• (The)Study of the Eastern Classic
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• no.32
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• pp.51-69
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• 2008

Lu Xun was closely bounded with art since he was young, and he had a thorough knowledge of art. This treatise discerned how Lu Xun substituted and expressed his emotion through his work of art, and what was characteristic of his selection and combination of colors. Truly, color is related to statement of human mind. Lu Xun expressed certain color either consciously or unconsciously when he created human figure. The group of black in human figure in his art is representative example of it. Lu Xun always used heavy and dark color to emphasize human figure so that people can assume their lives and character. This artistic mentality or, great choice of art, relates to Lu Xun's individual life and state of mind. However, Lu Xun did not always choose dark color. Sometimes he looked squarely at darkness and tried to pursue bright color presupposing 'hope' at the same time.

• CHINESE LITERATURE
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• v.99
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• pp.157-177
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• 2019

1949年後周作人散文中，有關魯迅的回憶文章是其重要組成部分。特别是《魯迅的故家》，展现了形成當下周作人鲁迅的过去经验，根源，历史，文化，地域传统以及逐渐衰败的士大夫家的荒凉内面。周作人在《魯迅的故家》上的魯迅回忆法很独特。明明以魯迅的文章《朝花夕拾》为引子，但很快就超越了原本。他望着被魯迅漏掉或遗忘的百草园内外徘徊。那里有鬼園，有漂泊在鬼園之上的灵魂，也有些生活在想象和历史的境界里的人。甚至还有被他遗忘似的祖父和父親。《魯迅的故家》在虚构和历史，想象和事实或魯迅和周作人这两个领域之間无数次往返，跳跃，并创造出上下四面扩张的新世界。但是在这个时空中，真实和虚构已经不再是個问题。因为在虚构和事实之间徘徊的《魯迅的故家》中的人和事不知不觉间变得更加立体，时时刻刻变化，拥有丰富的内涵。 但是另一方面，随着《魯迅的故家》中出现的魯迅周围人物和事迹具有具体的质感，魯迅本身其形象和存在感也变得模糊不清。因此，"《魯迅的故家》实际上是周作人的故家"的不满和由周作人對魯迅谈论的结果，被认为是 '对左翼鲁迅的放逐'。周作人復原了魯迅早年和青年時代。那是被推頌爲 "現代中國聖人"，"革命家"以前的周作人長兄的魯迅，是生活在衆多背景和事件中凡人魯迅，是非革命性的非戰鬥性的魯迅。這是周作人創造的另 一個世界，是周作人和魯迅的文學和學術發祥地，也接近于曾分化成許多不同面貌的原生質世界。

• Cross-Cultural Studies
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• v.37
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• pp.81-107
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• 2014

Freud's' discovery of the unconscious' is a great revolution. Because of this, human beings were able to get the opportunity to look into their inner than honest. Lu Xun and Guo Mo Ruo a pair of realism and romanticism literature representative of Chinese modern literature writers. They then absorb the psychoanalytic theory o Freud along with other Western zeitgeist, introduce them widely inliterary theory and creative practice, which was again. Lu Xun was reflected in the human world of the unconscious Freud uncovered on the basis of strict realism literary spirit, Guo Mo Ruo is in accordance with the romantic literary time for the purpose of 'art for art' depicting a man's inner psychological well did. Although Freud spirit they claim to social and literary artistry of literature based on different yarns in the Acceptance of analytical theory, has the characteristics of a common sentiment analysis method to express and describe the unconscious human potential. 5.4 When Lu Xun and Guo Mo Ruo China Journalism writers, including Freud's psychoanalytic theory has embraced the Enlightenment and the old feudal society was a major contribution to want to read exactly what the human inner hearing. Chinese modern literature writers have to accept sometimes positive, sometimes accepting the psychoanalytic theory was intellectually sharp criticism, which could be a great instrument in time to the 5.4 Enlightenment and psychological fiction novel further development.