• 한국콘텐츠학회논문지
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• 제18권5호
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• pp.46-57
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• 2018

패션은 한 시대와 지역의 일상적이고 보편적인 미의식을 표현하는 문화 요소로서, 신발 역시 우리나라만의 미의식을 반영하는 패션의 하나라는 관점에서 전통 화(靴)에 나타난 미적 특성을 통해 그 안에 내포되어 있는 미의식을 분석해 보고자 하였다. 미적 특성은 형식적인 면에서 곡선과 직선, 단순한 형태, 대비되는 색상과 소재 등 각 요소들의 균형 있는 사용이, 내용적인 면에서 신분과 지위의 상징으로서의 활용과 사상적 의미 부여가 특징적으로 나타났다. 미의식은 첫째, 곡선과 직선의 절충(折衷)으로 한 가지 요소에 치우침이 없이 서로의 특징을 수용하여 균형을 이루는 중용(中庸)의 미를 추구했다는 점이다. 둘째, 무심(無心)과 기교(技巧)의 조화(調和)로 형태와 색상, 소재에 대한 표현을 적절히 조절하여 비움과 채움을 자연스럽게 나타냈다는 점이다. 셋째, 정신과 물질의 합일(合一)로서 전통 화가 신분과 지위를 나타내는 표식으로 활용되었으나 물질에 정신적인 의미를 부여함으로써 기운생동(氣韻生動)의 가치를 추구했다는 점이다.

• 한국의류산업학회지
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• 제9권2호
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• pp.176-187
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• 2007

Buddhist paintings in the late Joseon dynasty are characterized by diversification and subdivision of subject matters. Buddhist paintings rapidly declined since 19th century, being miniaturized and showing complicated composition. Figures that identified the shape of shoes in Buddhist paintings of late Joseon dynasty included sacheonwang that were placed in the left and right bottom of Buddhist paintings, sinjung, gwiwang and pan-gwan of siwangtaeng. Sacheonwang, an Indian folk god, was depicted as a noble person in "ahamgyeong", an early sutra, but was depicted as an armored warrior in Mahayana Buddhism world. The style of shoes sacheonwang in Korea were different depending on the times. The shoes of the sacheonwang sculpture in Seogguram of Shilla dynasty are sandal type. The sacheonwang that was drawn on Jijangbosaldo in Goryeo dynasty wears non-showy armor and red yi(履). The sacheonwang that was expressed on Buddhist paintings in Joseon dynasty wears showy armor and decorated hwa. Comparing the yi of Goryeo Jijangbosaldo sacheonwang with the yi of Bodhisattva on the Dunhuang yeolbanbyeonsangdo, Jijangbosaldo sacheonwang's shoes are Korean style in which the sole is flat and the front part has no decoration, but in the shoes of Bodhisattva on the Dunhuang yeolbanbyeonsangdo the sole is not flat, the front part is lifted. The style of shoes of pan-gwan, who is depicted on Siwangtaeng, is hwa. However, unlike the decorative hwa of sacheonwang, its front is not lifted and it has no decoration. It is assumed that the shoes of sacheonwang or pan-gwan represented obangsaek based on the idea of eumyang-ohaeng. Depiction of shoes shown in Buddhist paintings reflected the phases of the social life. In addition, the sandals of Shilla sacheonwang implies that sourthern culture in addition to Buddhism was introduced. Having expressed the shoes of Goryeo sacheonwang with conventional yi implies that Buddhism governed the inner world of the people, and the shape and material of the shoes reveals aristocracy. It is assumed that that an armored warrior wore yi, not hwa implies that the then society was stable. Also, it is assumed that that the shoes of sacheonwang on Buddhist paintings in Joseon dynasty were hwa implies that the role of tutelary god was stressed in the disordered society.