• 한국의류학회지
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• 제27권3_4호
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• pp.418-428
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• 2003

The purpose of this study was to provide the guidance in more objective and proper clothing design reflecting today's consumers' modes in value consumption by identifying the meaning structure and relationship between fashion sensibility and emotion. The stimulus was 54 photos of contemporary costume which represented the Izard' DES. The questionnaire consisted of hi-polar 25 pairs adjective scale of fashion sensibility and the 18 noun scale of emotion was distributed to 970 male and female living in Pusan area. The data were analyzed by Factor analysis, Correlation analysis and Regression analysis using the statistical SPSS package. The major finding of this research were as follows.1. Fashion sensibilities consist of estheticism, maturity, character and feminity to represent 57.17% total varlarlce. 2. Emotions consist of negative emotion, distress afraid, arousal, shame and enjoyment to represent 70.84% total variance. 3. For the relation between fashion sensibility and emotion, they showed significant relationship in most of factors.

• 중국학논총
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• 제69호
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• pp.121-143
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• 2021

'老' refers to the old man with the characteristics of being aged in the original meaning 'to be aged' (adjective), which is a metonymy of 'substituting the whole with a part'. In combination with nouns, '老' uses a lot of metaphorical expressions that are understood through animals closest to the attributes of people with aged characteristics, plants and objects. '老' can be extended to the meaning of 'the survival time, duration, recognition time, and existence time of a person, animal, plant, or object are long', or 'the survival time is over', which can be said to be a metonymy of 'substituting cause with result'. An experienced target respected by people on a positive level and a target with banal thoughts, habits, nature, and personality on the negative level can also be conceptualized and expressed as '老'.

• 아시아태평양코퍼스연구
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• 제4권1호
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• pp.43-59
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• 2023

This study aims to compare the structures of light verb constructions (LVCs) taking decision as the deverbal noun in Malaysian English, British English and American English. A general corpus made up of Internet forum threads from Lowyat.Net, was created to represent Malaysian English while the British National Corpus (BNC) and Corpus of Contemporary American English (COCA) were used to represent the supervarieties. Light verbs make and take are found to be heading deverbal noun decision. Differences are observed in the use of articles. The frequency of Malaysian English LVCs without article is the highest while supervarieties LVCs prefer indefinite article. The high occurrences of LVCs without articles in Malaysian English can be attributed to the influence from Malaysian substrate languages. Findings also show that descriptive adjective is the most frequently used modifier in all three varieties of English. This suggests the standard LVC structure, comprising a light verb, the indefinite article, and a deverbal noun is no longer rigidly adhered to even among the native speakers of English.

• 중국학논총
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• 제61호
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• pp.19-47
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• 2019

In modern Chinese, 'Qu去' is mainly used as a verb in the meaning of 'go', and 'Wang往' is used as a preposition to indicate the direction of movement in the meaning of 'toward'. Historically, both 'Qu去' and 'Wang往' have been mainly used as moving verbs. We also pay attention to their common feature that they were used as noun, adjective and preposition, and the other feature that 'Qu去' and 'Lai来', 'Wang往' and 'Lai来' were used as typical antonyms each other. Based on the research results of the existing scholars, this study examined the part of speech, the meaning and usage in connection with the appearance of 'Qu去' and 'Wang往' in Tang-Song Dynasty. Chapter II examined usage of 'Qu去' and 'Wang往' prior to Tang-Song Dynasty, and Chapter III looked into the use of 'Qu去' and 'Wang往' in Tang-Song Dynasty by analyzing actual example sentences.

• 교육녹색환경연구
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• 제5권2호
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• pp.53-66
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• 2006

Recent color plans in school buildings are made by experts through public offerings for prizes for designs etc in relatively many cases. But it is necessary to review if such color plans are actually well conform to students' emotions and what trend the color plans made as such have. Therefore, this study examined and analyzed the exterior colors of the school buildings planned by public offerings for prizes for designs and reviewed the result comparing to the color preferences of students that had already been studied to figure out the differences between existing theories and the realities. And it was examined what differences were existing in the trends of color plans and color images examined between each of school levels. The result of the study compared to theories is as follows. First, when the color distributions were reviewed for each school level, it could be confirmed that the overall distributions moved from Y category to B category and whereas warm colors were more widely distributed and the number of colors were greater compared to cold colors in case of elementary schools, the distributions of warm colors gradually decreased as school level moves to high schools. Second, the color use distributions of elementary school students were revealed to be more diversified than middle and high school students and also the number of colors used was 9.5 in average in elementary school and middle schools and high schools were similar to each other with average 5.86 colors in middle schools and 6.33 colors in high schools showing a little differences in color use distributions among school levels of elementary schools, middle schools and high schools. Third, in case of elementary schools, except main colors, both of subsidiary colors and emphasizing colors had the distributions of warm colors of R, YR, Y categories and cold colors of B, PB categories and this is also consistent with the results of existing research results indicating that low grade students prefor for warm colors and high grade students prefer for cold colors. Fourth, in case of middle schools and high schools, although the distributions of warm colors decreased, the distributions of warm colors and cold colors were revealed to be similar. This is considered to be consistent with the existing research results indicating that girl students prefer for warm colors even if their ages go up. Fifth, as for the images of main colors, subsidiary colors and emphasizing colors resulted from the comparisons by solid color Image Scales and adjective Image Scales, first, in case of main colors, natural images or clear images appeared the most in all of elementary schools, middle schools and high schools indicating that basically calmness is emphasized with soft images rather than hard images and static images rather than dynamic images. Also, in case of subsidiary colors or emphasizing colors, cheerful images or splendid images are also seen to decrease as school level goes from elementary schools to high schools in adjective Image Scales and this is considered to reflect the color sentiment differences between children and juveniles based on ages.

• 대한교통학회지
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• 제22권4호
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• pp.97-106
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• 2004

최근에 친환경적성에 대한 사회적 관심이 높아짐에 따라 도로건설에 있어서도 주변자연 조건을 훼손을 최소화할 수 있는 터널에 대한 수요가 늘어나고 있고(2001년 12월 현재 전년대비 42.7% 증가), 터널의 연장도 장대화(일반적으로 연장 1km이상의 터널)되고 있다. 그러나 장대터널은 장시간동안 좁고 한정된 공간에서의 주행을 하게 되는 운전자의 심리적 불안감을 증가시키고 집중력과 주변지역으로부터의 외부정보 인지가 충분하지 않는 등 인적, 물적의 다양한 교통문제와 깊은 관련을 갖고 있다. 따라서 본 연구에서는 현재 개통 운영 중인 터널을 대상으로 조명색채에 따른 내부경관을 연구함으로서 터널 내부조명시설의 개선을 통한 주행 쾌적성의 증대효과를 기대할 수 있는 방안제시에 주 목적을 두고 있다. 본 연구에서는 조명색채에 대한 감성이미지를 나타내기 위한 형용사 선정을 위하여 컬러 플래닝 시스템(CPS)를 사용하였다. CPS는 인간의 감성 표현을 정의된 "용어"로 표현하고 이 "용어"는 "이미지 스케일"상에 검색되어 이에 결합된 "이미지 패널"로 특정의 색채로 지정되는 일련의 과정을 나타낸다. 그리고 이렇게 선정된 용어로 SD(Semantic Differential Scale)법을 이용하여 설문지를 작성하고, 요인분석을 통해 피실험자들의 의식구조를 파악하였다. 또한 LISREL을 이용하여 터널 내부경관의 '선호도'를 종속변수로 한 모형을 구축한 결과, 조명색채에 대한 경관선호도에 영향을 미치는 요인으로 색채의 정서성과 기능성을 제시하였다.

• 감성과학
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• 제14권2호
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• pp.207-220
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• 2011

친환경 감성단어를 '환경/자연, 소재/섬유, 인간, 형용사/기타' 등의 4가지 영역으로 분류하고 각 단어에 대하여 그 출현시점, 빈도를 1999~2010년 상반기 간의 인터넷 섬유패션 신문 및 잡지를 중심으로 조사한 결과, 다음과 같은 결론을 얻었다. 가장 빈번히 출현한 단어는 '자연, 환경, 면, 천연섬유, 건강, 신선한, 맑은, 보존, 하모니, 옥수수섬유, 로하스' 등이었다. '친환경' 관련 감성단어의 출현시점을 살펴보면, 2000년도 이전부터 '에코, 형상기억소재, 오가닉, 스파' 등이 사용되어왔으며, 2000-1년도에 '자연환경, 친환경, 스트레치소재, 웰빙의, 대체가능한, 재생가능한' 등이 등장하였다. 2002-3년도에 '스마트소재, 친환경소재, 그린' 등이 사용되기 시작하였고, 2004-5년도에 '쿨비즈, 로하스, 자연염색' 등이 처음으로 사용되었다 2006-7년도에 '한방, 지속가능한, 웜비즈' 등이 사용되었고, 2008-9년도에 '그린슈머, 그린라이프, 태양에너지, 삼림욕' 등이 섬유패션 분야에서 처음 사용되었다. 친환경 감성단어의 출현 양상을 살펴보면, 친환경 감성단어의 출현은 과거 어느 때보다 2008-09년도에 가장 많이 등장하고 있었는데 2000년도 초반에는 비교적 많이 등장하였으나 이후 다소 주춤하였고 이는 근래에 들어 다시 출현빈도가 높아졌다. 영역별로 살펴보면 '환경/자연' 관련 친환경 감성 단어가 과거보다 최근에 두드러지게 빈번히 사용되고 있으며, 이에 비해 '인간' 관련 단어는 주춤하여 약간 감소세이거나 동일한 빈도를 나타내고 있다. 또 '형용사/기타' 관련 단어는 약간 증가세이거나 과거와 동일한 빈도를 나타내고 있었다. '소재/섬유' 관련 단어는 패션잡지에서는 최근에 그 빈도가 줄어드는 경향을 보이는 반면 인터넷 신문에서는 약간 증가하는 추세를 보였다.

• 한국의상디자인학회지
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• 제17권3호
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• pp.85-98
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• 2015

Modern fashion shows the trend of various styles and the period focusing on only product functions is changed to the period focusing on consumer's sensibility. Consumers show different sensitivities and preference by individual at the stage cognizing and recognizing the stimulation of given image and the method of objective measurement based on the fashion sensible vocabularies is necessary to measure fashion sensibility. Therefore, this research is significant to examine differences of preference to classic fashion by generation and awareness for sensible vocabularies and suggest methodology of design sensible evaluation research through the quantitative evaluation objectifying subjective sensibility. For the method of research, precedent theses related to classic, concept and characteristics of classic in books and definition and characteristics by generation were examined, the best 3 domestic portal sites were selected and adjective vocabularies and images related to classic were collected from 2010 to 2014. Among the 206 adjectives collected, vocabularies whose average is more than 3.5 were drawn by 5-point Likert scale for fashion expert group. And, among the total 306 images collected, 21 representative images were selected by preliminary investigation of fashion expert group. For the classic images and vocabularies selected, frequency analysis, factor analysis and variance analysis were conducted by SPSS 19.0. The results of analysis are as follows. Preference to classic fashion image by generation was analyzed. As a result, both of two generations selected classic fashion as the most classic one. The images of the next orders were analyzed. As a result, Y generation selected basic classic fashion image which is casual with high activity as a classic one. Baby boom generation selected ancient classic fashion image, so there were differences in preference for classic by generation. As a factor analysis on classic adjective vocabularies, they could be divided into 5 factors such as basic form, attractive form, traditional form, vintage form and active form and they verified that credibility of all measuring variables for classic sensible vocabularies was achieved. Differences of classic sensible vocabularies by classic fashion image and generation were examined. As a result, generation and classic fashion image made a significant effect on five factors. Therefore, there were differences of the awareness on classic fashion images and sensible vocabularies among the generations and this thesis can be a fundamental material which objectifies subjective sensibility and suggests the methodology of new research.

• 감성과학
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• 제16권4호
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• pp.493-502
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• 2013

본 연구의 목적은 한국어의 맛을 표현하는 형용사들을 수집하고 분석하여 정성적 관능형가에 사용할 주요형용사 척도를 발굴하는 일이었다. 이를 위해 본 논문에서는 음식의 관능평가에 사용되는 맛, 질감, 온도감 및 냄새 등을 포함하는 우리말 형용사 92개를 선별하여 유사성을 평정하고, 이 형용사 사이의 상관관계를 이용하여 요인분석, 군집분석 등을 실시하였다. 요인분석 결과 한국어에서 음식들의 맛을 표현하는 형용사를 설명하는 요인은 10개 이상으로 다양하였으며, 군집분석 결과 맛 표현 형용사는 보편적인 맛 표현 형용사, 부정적인 맛 표현 형용사, 음식의 질감, 온도감, 냄새 등을 표현하는 형용사 군 등으로 군집화 할 수 있음을 알 수 있었다. 또한 맛의 선호도에 해당하는 긍정적이거나 부정적인 맛을 표현하는 형용사들과 군집분석 결과로부터 얻어진 군집 대표 형용사들과의 관계역시 상관계수를 이용하여 분석하였다. 이러한 분석 결과는 향후 축약된 맛에 대한 관능평가 형용사 척도 발굴에 있어서는 음식 종류를 한정하여야 함을 의미할 수 있다.

• 한국과학교육학회지
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• 제24권6호
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• pp.1106-1117
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• 2004

본 연구의 목적은 첫째, 학생들이 과학적 관찰 및 규칙 발견 활동을 수행할 때 나타나는 과학적 감성 단어의 유형과 빈도, 강도를 분석하고, 둘째, 과학 지식 생성력과 과학적 감성지수(ISE)와의 상관관계를 밝히는 것이다. 이를 위해 연구에서는 먼저 선행 연구를 고찰하여 과학적 감성을 정의하고, 효과적인 지식 생성 활동을 위해 겨울눈과 화석 관찰, 씨앗과 암석 분류의 4개의 과제를 개발하였다. 연구대상은 교원양성대학교 4학년 학생 161명으로 하였다. 피험자들은 각 과제를 수행하면서 인지적 사고과정과 느낀 과학적 감성을 기록하고 형용사 이모티콘 척도 용지에 자신의 감성 강도를 나타내었다. 연구 결과, 관찰 활동에서는 '흥미-수용-사랑-거부' 의 순으로 감성유형이 나타났고, 규칙성 발견 활동에서는 '흥미-거부-수용-기대' 의 순으로 감성유형이 나타났다 각각의 감성 단어 빈도는 감성 강도와 통계적으로 상관관계가 있었다. 과학적 감성 빈도(FSE)와 과학적 감성 강도(SSE)를 곱한 과학적 감성지수(ISE)는 과학적 감성능력을 나타내는 하나의 지표로서 과학 지식 생성력과 높은 정적인 상관관계를 가진다. 개별적인 과학적 감성 지수에서는 '수용-사랑-슬픔-흥미' 순으로 과학 지식 생성력과 정적인 상관관계를 나타낸다.