputted to the subband filters for the control of encoder block. The proposed psychoacoustic model is operated with high speed because of optimization of unpredictable value. Also, when we transform unpredictable value into a tonality index, the speed of operation process is increased by a tonality index optimized in high frequency range.

• Journal of the Institute of Convergence Signal Processing
• /
• v.19 no.2
• /
• pp.47-53
• /
• 2018

This paper proposes a method to express an MP3 audio file by a series of color QR codes which can be printed on the paper. Moreover, the method can compress the data considerably. Firstly, an MP3 file is divided into many small files which have maximum capacity of binary file of a QR code. Secondly, the multiple files are converted to multiple black-and-white QR codes. Lastly, every three QR codes are combined into color QR codes. When combining, each of three black-and-white QR codes are regarded as red, green, blue components respectively. In this method, the areas of a color QR code where two QR codes are overlapped are expressed by the colors Cyan, Magenta and Yellow. And the areas where three components are overlapped are expressed by white color. Contrarily, the areas that no components are overlapped are expressed by white color. Experimentation result shows that an MP3 file with 8.5MB the original MP3 files are compressed with the compression rate around 15.7. This method has the advantage that can be used in the environments that the internet access is impossible.

• Journal of Intelligence and Information Systems
• /
• v.24 no.2
• /
• pp.21-35
• /
• 2018

Since the introduction of MP3 players, CD recordings have gradually been vanishing, and the music consuming environment of music users is shifting to mobile devices. The introduction of smart devices has increased the utilization of music through music playback, mass storage, and search functions that are integrated into smartphones and tablets. At the time of initial MP3 player supply, the bitrate of the compressed music contents generally was 128 Kbps. However, as increasing of the demand for high quality music, sound quality of 384 Kbps appeared. Recently, music content of FLAC (Free License Audio Codec) format using lossless compression method is becoming popular. The download service of many music sites in Korea has classified by unlimited download with technical protection and limited download without technical protection. Digital Rights Management (DRM) technology is used as a technical protection measure for unlimited download, but it can only be used with authenticated devices that have DRM installed. Even if music purchased by the user, it cannot be used by other devices. On the contrary, in the case of music that is limited in quantity but not technically protected, there is no way to enforce anyone who distributes it, and in the case of high quality music such as FLAC, the loss is greater. In this paper, the author proposes an audio watermarking technology for copyright protection of high quality stereo music. Two kinds of information, "Copyright" and "Copy_free", are generated by using the turbo code. The two watermarks are composed of 9 bytes (72 bits). If turbo code is applied for error correction, the amount of information to be inserted as 222 bits increases. The 222-bit watermark was expanded to 1024 bits to be robust against additional errors and finally used as a watermark to insert into stereo music. Turbo code is a way to recover raw data if the damaged amount is less than 15% even if part of the code is damaged due to attack of watermarked content. It can be extended to 1024 bits or it can find 222 bits from some damaged contents by increasing the probability, the watermark itself has made it more resistant to attack. The proposed algorithm uses quantization in DCT so that watermark can be detected efficiently and SNR can be improved when stereo music is converted into mono. As a result, on average SNR exceeded 40dB, resulting in sound quality improvements of over 10dB over traditional quantization methods. This is a very significant result because it means relatively 10 times improvement in sound quality. In addition, the sample length required for extracting the watermark can be extracted sufficiently if the length is shorter than 1 second, and the watermark can be completely extracted from music samples of less than one second in all of the MP3 compression having a bit rate of 128 Kbps. The conventional quantization method can extract the watermark with a length of only 1/10 compared to the case where the sampling of the 10-second length largely fails to extract the watermark. In this study, since the length of the watermark embedded into music is 72 bits, it provides sufficient capacity to embed necessary information for music. It is enough bits to identify the music distributed all over the world. 272 can identify $4*10^{21}$, so it can be used as an identifier and it can be used for copyright protection of high quality music service. The proposed algorithm can be used not only for high quality audio but also for development of watermarking algorithm in multimedia such as UHD (Ultra High Definition) TV and high-resolution image. In addition, with the development of digital devices, users are demanding high quality music in the music industry, and artificial intelligence assistant is coming along with high quality music and streaming service. The results of this study can be used to protect the rights of copyright holders in these industries.

• Proceedings of the Acoustical Society of Korea Conference
• /
• autumn
• /
• pp.275-278
• /
• 2004

본 논문에서는 저 비트오율 압축 시 발생되는 신호 왜곡을 인간의 지각적 특성을 이용하여 음질을 개선하는 알고리즘을 제안한다. 저 비트오율 압축 과정에서 손실된 고주파 영역의 신호를 부가 정보를 사용하지 않고 손실되지 않은 영역의 정보를 사용하여 고주파 영역의 신호를 첨가함으로써 음질을 개선하였다. 비 손실 영역의 순음 및 비 순음 성분을 검출하여 손실영역에 해당 하모닉 성분을 청각 자극 에너지로 스케일 하여 새로운 신호를 첨가한다. 원 신호와 저 비트오율 압축으로 인해 왜곡된 신호, 그리고 본 논문의 알고리즘을 이용하여 개선된 신호를 신호 대 잡음 비를 측정하고 청감 테스트를 통해 음질 개선 효과를 확인하였다.

• The Journal of the Acoustical Society of Korea
• /
• v.17 no.3
• /
• pp.27-36
• /
• 1998

현재 상용화된 사운드 합성 기기에서 널리 쓰이고 있는 PCM 방식에서의 문제점은 고음질의 음을 얻기 위해서 많은 메모리 용량을 필요로 하는 것이다. 이 논문에서는 이 문 제를 해결하기 위해 MPEG 오디오 압축 방식을 적용하여 샘플된 음을 압축하고, 실시간으 로 이를 복호화 해서 음을 합성해내는 사운드 합성 시스템을 설계하였다. 사운드 합성 시스 템은 마이크로프로세서, 음원 DSP, MPEG 오디오 복호화기로 구성되며, 44.1Khz의 샘플링 주파수로 32개의 음을 동시에 합성할 수 있도록 설계되었다. 설계 과정에서 각각의 기능 요 소를 C언어로 기술하여 사운드 합성 시스템에 대한 소프트웨어 모델을 작성하였다. 이것을 통해 미리 전체 시스템의 동작을 시뮬레이션하고, 압축 방식을 적용함으로써 발생될 수 있 는 여러 가지 문제점에 대한 해결 방안을 제시하였다. 시뮬레이터로 시스템의 동작을 검증 한 후, DSP와 MPEG 복호화기를 포함하는 사운드 합성 시스템을 VHDL로 설계하여 시뮬 레이션을 통해 하드웨어가 정상적으로 동작함을 확인하였다. MPEG 오디오 압축 방식을 이 용함으로써 메모리 용량 측면에서는 약8:1의 감소 효과를 얻을 수 있다.

• Proceedings of the Korean Society of Broadcast Engineers Conference
• /
• 1998.06b
• /
• pp.116-121
• /
• 1998

As digital audio video data compression and transmission techniques are matured, huge amount of digital multimedia material is produced and delivered via broadcasting, digital storage media and world-wide web(WWW). Thus it became very important to provide a standardized way of multimedia data content description, so that efficient and effective access and reuse of valuable multimedia information can be possible. In this paper, enabling core technologies and our research directions on this are presented with brief introduction on the scope of the multimedia content description interface, called MPEG-7, in terms of objective, application and requirements.

• The KIPS Transactions:PartA
• /
• v.8A no.1
• /
• pp.70-74
• /
• 2001

A general web-based remote lecture system uses video data and audio data to provide synchronize between teacher and students. This system requires high bandwidth, high speed networking, television, compression and computing technologies between server and client for remote lecture over Internet. As a result, this system can decrease an efficiency for lecturing over current Internet. So, this paper proposes a new mechanism calling as ‘Synchronization of WWW browsers between server and client’to cope with above problems and finally pursues low cost needed for real-time remote lecture over Internet. The mechanism means that every browser of teacher and students displays the same page and the action of teacher is transferred to the browser of student. And, this can be implemented by Windows hooking APIs, Memory Mapping, and DLL (Dynamic Link Library) programming technology. This paper points to the design and implementation of LAS (Lecture Assistant Server) and LAC (Lecture Assistant Client) to perform the synchronization between server and client.

• Proceedings of the KIEE Conference
• /
• 1998.11b
• /
• pp.606-608
• /
• 1998

Digital watermarking is the technique which embeds the invisible signal into multimedia data such as audio, video, images, for copyright protection, including owner identification and copy control information. In this paper, a new watermark detection algorithm by local masking cross covariance between watermarked signal and pseudo noise signal is proposed. The proposed algorithm enhances the detection probability for embedding information. Since reducing detection errors for the weak embedding signals, the algorithm improves the image quality and robusts against illegal attack to delete the embedding information and data compression applications such as JPEG and MPEGs.