• Title/Summary/Keyword: 흑인재즈

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A Study on the Similarity between Bix Beiderbecke and early 20th English Literature (빅스 바이더백과 20세기 초 영문학의 흐름상 유사성에 대한 고찰)

  • Kim, Hyoeng-Chun
    • Proceedings of the KAIS Fall Conference
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    • 2010.05b
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    • pp.673-676
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    • 2010
  • 빅스 바이더벡이라는 트럼펫 연주자는 일반적으로 백인재즈라는 새로운 길을 개척한 인물로 거론된다. 그러나 이 연구에서는 일반론적인 관점에서 벗어나 1920년대 초 흑인 재즈라는 테두리 안에서의 빅스 바이더벡의 독창성이 20세기 초 영문학에서의 새로운 사조였던 ‘의식의 흐름' 이라는 표현법과 그 유사성이 깊은 것으로 본다. 음악과 문학과의 그 흐름상의 유사성을 직접적으로 영향을 서로 어떻게 받았는지를 증명할 수 는 없지만, 표현방법 면에서 볼 때 두 다른 예술 분야에서의 유사성은 충분히 흥미로운 것이다. 특히 미국의 한 재즈연주자의 연주가 같은 시대 영국의 문학에서의 새로운 시도와 그 흐름을 같이 한다면, 현재 우리에게도 다른 분야의 흐름과 음악의 흐름상 연관성에 대한 연구도 보다 폭넓게 이루어 져야 할 것이다.

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Being blackness: An analysis of sorts and rolls of Afro-American music genres adopted in post-structural Afro-American literary works (흑인다운 것: 현대흑인문학 속에 도입된 흑인음악장르의 종류와 역할 분석)

  • Lee, Noh-Shin
    • English Language & Literature Teaching
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    • v.15 no.4
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    • pp.331-344
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    • 2009
  • The purpose of this study is to explore sorts and roles of Afro-American music genres such as jazz, blues, gospel, and swing which were shown in post-structural Afro-American literary works: Toni Morrison's novel Jazz, Alice Walker's novel The Color Purple, and August Wilson's play The Piano Lesson. It has been phenomenal for several important Afro-American writers to create their works in which they invite traditional Afro-American music genres. This has made significant effects to depict a wide range of episodes in their works, which are historically and culturally associated with such music genres. This paper analyzes varied ways in which the writers combine these two artistic fields, which are all Afro-American, and express their authenticity and identity as being blackness.

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A Study of Jazz Piano Techniques about Improvisation (재즈 피아노의 즉흥연주 기법 연구)

  • Sagong, Mi;Cho, Tae-Seon
    • Journal of the Korea Academia-Industrial cooperation Society
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    • v.18 no.2
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    • pp.583-589
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    • 2017
  • The 1900s in New Orleans, the harbor city, was indeed an era of confusion because there were various ethnic groups and races. Songs that had been sung by slaves taken from Africa, Black spiritual music, blues, British folk songs, French folk music, ballet music, Spanish dance music, and the march of military bands were mixed with Rag Time to achieve diversity. This developed the beginning of jazz. While swing jazz was most popular and loved by the public during the 20th century, the bebop preferred the small scale organization of musical instruments and developed as a form of jazz featuring the impromptu musical performances. Later, cool jazz, a new style involving the fast and complicated code progress, emerged with free jazz, which features the fundamental rupture from the tradition of the jazz. Miles Davis, who introduced the rock beat in jazz, started fusion jazz. Although jazz has been named differently depending on the era, the main attraction of jazz lies on improvisation. In other words, despite a small changes in code progress and rhythm, the most important thing the player considers is improvisation. Some famous players who lived in the same era followed the whole atmosphere but each had their own style. So, even when they did play the same song, they revealed their style in solo parts despite the same head.

A Study on the Birth and Development Process of Soul Music (소울(Soul)음악의 탄생과 발전과정에 대한 고찰)

  • Gong, Jin-Seok;Cho, Tae-Seon
    • Journal of Digital Convergence
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    • v.15 no.12
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    • pp.455-460
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    • 2017
  • In popular music, soul music is becoming an evaluation criteria in Korea. Blues, a songer music that was singing and lamenting Filed Holler and their suffering in a vast land of black blood and sweat, which became the mother of music to understand our enthusiastic soul music. And the only spiritual haven, church music and important musicians. Especially in the 1960s Americans social background is the most important factor to understand the soul music of birth time. Our country, which has undergone tremendous colonial rule amid numerous foreign invasions, is naturally ashamed of its aging skies. For Black-Americans soul music is an expression and anger expression anger. However, many musicians, who are flooded with floods in our country, are destined to experience the essence of life. 'Soul music' the noble choice of choice music, is known to be the ultimate reminder of the misery of the eternal disaster. As soul music has become a powerful it is understandable that it has become an exaggeration.

Stevie Wonder's music has had on the K-POP (Stevie Wonder의 음악이 K-POP에 끼친 영향)

  • Yun, Byung-Jin;Cho, Tae-Seon
    • Journal of the Korea Academia-Industrial cooperation Society
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    • v.17 no.10
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    • pp.104-108
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    • 2016
  • African-American music heavily influences a variety of musical genres, including folk music, jazz, rhythm and blues, soul, and funk music. The music derived from traditional African music with its unique syncopated rhythm using a five-note pentatonic scale, and has developed through significant influences from gospel music. African-American music has also evolved through historical social movements, such as eliminating the racial discrimination, and has been influenced by the personalities of different cities in the United States. Modern music features fusion with elements of Western music. One of the most influential and respected artists of the 20th century was Stevie Wonder, who was known as "Father of African-American music." He was an accomplished artist, winning numerous awards despite being disabled. He has become one of the most famous and respected artists worldwide. This study of Stevie Wonder's life, music, and spiritual strength, aims to highlight his significant achievements and contributions to pop music. This is a study based on an analysis of the work of Stevie Wonder and describes how elements of African-American music influences current Korean pop music and musicians.

Fashion Design Applying Jazz Image (재즈(Jazz) 이미지를 응용한 패션 디자인)

  • Lee, Un-Joo;Lee, Youn-Hee
    • The Research Journal of the Costume Culture
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    • v.13 no.1
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    • pp.87-101
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    • 2005
  • Jazz derived from the blacks' work songs and made the frame of Jazz reaching blues and finally arrived at the recent time propagating itself as not only the blacks' music but all human being's music. This study has a purpose to suggest the Jazz image to the fashion design by examining the historical trace of Jazz which is one of popular music received by hearing sense. As for the result of the Jazz's effects by age, rhythmical beauty stressing dresses were in fashion by dance enjoying women in 1920's and dresses giving a mature atmosphere set the fashion in 1930's. in the beginning of 1990's, newly emerging Jazz was reflected to the popular culture along with the historical mode's fashion in the general society. The design's decided with two themes of Jazz Classic and Neo Fusion to modernly and naturally express the pursuit of strong color contrast which associated fast rhythm and lax image such as the counter melody of smooth Jazz. In that result, Jazz image with auditory feelings could suggest the various design motive and new idea to fashion design.

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A Study on the Similarity between Bix Beiderbecke and early 20th English Literature (빅스 바이더벡과 20세기 초 영문학의 흐름상 유사성에 대한 고찰)

  • Kim, Hyoeng-Chun;Cho, Tae-Seon
    • Journal of the Korea Academia-Industrial cooperation Society
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    • v.13 no.8
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    • pp.3366-3370
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    • 2012
  • Bix Beiderbecke is a cornet player known as the first white jazz musician with white sound. In this study, we will see the similarity between his originality in black jazz field and 'Stream of consciousness' in 20th century's english literature. It is hard to verify how these two arts affect each other, and it is also very interesting to see the resemblance between jazz and the literature in their forms of expression. Especially, a jazz artist should have common understanding with english literature in the way of the expression, we are to pay more attention to the different form of the artistic works and study more about them to express in our way.