• 복식문화연구
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• 제30권2호
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• pp.173-188
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• 2022

The purpose of this study is to analyze the collaboration and artification of the Issey Miyake fashion brand and to suggest the best course of artification that can secure the brand's value. The research methods are as follows: i) identifying the companies' strategy and flow through collaboration concepts and examples from Issey Miyake; ii) selecting Issey Miyake fashion brands and carrying out a literature review through websites, articles, and books; and iii) examining prior studies on the relationship between fashion and art. Results are as follows. The exhibition is divided into spaces for brand intangible assets, artistic collaboration with partners, art co-creation, and the aesthetics and tradition of the brand. Using exhibitions to share the artistic work of collaboration partners is expected to positively affect the brand's likability. The exhibit shares art collaborations in display cases for clothes and photographs. Artists and brands appear as an extension of the creative space and convergence design area. The artist's improvisation forms the creative space that communicates with the audience, and the convergence design area is expanded through the unifying organic connection between the various media in the fashion brand. The photographers and brands section displays the nature images of Pleats Please, as well as human and prism garment images. In these images, the viewer can perceive a story in the interplay between the human body and nature.

• 한국생활과학회지
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• 제17권6호
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• pp.1205-1213
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• 2008

Material is a factor for maximizing formative aspect among fashion design factors. Therefore, central axis of modern fashion is performing various trials for escaping from existing cloth and searching for artistic value. Especially, Korean paper is a formative material, which is manufactured through traditional manual work in Korea. The material is used in various fields on the basis of its aesthetic feature. Especially, fashion field performs handcraft activity on the basis of mulberry pulp, which is a prime material of Korean paper. Because the activity can be reinterpreted by world designers, who want to find motive of fashion material in the third world, it is necessary to perform experimental study for developing expressive form on the basis of diversity of Korean paper material. Therefore, the purpose of this study is to perform experimental study by focusing on the development of Korean paper material in order to express formative feature. The study purposes are as follows. The first purpose is to reinterprete the theory through actual work of fiber formation using Korean paper in the current flow where art and design field are fused and compromised. The second purpose is to suggest vision of material development on the basis of formative feature to fashion world focusing its eyesight to Asia and the third countries. The study results are as follows. First, Korean paper has been evaluated as proper material for the fusion of design and art because of its handicraft feature, long-term preservation, heat insulation, absorption, diversity and eastern feature. Second, the study performed various trials for artistic dress material by developing 12 Korean paper works and suggested the development of new material on the basis of formative feature of modem fashion industry.

• 복식문화연구
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• 제20권3호
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• pp.347-362
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• 2012

Formatively and artistically aspect, a hybrid can be said to be a phenomenon in which two mutually different genres are combined. Make-up is thought to be very important to arrange the foundation available for predicting and pursuing a flow and direction of future hybrid make-up based on this, by analyzing a flow centering on hybrid trend, which was shown previously. In terms of objectives of this study, the first, aim is to suggest a model for researching make-up by grasping the developmental process and the characteristics of hybrid art through considering an art theory of hybridity, shown in make-up. The second, aim is to design make-up by analyzing trends in make-up style after deconstructing the hybrid genre. The modern make-up design through genre-deconstruction characteristics beyond diverse plurality and genre could be known to be highlighted as aesthetic characteristic by a slight attempt as communication of open space, which connects culture and genre, which had failed to be recognized and was neglected. Empirical research has, produced a work by systematically arranging make-up design. This study, identifies two kind of barrier demolition, such as the class deconstruction and the temporal, spatial disorder centering on genre deconstruction of hybrid. There are infinite possibilities in developing make-up design in line with modern sensation through aesthetic element and symbolic significance through genre deconstruction. It was the expression mode in future make-up, to providing basic data, and to strengthening competitive edge of culture and art.

• 복식문화연구
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• 제4권3호
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• pp.427-445
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• 1996

According as the fashion at the latter half part of the 20th century is diversified and made into high-class gradually, it is demanding the individuality of each one. Especially, since the beginning of 1980s, fashion came to represent the restoration mood in a modern style because of the popularization of post-modernism. And with this, it came to result in the reappearance of minimalism which was one of anti-culture in 1960s. In this study, this researcher grasped the appearance background, concept and structural concept of minimalism, and tried to study the influence that he minimalism had on fashion in the flow of fashion over the first half period of the 20th century. Minimalism is the fine art trend of American characteristic which quicked by the meeting of European culture and American culture, according as the new avant-grade art of Europe moved to America after World War II Minimalism which appeared, refusing the mechanisation, industrialization and mass production of America and the falsehood of consciousness and sensitivity under existing system remained obscure by the pop art which is the commercial fine art of same period, but it came to expand the domain of work possibility of modern fine art, and it became the basis of appearance of post-modernism. Minimalism has 4 kinds of structural features which are nonside nature, repetitiousness and environment nature with 3 dimensional feature which is issue nature. Minimalism is appearing in the exfcellent and future-oriented fashon of Andre Kureju t the time of 1960 well. Then science revolution and minimalism aroused the mini-revolution, and they made the compact radio in electric home appliances and the miniskirt in fashion appear. The features of minimal fashion as Retro '60' which appeared in the decedent mood with the 21st century just before on are as follows: First, the are the pursuit of concise plastic line. Second, it is the use of high tech material Third, the miniaturization in size amy be enumerated. Minimal fashion will appear s the positive confrontation from of mankind as the optimistic viewpoint about feature in the situation hat environment was destroyed and the resources were exhausted.

• ETRI Journal
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• 제35권2호
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• pp.311-320
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• 2013

In most spectral clustering approaches, the Gaussian kernel-based similarity measure is used to construct the affinity matrix. However, such a similarity measure does not work well on a dataset with a nonlinear and elongated structure. In this paper, we present a new similarity measure to deal with the nonlinearity issue. The maximum flow between data points is computed as the new similarity, which can satisfy the requirement for similarity in the clustering method. Additionally, the new similarity carries the global and local relations between data. We apply it to spectral clustering and compare the proposed similarity measure with other state-of-the-art methods on both synthetic and real-world data. The experiment results show the superiority of the new similarity: 1) The max-flow-based similarity measure can significantly improve the performance of spectral clustering; 2) It is robust and not sensitive to the parameters.

• Advances in Energy Research
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• 제6권2호
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• pp.103-129
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• 2019

While global demand for energy increases annually, at the same time the demand for carbon-free, sulphur-free and NO_x-free energy sources grows considerably. This state poses a challenge in the research for newer sources like biomass and shale gas as well as renewable energy resources such as solar, wind, geothermal and hydraulic energy. Although wave energy also is a form of renewable energy it has not fully been exploited technically and economically so far. This study tries to explain those reasons in which it is beyond doubt that the demand for wave energy will soon increase as fossil energy resources are depleted and environmental concerns gain more importance. The electrical energy supplied to the grid shall be produced from wave energy whose conversion devices can basically work according to three different systems. i. Systems that exploit the motions or shape deformations of their mechanisms involved, being driven by the energy of passing waves. ii. Systems that exploit the weight of the seawater stored in a reservoir or the changes of water pressure by the oscillations of wave height, iii. Systems that convert the wave motions into air flow. One of the aims of this study is to present the classification deficits of the wave energy converters (WECs) of the "wave developers" prepared by the European Marine Energy Center, which were to be reclassified. Furthermore, a new classification of all WECs listed by the European Marine Energy Center was arranged independently. The other aim of the study is to assess the technological state of the art of these WECs designed and/or produced, to obtain an overview on them.

• 한국정보통신학회:학술대회논문집
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• 한국해양정보통신학회 2009년도 춘계학술대회
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• pp.108-111
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• 2009

최첨단 과학 기술의 발달에 의해 영상의 영역은 타 영역간의 상호의사소통을 더욱 원활하게 만들었으며, 이러한 영역간의 교류는 영역간의 새로운 결합을 촉진시켰다. 이러한 발전과 함께 공공 디자인의 활성화로 인해 영상의 영역은 공공의 의미로 환경디자인의 영역까지 확장되고 있다. 이러한 흐름으로 국내에서도 빛을 이용한 미디어아트를 water-front의 환경에 도입하여 지역의 아이덴티티를 강화하고 관광객들에게 특별한 인상을 남기고 있다. 그러나 국내의 환경디자인 분야에서는 영상의 영역에 대한 연구는 아직 미비한 실정이며, 지속적인 표현 개발의 필요성이 절실하다. 다양한 표현 기법 개발연구를 위해 미디어아트 활용이 영상 표현 기법의 대안으로 작용하길 기대한다.

• 예술경영연구
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• 제51호
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• pp.135-166
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• 2019

최근 일본 문화청은 미술관의 지속 가능성과 경제성 강화를 통한 산업증진 등을 위하여 리딩 뮤지엄(선진미술관)으로 대표되는 예술시장 활성화 방안을 발표하였다. 인구감소 시대로 진입함에 따라 인구절벽과 지역사회 공동화 등은 큰 사회적 문제이다. 문화의 향유자와 창조자 모두 급감하여 문화 기반 자체가 붕괴할 위험이 있고, 이러한 상황에서 문화 분야의 지원 예산이 현안에 밀려 우선순위가 낮아지면 현재의 문화 지원의 수준도 유지하기 어려울 것이다. 또한 일본 국민의 자산 수준이 국제적으로 보아도 높은 수준임에도 불구하고 일본의 미술산업 시장은 미국, 중국 등에 비하여 매우 낮은 수준이다. 일본 정부는 이러한 문제점의 해결방안으로 미술품의 유동성을 높여 미술산업 시장을 활성화하겠다는 것이다. 문화청은 일본 내 미술관의 일부를 미술 시장 활성화를 위한 선진미술관으로 지정하여 예산 지원과 학예사 인력을 증원과 체질을 강화한 후 소장 미술품 등의 가치를 평가하여 수장품의 보존 여부를 판단 후 투자유치를 위하여 소장품을 시장에 매각하겠다는 전략이다. 이러한 정책 발표와 함께 일본의 문화계와 비평계가 찬반으로 나뉘어 큰 갈등에 휩싸였고 반대 여론이 높아져 현재 정책 추진이 잠정 유보된 상황이다. 반대 이유로는 보존과 전승이라는 박물관의 고유 목적에 부합하지 않고 상업주의가 예술계를 망칠 수 있다는 것이고 찬성 이유는 일본의 예술사회는 미술관과 박물관 이외에도 비영리단체, 예술제의 운영조직, 지원인력, 자원봉사자 등으로 이루어져 있는데 보조금 편향성이 높다 보니 실질 인건비도 지급하지 못하여 사실상 방치상태라는 것이다. 또한, 사회 변화에 따라 보조금 의존도를 줄여야 예술사회 자체가 살아남을 수 있다는 경각심도 나타나고 있다. 일본과 상황이 크게 다르지 않다 보니 우리나라 역시 미술품 유동성 활성화를 위한 미술품 감정·평가기능 수행하는 국립미술은행의 신설이나 미술품 담보대출, 미술품 신탁 등이 활발히 논의되고 있다. 저출산·고령화로 인한 인구절벽이 현실로 다가오는 상황에서 보조금만으로 현실적 문제를 타개하기 어려우므로 우리 역시 문화에 대한 투자를 확충시켜 문화와 경제가 일원적·연쇄적으로 운용될 수 있게 하는 방안을 찾아야 할 것이다.

• Wind and Structures
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• 제28권6호
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• pp.389-404
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• 2019

In coastal regions, it is common to witness significant damages on low-rise buildings caused by hurricanes and other extreme wind events. These damages start at high pressure zones or weak building components, and then cascade to other building parts. The state-of-the-art in experimental and numerical aerodynamic load evaluation is to assume buildings with intact envelopes where wind acts only on the external walls and correct for internal pressure through separate aerodynamic studies. This approach fails to explain the effect of openings on (i) the external pressure, (ii) internal partition walls; and (iii) the load sharing between internal and external walls. During extreme events, non-structural components (e.g., windows, doors or rooftiles) could fail allowing the wind flow to enter the building, which can subject the internal walls to lateral loads that potentially can exceed their load capacities. Internal walls are typically designed for lower capacities compared to external walls. In the present work, an anticipated damage development scenario is modelled for a four-story building with a stepped gable roof. LES is used to examine the change in the internal and external wind flows for different level of assumed damages (starting from an intact building up to a case with failure in most windows and doors are observed). This study demonstrates that damages in non-structural components can increase the wind risk on the structural elements due to changes in the loading patterns. It also highlights the load sharing mechanisms in low rise buildings.

• 디지털융복합연구
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• 제11권6호
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• pp.311-317
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• 2013

기존의 인터랙티브 아트나 엔터테인먼트 시스템의 대부분은 다음의 세 단계로 구성된다. 체험자의 행동 촉구, 체험자의 행동, 그리고 시스템의 응답으로 이루어진다. 그들은 이러한 연속적인 프로세스가 지속과 반복을 수행하는 것을 전제로 하지 않는, 각 상호 작용의 개념을 표현하기 위해 설계되었다. 이와 반대의 접근 방식은 지속적이고 반복적인 경험을 작품의 개념을 전달하는 것이다. 본 논문에서는 이러한 접근 방식에 따라 작업 유형으로 "Adjustive Media"를 제안한다. Adjustive Media는 체험자가 그 작품 체험을 지속하고 반복 체험하는 것으로, 체험자 자신이 작가의 의도에 따라 체험에 접근 할 수 있는 작품 형식이다. 본 논문은 디자인 방법으로 Adjustive 미디어에 대해 3개의 디자인 프로세스를 제안하고, Adjustive 미디어의 프로토 타입을 소개하여 디자인 프로세스의 가능성과 새로운 사용자 경험을 제공하는 작품 형식의 제작 방법에 대해 고찰하고자 한다.