• Journal of Fashion Business
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• v.19 no.5
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• pp.63-76
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• 2015

The purpose of this study was to design a training program for utilization of 3D special makeup mask program. This study was conducted with a 3D computer graphics software program, for special makeup mask using a variety of creative educational models and case study with comparative analysis. The makeup program applied to the majors and liberal arts classes for program design. Inthis study, the selected major courses included ' stage make up ', make up application', and illustrations and color '. Students were required to take a class targeted to questionnaire completion and analysis. The research method included literature search, and Internet navigation, of experimental research. The research targeted select college students attending a 4-year university located in Dae-jeon, Korea. ETRI's "3D mask special makeup simulation program" was used in support. A survey of the study conducted from September 1, 2013, to August 30, 2014, showed a total of 94 additional statistical analyses. First, grade 3 44.6% was attained by 91.7% of the first year student majoring in liberal arts classes, Second, students' in the 3D special dress up mask program Interestingly, attained high recognition in its mastering, usability, and creativity. Furthermore, the major student satisfaction was higher for the '3D special makeup mask program. Third, students '3D special dress up was one of the biggest advantages of the program', the mask ' that models 3D ' faces. In addition, the student's delicate dress called for critical technology skills. It is thought to be suitable for practical training and improving the efficiency and performance if applied to universities and beauty schools, such as the regular high school curriculum through research.

• 한국HCI학회:학술대회논문집
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• 2008.02a
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• pp.397-402
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• 2008

본 논문에서는 햅틱 인터랙션 기반의 3차원 가상 얼굴 메이크업 시뮬레이션에서 메이크업 대상에 대한 정교한 페인팅을 적용하기 위한 자동화된 마스크 생성 방법을 개발한다. 본 연구에서는 메이크업 시뮬레이션 이전의 전처리 과정에서 마스크를 생성한다. 우선, 3차원 스캐너 장치로부터 사용자의 얼굴 텍스쳐 이미지와 3차원 기하 표면 모델을 획득한다. 획득된 얼굴 텍스쳐 이미지로부터 AdaBoost 알고리즘, Canny 경계선 검출 방법과 색 모델 변환 방법 등의 영상처리 알고리즘들을 적용하여 마스크 대상이 되는 주요 특정 영역(눈, 입술)들을 결정하고 얼굴 이미지로부터 2차원 마스크 영역을 결정한다. 이렇게 생성된 마스크 영역 이미지는 3차원 표면 기하 모델에 투영되어 최종적인 3차원 특징 영역의 마스크를 레이블링하는데 사용된다. 이러한 전처리 과정을 통하여 결정된 마스크는 햅틱 장치와 스테레오 디스플레이기반의 가상 인터페이스를 통해서 자연스러운 메이크업 시뮬레이션을 수행하는데 사용된다. 본 연구에서 개발한 방법은 사용자에게 전처리 과정에서의 어떠한 개입 없이 자동적으로 메이크업 대상이 되는 마스크 영역을 결정하여 정교하고 손쉬운 메이크업 페인팅 인터페이스를 제공한다.

• Journal of KIISE
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• v.43 no.5
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• pp.516-523
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• 2016

For old-age makeups, makeup artists first make a mold cast of an actor's face using plaster and then sculpt wrinkles in clay on the plaster mold. After finishing the clay sculpture, its negative plaster mold is fabricated and silicone skin patches are finally made for application to the actor's face. This process takes a few days and is tedious for actors and makeup artists. With recent advances in 3D printing and scanning technology, it is becoming easier to scan and fabricate 3D faces. This paper presents a new pipeline composed of facial scanning, interactive wrinkle modeling, and mold printing stages to easily and efficiently fabricate silicone masks for old-age makeups without the use of plaster and clay. An intuitive sketch interface based on a normal map is proposed for the creation of wrinkles in real time, even with a high-resolution face model. Then the geometry of the final wrinkles is reconstructed using a depth map and the negative mold of the wrinkled face is printed. We also show that the presented pipeline can fabricate a silicone mask more conveniently than the traditional one that consists of pouring silicone into the prepared negative mold and then overlapping the mold with the original positive one.