• The Journal of the Convergence on Culture Technology
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• v.5 no.1
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• pp.227-234
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• 2019

Hyochang Park was the royal tomb of the Joseon Dynasty, where were the tombs of Prince Munhyo and his birth mother Ui-bin Seong, king Soonjo's concubine Sook-Ui Park and Youngon princess by a concubine. It was upgraded from Hyochang tomb to Hyochangwon at King Gojong. The Japanese imperialism destroyed Hyochangwon and made it into a park, also moved to Seosamneung in 1944. After returning from Chongqing after liberation, Kimgu made the independence movement tomb in the empty space of Hyochang Park. There were 3 martyr's tomb, provisional government figure tomb. Kimgu himself was buried in Hyochang Park after his death in 1949. During the regime of Rhee Seung-man and Park Jeong-hee, there was a constant attempt to change the identity of Hyochang Park, where independence activists were buried. Hyochang Stadium, Wonhyo buddhist priest's Statue and North Korean Anti-Communist Tower were established. After democratization in 1987, the independence activist tomb of Hyochang Park began to gain meaning again. The 6th Republic succeeded the provisional government in the Constitution, also the national cemetery and independent park of Hyochang Park were attempted but the social consensus could not be achieved. This study focuses on the historical middle layer and symbolism of Hyochang Park and aims to contribute to social consensus on the identity of Hyochang Park by making a storytelling on the theme of 'Independence Road'.

• Proceedings of the Korean Institute of Landscape Architecture Conference
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• 2019.11a
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• pp.99-100
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• 2019

• Proceedings of the Korean Society for Environmental Edudation Conference
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• 2003.07a
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• pp.26-36
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• 2003

• Journal of the Korean Institute of Landscape Architecture
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• v.28 no.1
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• pp.129-135
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• 2000

In 1997, Yongsan-gu Office of Seoul held a design competition for 'Hyochang Park as a holy Grounds'. Although various shrines and monuments were located in it, Hyochang Park had lost its sense of pace as a 'holy grounds' mostly by its neighborhood-park-like atmosphere at its entrance area. Specific requirement for this competition was designing a 'symbolic object' to make this park more 'holy grounds' looking. However, it was very regretable that Yongsan-gu Office did emphasized on the 'object' rather than on the space or place in this design competition. Three points were emphasized in the winning scheme proposed by the author: where the object be located in the park, how the object be connected with the rest of the park, and how the object harmonized with some of traditional looking architectures and shrines. The purpose of this paper is to articulate the concept of the winning entry in detail and to describe how the concept actualized in reality.