• 공연문화연구
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• 제41호
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• pp.69-92
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• 2020

본 연구는 유아기 예술교육의 중요성을 인식하며 유아의 발달에 직접적인 영향을 미치는 유아교사들이 예술적 역량을 함양할 필요가 있다는 점에 주목하고 있다. 현대사회에서 예술은 온 국민이 누리고 향유해야 할 문화적 소양이듯이 유아교사의 예술적 경험은 유아의 예술적 감수성, 심미감, 미적능력 발달과도 밀접한 관계가 있기에 매우 중요하다 판단된다. 유아교사의 예술적 역량 향상을 위한 다양한 방법 중 본고는 연극예술의 교육적 가치를 담고 있는 교육연극의 활용에 대해 기술하고 있다. 교육연극 활동은 즉흥을 통한 허구적 상황을 창조해 내고, 가상의 인물과 동일시의 과정을 경험하게 되며, 감정의 교감을 통한 정서적 경험이 가능함과 동시에 몸을 통한 체화의 과정을 밟는다. 이러한 예술경험을 통해 유아교사는 유아교육 현장에서 이루어지는 극 놀이를 보다 다각적이고 진지한 일상과 연계된 활동으로 촉진시킬 수 있으며, 몸의 자유로운 활용을 통해 다양한 표현력과 상상력, 미적체험 자극도 가능하다. 또한 교육연극 활동 중에 유아와 교사는 수평적이고 민주적인 관계를 형성할 수도 있다. 이러한 지향은 2019개정 누리교육과정에서 유아중심의 놀이를 강조하는 교육관과 맥을 같이 한다고 본다. 유아교사들의 예술적 역량이 강화된다면 유아들의 바람직한 예술세계 형성에 기여할 수 있을 뿐 아니라 교사 스스로와 유아교육기관에도 긍정적인 영향을 미칠 수 있다. 따라서 향후 유아교사들의 예술적 역량 강화를 위해 교육연극을 경험할 수 있는 기회가 확대되기를 기대한다.

• 복식문화연구
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• 제18권5호
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• pp.809-823
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• 2010

The 21st century is the age of culture and sensitivity. As the interest in the art and culture grows, Artygen who prefers artistic designs grow in number. The desire to enjoy life from the increase of leisure time and financial afford ability created a new trend of party culture. This study analyzes the characteristics of Artygen who pursues artistic sense and sensitivity and suggests party-wear designs that please Artygen and accentuate individuality and personal preferences in a party, which is a type of popular entertainment these days. Through literature review, the background of Artygen and party was examined; First, in order to analyze the feature of art designs, photos of products that were in fashion from 2007 to 2009, (during which the term, 'Artygen', was coined) were collected. Second, in order to analyze the party-wear designs, photos of party-wear in wine party and club party popular among young people in the 20~30's were collected. Through the analysis, the party-wears targeting Artygen was developed based on the characteristics of popular art designs. The results of this study were as follows. First, from the result of analyzing the art design shown in product, casual, romantic, modern, dynamic and gorgeous images were. Second, art design shown in fashion, casual, romantic, chic, dynamic and gorgeous images were. Third, in wine party, romantic, elegant, gorgeous and formal images were in order and in club party, casual, gorgeous, chic and romantic images were in order. Fourth, the study displayed design by connecting aesthetic factor of artistic design to 2 wine party-wear of romantic and gorgeous images and 3 club party dresses of casual, gorgeous and chic images.

• 복식문화연구
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• 제17권1호
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• pp.105-119
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• 2009

The purpose of this study is to grasp the aesthetic characteristics of the retro romantic fashion. As a result of study, three artistic characteristics of the retro romantic fashion were presented. First, retro romantic fashion has an exaggerated formativeness. Retro romantic fashion has overcome the confinement of the present to imitate the splendor and decorative style of the past which results in exaggeration. Exaggerated costume tends to be spaciously bigger and emphasizes one particular part which offers implicated significance for the space between the body and the costume. A new visual fashion is created through this space. Second, retro romantic fashion encompasses gorgeous decorativeness. From an artistic point of view, decorations are part of impulsively formulated art. Artistic effects of such decorations are uniformly confirmed in various artistic states. Therefore, through gorgeous decorations, retro romantic fashion rejects artificiality and lack of sensitivity for new effects of aesthetics through expression of stronger artistic and spiritual desires. Third, retro romantic fashion expresses pluralistic retro. The current society has left the formalities of the modernism for a pluralistic society where openness, diversity, and uniqueness are respected. Such components of the pluralistic society are repetitively used in fashion. Time reflective retro romantic fashion is being recreated by borrowing images rather than replaying the historical contents, with the style, silhouette, and specific items that swayed in the past, being combined with modern materials, techniques, and designs. Literature review were conducted for this study. Literature review on retro romanticism encompassed resources on aesthetics, literature and art, including national and international fashion related literatures.

• Journal of Ship and Ocean Technology
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• 제5권3호
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• pp.14-26
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• 2001

The shape of an industrial product has to be determined within the constrained conditions of keeping firmly many kinds of functional and performance requirements. On the other hand, the configuration of artistic work would be created desirably using the sense of aesthetics, even if conflicting slightly with these requirements. The development of a methodology for an aesthetic design founded on human sensitivity is becoming highly desirable in recent years. In this paper, a method of measuring beauty quantitatively for an artistic evaluation if proposed using the aesthetic cognitive theory and the optimum configuration could be found by a search using the genetic algorithm. Furthermore, an expression of optimum ship appearance can be gained as graphics.

• 한국지형학회지
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• 제27권2호
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• pp.81-97
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• 2020

Geopark refers to a single boundary area consisting of a collection of geosites and geotrails, which includes ecological, historical and cultural elements based on geological and geomorphological resources. To ensure the continued development and conservation of existing listed geoparks, it is necessary to carry out an environmental sensitivity analysis of the geopark components by utilizing spatial information from various scales. The objectives of this study are to analyze the environmental sensitivity in Cheongsong UNESCO global geopark in relation with slope disaster using GIS and to understand its spatial distribution in connection with geosites and geotrails. Two types of spatial database were constructed; geosites and geotrails in Cheongsong UNESCO global geopark and spatial data to perform environmental sensitivity. Potential soil loss and slope stability were analyzed to derive environmental sensitivity related to slope hazard. The results showed relatively high environmental sensitivity along the drainage network of Cheongsong UNESCO global geopark. Zonal statistics analysis was conducted for further detailed distribution of environmental sensitivity based on buffer zones of geosites and geotrails. Majority of geological sites, geological trails, Jeolgol gorge~Jusan Pond section in hiking trails, and Dalgi Mineral Spring Site~Artistic Genius Republic of Korea(Jangnankki gonghwaguk) section in road areas show relatively high slope hazard sensitivity within buffer zones.

• 한국융합학회논문지
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• 제8권10호
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• pp.173-183
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• 2017

본 연구는 디자인을 기반으로 수학과 과학, 예술 등 다양한 교과가 연계되어 학생들의 창의성과 예술적 감성을 키울 수 있는 융합교육 프로그램을 개발했다. 패턴과 이미지 등으로 아름다움을 추구하고 문화적 가치를 구현하는 디자인 활동을 중심으로 2015 개정 교육과정에 적합한 성취기준과 교육과정 내용을 고려하여 초등학생용 융합교육 3개 프로그램과 중학교에서 활용할 수 있는 2개 프로그램을 개발했다. 개발 프로그램에 대한 타당성 검토를 위해 개발 단계와 시범 수업 과정에서 5명의 교육 전문가 패널에 의해 평가되었다. 개발 프로그램은 초 중등 학생들의 디자인 소양과 디자인 감각을 증진할 수 있고, 중학교의 자유학기제 활동에서 적용할 수 있는 융합교육 콘텐츠로 활용될 수 있다. 이 프로그램을 통해 미래 디자인 사회를 이끌어갈 청소년들이 디자인의 소비자이면서 생산자로서 디자인에 대한 감각과 소양, 설계 능력을 갖출 수 있을 것이다.

• 공연문화연구
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• 제20호
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• pp.63-94
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• 2010

아직 학계에서는 공옥진의 춤 인생에 관해 춤의 예술적 가치에 대한 연구는 매우 부진하다. 그녀의 인생은 타고난 예인의 집안에서 나고 자란 소질과 풍부한 감성, 각설이패시절과 유랑예인집단에서의 걸립 공연 당시의 애환, 창무극 활동기에 겪었던 <병신춤>의 위기와 극복, <동물춤>으로의 전환, 그리고 투병생활을 하며 망가진 몸을 극복하며 <환자춤>이라는 공연을 하기까지 삶은 그리 관대하지 않았다. 하지만 그녀의 삶의 질곡은 늘 예술적 발로가 되었고, 예술은 그녀가 살아가기 위한 위안이자 큰 원동력으로 작용되었음을 알 수 있다. 예로부터 악가무(樂歌舞) 일체 형식이란 우리민족 고유 예술의 특성에 있어 무(舞)는 음악과 노래의 비중에 비해 다소 부차적인 몸짓 예술로서 존재한 것만은 사실이다. 공옥진의 창무극에서 해학적인 재담과 판소리에 이어 독창적인 춤사위는 몸짓 행위하나하나에 무엇보다 집중하고 있다. 무엇을 전달하고자 그리도 원초적인 애를 쓰는지, 말보다 앞선 제스처와 끊임없이 이어지는 연기에는 무엇보다 춤이라는 의미를 각인시키며 춤의 의미를 다시한번 생각하게 한다. 특히 공옥진의 <병신춤>이라 부르는 춤은 역사상 유례가 없는 것으로, 무엇이 한국인의 정서에 부합되어 몸짓언어로 발화되며 예술적 가치를 지니는지에 대해서는 우리의 원초적인 정서를 공감하지 않고서는 이해하기 어렵다. 따라서 본 연구는 공옥진 1인 창무극에서 무(舞)의 독창적인 형태를 고찰해보고 한국적 소재와 전통의 계승방식에 있어서 우리전통춤의 독자적인 정서가치를 나름대로 정리하는 수준에서 연구해 본 것이다.

• 복식
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• 제55권3호
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• pp.81-93
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• 2005

The purpose of this study was to identify Chinese new generation women's clothing exploratory behavior according to their sensitivity pursuit propensity. The respondents were 500 Chinese new generation women residing in Soju City, China. Frequencies, percent, mean, one-way ANOVA, factor analysis, Chi-square test, and cluster analysis were done by use of SPSS PC+. The results were as follows; 1. The factors of sensitivity pursuit propensity were adventure & diversity, change, new atmosphere, and artistic sensitivity. And factors of clothing exploratory behavior were brand turnover, innovative clothing purchasing or wearing, clothing information collection through visiting store, and clothing information collection through contacting neighbors or advertisement. 2. The Chinese new generation women were classified into the creativity pursuit, the adventure & change pursuit, the multi-sensation pursuit, and the sensation retard according to their sensitivity pursuit propensity. 3. The creativity pursuit explored clothing for brand turnover and information through visiting store, communication, or advertisement, were found more among the unmarried late 20's with higher education and jobs. The adventure & change pursuit explored clothing information through visiting store, were found more among the unmarried university students in early 20's. The multi-sensation pursuit explored innovative clothing purchasing, were found more among the unmarried early 20's with jobs or students. The sensation retard explored clothing information through communication or advertisement, considered quality more, were found more among the married early 30's with lower education level and jobs.

• 복식문화연구
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• 제17권4호
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• pp.691-708
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• 2009

The purpose of this study was to find the methodology of design plan that could raise the brand power by looking around the driving force of the design innovation through the case study of Louis Vuitton which has been evaluated to be successful in brand revolution by designer Marc Jacobs. Research methods were theoretical studies looking for various analysis and valuations about Louis Vuitton's design innovation and analysis about articles in International Herald Tribune and New York Times. Driving force of Louis Vuitton's design innovation could be summarized as designer's creativity and full supports for designers, establishment of BI by strategic cooperation between design and marketing parts, active design plans by collaboration with modern artists, existence of Logo as a symbol of brand, business mind pursuing adventures and dreams, and directors' artistic sensitivity and supports for culture and art.

• 공학교육연구
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• 제21권4호
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• pp.20-27
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• 2018

In this paper, we conducted an analysis of existing materials of material mechanics, surveying educational demands, and selecting art fields for mechanical engineering in collaboration with experts in the fields of aesthetics and renaissance in order to develop educational materials conversed with humanities and arts. In addition, as a core education tool for convergence education, it was developed with an education kits that can be disassembled, assembled and carried by students. As a results of research, education materials were introduced various arts, linked to the engineering thinking. And measurement experiments of material characteristics were carried in a general classroom using developed education kits. From a paper results, the artistic sensitivity of the students will be enhanced and the students' creative problem solving ability will be improved as the ultimate goal of convergence education.