• Annual Conference on Human and Language Technology
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• 2003.10d
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• pp.267-272
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• 2003

음성 합성 시스템 구축에 있어서 입력 텍스트를 정확한 발음 표기로 변환하는 것은 매우 중요하다. 중국어에는 하나의 한자가 의미나 사용에 따라 다르게 발음되는 다음자(polyphony)들이 존재한다. 다음자의 처리는 상당히 복잡한 문제이기 때문에 본 논문에서는 그 중 가장 발음에 영향을 미치는 요소인 인명과 지명에 대한 미등록어 처리를 수행했다. 무엇보다 실시간 음성 합성 시스템을 위해서는 처리 속도의 향상이 요구된다. 따라서 본 연구에서는 미등록어 후보 구간 선정을 선행하고, 선정된 후보에 대해 추정하는 두 단계로 진행하였다. 후보 구간 선정은 단일 한자 단어(monosyllable word)의 확률과 간단한 패턴들을 이용한다. 최종 선정된 후보의 미등록어 추정은 SVM(Support Vector Machine)을 기반으로 실시하였다.

• Journal of the Korean association of regional geographers
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• v.19 no.3
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• pp.375-383
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• 2013

The main results that can be drawn from the thematical analysis, based on 173 geographical names of Dong(洞) in Daegu city, are as follows. Firstly, the origin of the geographical name of Dong is divided into 10 groups such as natural landscape, human landscape, situation, and so on. Thematically, natural landscape is the most important factor among them. In particular, Dong-gu is such a case since Mt. Palgong and Geumho river are widely distributed around the area. Secondly, the origins of the geographical name of Dong in Jung-gu and Buk-gu are mainly concerned with human landscape and situation. Especially, Daegu-Eupseong(大邱邑城) has a great influence on the origin of the geographical name of Dong in Jung-gu. Thirdly, in 1914, the unification of administrative district established new Dongs(洞) and the geographical names of the new Dongs were made by borrowing each word from the existing geographical names of Dong. Fourthly, the geographical names of Dong in Suseong-gu and Dalseo-gu made after 1980s' were made in many cases by utilizing the existing natural landscapes. However, it is identified that Suseong field in Suseong-gu, Seongdang lake and Mt. waryong in Dalseo-gu have been recognized as the important natural landscapes. Lastly, the geographical name of Dong is commonly concerned with historical place names such as Gongsan battle in Dong-gu. It is judged that the geographical names of Dong based on Gongsan battle or a most intriguing piece of legend will make a great contribution on developing the regional tourism by storytelling.

• The Bulletin of The Korean Astronomical Society
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• v.41 no.1
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• pp.63.2-63.2
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• 2016

1900년대 초에 발행된 천문학 서적 2권을 중심으로 사용된 천문학 용어를 현재와 비교분석하는 연구를 진행하였다. 우리는 두 서적에 사용된 용어에서 천문학용어, 화학원소 용어, 인물 및 지명 용어로 나누어서 현재의 과학용어사전과 비교하였다. 지금까지 사용되는 용어와 지금은 사용하지 않는 용어, 그리고 의미는 동일하지만 변화를 보인 용어로 나누어 분석하였다. 한 권의 천문학 서적에는 영어 색인이 포함되어 있어, 그 기준으로 현재와 비교하고, 나머지 천문학 서적은 본문에 나온 용어를 추려서 비교하였다. 용어를 통해서 두 권의 서적이 다른 경로로 수입 번역되었음을 알 수 있었고, 현재와 같이 용어의 통일이 없었다는 점에서 당시 천문학 교육의 한계점이 드러났다. 이 연구는 당시의 천문학 서적이나 관련 서적을 연구할 때, 한자 표기 없이 영어 어휘를 음차하여 표기된 용어를 동정하는데 도움을 줄 것으로 보인다.

• Korean Journal of Plant Taxonomy
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• v.43 no.4
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• pp.319-331
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• 2013

Records found on labels of specimens deposited at Kyoto University (KYO) and references about three Japanese taxonomists, Koidzumi, Gen'ichi (1883-1953), Ohwi, Jisaburo (1905-1977), Kitamura, Siro (1906-2002) were assembled to produce collector's itineraries from 1930 to 1935 in Korea. The quality of data on labels of the specimens varies, but most are only the collector's name and country of collection, often, the locality data are only textual, and the Chinese and Japanese names, as well as the ethnic dialects common to the region, varies widely. It is estimated that approximately 2,000 specimens collected from Korea by three taxonomists are currently held within the collections of Kyoto University herbarium (KYO). Koidzumi, who was the professor of Kyoto University, traversed different northern parts of the country, such as Island Jeju-do, Mt. Keumkang-san, Hamkyongbuk-do during summer (July to August) in 1932, 1933, and 1935. In 1930 and 1932, Ohwi spend three months in the unexplored mountains in northern parts, such as Hamkyeongnam-do, Hamkyeongbuk-do, and Gangwon-do. On the other hand, for two months in the middle of 1935 visited Jeju-do, Mt. Jirisan and travelled through southern parts. Unlike two previous botanists, major collections in Korea by Kitamura took place twice in one major area in northern part and Jeju-do and Mt. Keumgang-san in 1930, 1932, and 1935.

• (The)Study of the Eastern Classic
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• no.71
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• pp.231-258
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• 2018

This paper examines the differences of two different versions of "Cheonuisogameonhae" in terms of stylistics and investigates factors affecting the differences. The interpretations between the woodblock edition and the manuscript edition might be different depending on assumed range of readership, and the stylistic differences between two editions might be different depending on the possibility of extension of the reading population. Thus, this paper examines how stylistic effects are reflected in inter-relations between a translator as a speaker and readers as listeners according to speaker intentions. In Chapter 2, the stylistic differences reflected from two difference editions are examined in terms of the expression of a writer's respect, emotions, and formal consciousness to readers. The expressions of a writer's respect are more clearly emerged in the manuscript edition than in the woodblock edition. The honorific expression of a subject, '-gyeo?dsyeo', and the honorific expression of a writer, '-s?p-', are more frequently used in the manuscript edition than in the woodblock edition. In order to express positive emotions, exclamation endings are used in the manuscript edition, which shows the writer's strong emotional sympathy with readers' words and behaviors. On the other hand, in the woodblock edition, '-이' is used after names in order to treat rebellious subjects and people involved in conspiracy contemptuously by the use of informal forms. In addition, affirmative sentences in the manuscript edition and double negative sentences in the woodblock edition are used respectively, which intends to strongly emphasize a king's will and the appropriateness of the will. The writer's formal consciousness to readers are found in the way of writing names of people and places in Korean. Chinese characters are generally used two show formal consciousness; thus, names of people and places are expressed in Chinese characters in the woodblock edition. In Chapter 3, factors that made the stylistic differences between two editions are examined. The factors causing stylistic differences are examined in terms of the purpose of the interpretation, the class and range of the reading population, a writer's attitudes toward readers, and the face-to-fact situation of a writer and readers.

• Journal of the Korean Institute of Traditional Landscape Architecture
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• v.30 no.2
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• pp.130-141
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• 2012

This study examines the characteristics of landscape elements and the reappearance techniques of traditional landscape image in Chinatown of the Shanghai Street in Busan, Korea. The subjects of the study are commercial buildings owned by Chinese residents, commercial buildings' naming design and environmental sculptures in the Shanghai Street. The results are as follows: First, the design methods of the front side of commercial buildings were classified into two parts: facede design of buildings and signboard design. The design form of the buildings' facades were classified into five types, there are: emphasis type on Chinese characters' signboard, addition type on decorative signboard, introduction type of traditional patterns, imitation type of traditional architectures and modern architectures' modes. The signs of chinese commercial buildings were observed mostly as having a traditional Chinese font in yellow/white on a red background. It has been found that this style was the most popular method of sign design. Secondly, The commercial buildings' naming design was analyzed into design methods and meanings. Design methods were classified into three types: a combination of meaning and place, a combination of season and atmosphere and tourist attractions. The meaning of the commercial buildings' names was divided into three kinds: the wishes of the prosperity, elegant type and the appropriation of local attractions. Thirdly, the environmental sculptures of Shanghai Street were found to have been influenced by both through out Chinese culture with mixed Korean culture. Finally, as for characteristics of landscape elements, we found three reappearance techniques - addition, replacement, juxtaposition. The technique of addition is added new face to the base map by just two methods - extending and overlapping area. Replacement is created new faces from base map by the action of replacing, it has three types - local replacement, package replacement, successive replacement. Juxtaposition is the fact of two or more things placed together with contrasting effect, it also has three types - the same kind juxtaposition, a different kind juxtaposition, topological juxtaposition. This study is the basic research which is analyzing the landscape design in chinatown. But the research only on Shanghai Street may have some limits in scope. It is considered an necessary study to add, which is about chinatown in other city such as Incheon, Jeonju. Then it is expected that the results of this study can be used for the basic data of the landscape plans, that municipalities are actively progressing their respective development projects of Chinatown.