• 건축역사연구
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• 제17권2호
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• pp.67-81
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• 2008

Aldo Rossi explained Roman Forum as a significant urban artifact, because Roman Forum analogically showed not only an image of Roman Empire but also a figure of primitive design for its region. Thus the comparison and analysis between characteristics of Aldo Rossi's architectural works which are based on the theory of 'Analogical city' and the forums, the urban artifacts, was proceeded in this study. Consequently, it was discovered that Aldo Rossi had used his analogical thinking from the forum for his architectural languages such as gable roofs, square windows with depth, columns and so on. His analogical use of organizing spaces, such as courtyard type and pillar corridor type, has also shown that their types came from forum spaces. His analogical aspects of the forum: a space where urban images are analogically formed; were expressed in the 'Theater of Science' with the urban architecture form as the actor and the Theatre as the stage for analogical urban performances. Nevertheless, the expression of primitive design which divides the Roman Forum from other forums was actualized in 'the Theater of the World'. He not only analogically used types from Roman Forum in architectural design but also used boat in Water space, which decided the lifestyle and culture of Venice even before the civilization, to express the primitive design of Venice. Consequently, Aldo Rossi, by aiming the severance from the tradition, provided the possibility of explaining the newest modem type within the historical meaning by forming type which finds its continuance in history through 'the Theater of the World' and through analogical thinking along with the level of modern culture, to our urban architectural atmosphere that has lost its historical meanings.

• 영어영문학
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• 제56권6호
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• pp.1339-1360
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• 2010

An analogical reading of socio-historical context of Harold Pinter's The Caretaker employs some postcolonial discursive analyses of postimperial British capitalistic interests in their post war reconstruction. It is also concerned with causes of so-called broken society. The Caretaker dramatizes minimal actions: a tramp is invited by the elder brother; a job as caretaker is offered; he is reluctant to accept the first offer by the elder brother, but is willing to the second by the younger; eventually, he is excluded because he makes noises while dreaming. These trivial actions produce serious and critical speech acts with their socio-historical implications. The tramp Davies is socially and thereby existentially excluded from the centre of the cold, banished to even colder peripheries. The audience face to the question. Why is Davies excluded? This study tries to answer the question, uncovering deep-rooted capitalistic racism, and reading its symptoms. Even after 50 years The Caretaker was staged, post-imperial broken society tries to operate the betrayals of disparity between the cause and effect of what has gone wrong. Pinter confirms that the action of the play takes place in a house in west London. With the city of London as its capitalistic centre, British imperialism lavished much of its wealth which has only served sectional interests dividing people against themselves. Pinter dramatizes the root of broken society. On the one hand, Pinter foregrounds the very general conflicts between individuals and forms of power; on the other hand, he underlies the very specific strategies of socio-historical exploitation, domination and exclusion.

• 한국초등과학교육학회지:초등과학교육
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• 제25권spc5호
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• pp.485-494
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• 2007

The aims of this study were to investigate the differences of the proportion of misconceptions and the reasons for selecting responses related to questions about small living things between talented and average students. The study subjects were made up of three groups. They were a class of 37 talented elementary students in science attending J National University of Education, a class of 37 talented students in science attending J City Office of Education, and a class of 33 average students attending J City. A questionnaire was composed of 20 test questions for examination of concepts related to small living things. The data obtained in this study was analyzed using a statistical program. The major results were as follows: In general, the level of the scientific concepts possessed by the talented students was much higher than that of the average students, especially in question 14. The reasons for the misconceptions which were revealed through this study were classified into vagueness of the language used, hasty decision and deduction making, using the wrong analogical inference, mass communications (TV or internet) and experimental differences between individuals. In terms of the reasons for the selection of a given response, the talented students had also a higher frequency in the 'science books for children' category than the average students, indicating that various kinds of science books for children have an influence on the formation of concepts on small living things. The misconception proportion of male students was 5.4% higher than that of female students in mean frequencies of all questions, although the difference was not statistically significant except for question 4. Data from this study may help teachers involved in education for gifted students to reconsider their conceptions on small living things.