• Title/Summary/Keyword: 5자유도 잔향 모델

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Design of Room Reverberation Filter by Using 5 DOF Reverberation Model (5자유도 잔향 모델을 이용한 실내 잔향 필터 설계)

  • Kim Sohee;Kim Yang-Hann
    • Proceedings of the Acoustical Society of Korea Conference
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    • autumn
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    • pp.227-230
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    • 1999
  • 잔향에 대한 인간의 주관적인 지각을 잔향기 설계에 객관적인 수치로써 반영하는 방법으로, 5 자유도 잔향 모델이 제안된 바 있다[1]. 5자유도 잔향 모델은 잔향에 대한 다섯 개의 객관적인 평가량들을 이용하여 시간에 따른 음 에너지 감쇠 곡선을 근사화한 것이다. 즉 5 자유도 잔향 모델을 이용하여 청취자가 원하는 특성을 갖는 잔향을 객관적으로 묘사할 수 있고, 이는 잔향을 합성할 때 잔향 필터의 설계 기준이 된다. 그러나 이 모델로부터 만들 수 있는 잔향 필터의 개수는 실로 무한하고, 그 중에는 인간이 듣기에 부자연스러운 합성음을 만들어 내는 경우도 있다. 즉 자연스러운 잔향을 만들기 위해서는 잔향 모델 외에도 부가적인 잔향 설계 기준이 필요하다. 시간, 주파수 영역에서 대표적인 특성을 갖는 몇 종류의 원음에 대한 청음실험을 통해, 필요한 잔향 설계 기준을 제시한다.

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Constraints for the Design of Room Reverberation Filter by Using 5-DOF Reverberation Model (5자유도 잔향 모델을 이용한 실내 잔향 필터 설계를 위한 조건)

  • 김소희;김양한
    • The Journal of the Acoustical Society of Korea
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    • v.20 no.2
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    • pp.58-65
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    • 2001
  • Recently, a 5-degrees-of-freedom (DOF) reverberation model was proposed as a method of representing subjective perception of reverberation as objective measures[1]. This model approximates sound energy decay curve by five objective measures, widely used in which have been concert hall acoustics. However, it is note worthy that there can be infinite number of impulse responses which correspond to a selected 5-DOF reverberation model. There may exist some filters making very unnatural and unrealistic sound. In this paper, the limitation of the 5-DOF reverberation model when it is used as a filter design criteria is investigated. When a 5-DOF reverberation model is given, additional constraints to get natural reverberation are suggested. This is based on the listening tests for several quite different source sounds.

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A Five-Degree-of-Freedom Room Reverberation Model Based on Objective Measures of Reverberation (잔향의 객관적 평가량에 근거한 5자유도 실내 잔향 모델)

  • 안상태;김양한
    • The Journal of the Acoustical Society of Korea
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    • v.19 no.1
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    • pp.48-53
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    • 2000
  • To analyze a room reverberation, many objective parameters have been suggested as measures of subjective perception in concert hall acoustics. However, it is difficult to understand the relationship among the individual parameters and to have a whole image of them. In this paper five primary objective parameters were selected and a reverberation model based on them was established by the reverberation decay curve. The proposed model was interpreted geometrically in terms of subjective characteristics. And finally we discuss the usefulness and the limitation of the model when it is applied to the analysis and.

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