• Title/Summary/Keyword: 한국오페라

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Comparison of the Acceptance and Development of Opera in Korea and Japan - Focusing on Development of Contemporary Opera (한국과 일본의 오페라 수용과 발전과정에 대한 비교 - 창작오페라를 중심으로)

  • Sohn, Soo yeoun
    • The Journal of the Korea Contents Association
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    • v.17 no.2
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    • pp.149-159
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    • 2017
  • South Korea and Japan are closely located in the Chinese character cultural area, so we have developed our culture not only with many similarities but also with own distinct ways. These were also in adoption and development of Western music. Unlike Korea, Japan is showing its potential through Opera 'Yuzuru'. Even though opera is Western music style, communicating Asian culture through their own language is one of the important issues to secure status as a cultural power in the world. As the field of opera is expanded to media entertainment with the development of digital technology, it is necessary to compare the development process of Japanese and Korean opera, which used contemporary opera as a tool of communication between cultures, It will help to develop into performing arts contents.

Creation of Operatic Narrative - Comparative Study of Murger's Novel 『la vie de bohème』 and Puccini's Opera <la bohème> (뮈르제 소설 <보헤미안의 생활 정경>과 푸치니 오페라 <라보엠>의 비교를 통한 오페라 담론의 창작 원리 연구)

  • Kim, Hak-Min;Kim, Jung-Ho
    • The Journal of the Korea Contents Association
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    • v.13 no.9
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    • pp.72-80
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    • 2013
  • A common fallacy found at opera works is to lean either toward 'opera as drama' or toward 'opera as music'. One of the historical examples of opera creation to overcome this fallacy is Puccini's $\grave{e}$me>. The composer Puccini and the librettists, Illica and Giacossa, found balance between these two extreme poles, which was made possible by keeping the color of the original novel "scenes de la vie de boh$\grave{e}$me" and simultaneously by reconstructing the most operatic characters and story. Their strategies, which can be summerized as 'simplification', 'romanticization and re-creation of characters', and 'realistic description of original atmosphere'. There strategy of adaptation and the 'episodic' feature as the outcome can be a good example for creators of new opera works.

Case Analysis of Regietheater shown in Opera Performance - With a Focus on of Komische Oper Berlin that Uses Animation - (오페라 공연에서 나타나는 레지테아터(Regietheater) 사례 분석 -애니메이션을 활용한 코미셰 오퍼 베를린 <마술피리> 프로덕션을 중심으로-)

  • Lim, Jung-eun;Kim, Hyeong-soo
    • Cartoon and Animation Studies
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    • s.51
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    • pp.1-33
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    • 2018
  • In contemporary performance arts, we can see diverse types of performances that use advanced technology and visual media. It is notable that animation based on narratives and images, is grafted on to performance arts. Cases emerge that introduce animation in opera performances as part of a new stagecraft. Regietheater that turns on directors' interpretation, has been expanded in full scale through major music festivals and theaters through many different attempts to embody. In this state, recently visual media have been actively employed in opera performances. It has led to expansion of time and space along with more attempts. Not least of all, introduction of animation has been conducive to reinforcing functionality of opera performances in many aspects. This study suggests requirements for ideal Regietheater production in opera performances. For this end, the functions of animation strategically used are evaluated through analyzing $Zauberfl{\ddot{o}}te$)> production of Komische Oper Berlin. Through this research, this study is to look deeply into effects created from new and different attempts by grafting animation on to opera performances.

The Exchange of Opera between Korea and Russia, Its History and Tasks (한·러 오페라 교류, 그 역사와 과제)

  • 신혜조
    • Russian Language and Literature
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    • no.63
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    • pp.317-343
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    • 2018
  • Целью данной работы является рассматрение состояния и достижений оперного обмена между Республикой Кореей и Россией, продолжавшегося на протяжении прошедших 30 лет. В 1990 году "Московская декларация" оказала огромное влияние на вступление отношений между Республикой Кореей и СССР на нормальный курс, а также стала переломным моментом в укреплении культурного обмена между двумя странами. С тех пор Республика Корея и Россия на основе политического, экономического сотрудничества, неустанно развивали культурный обмен, а театральное искусство, ориентированное на оперу, было наиболее активно действующей областью. В результате наша опера продемонстрировала стремительное развитие. Ранее ограниченный оперный репертуар стал более разнообразным, произошло увеличение количества создаваемых опер и улучшение их качества. Судя по подобным результатам обмена, создание открытой системы сотрудничества между странами считается необходимым условием для нашей оперы, являющейся относительно позжней по сравнению с другими странами. Следовательно в данном исследовании в первую очередь будет рассматрен процесс проникновения в Корею российской оперы, стимулирующей постоянное развитие корейской оперы, а также в заключении на обуждение будут выненесы задачи, наобходимые для расширения и будущего развития оперного обмена между двумя странами.

Noise Measurement and Analysis after Pavement by Pad Method in Umyeonsan Tunnel Seoul Art Center Passing Section (우면산 터널 예술의전당 통과구간 방진패드 공법의 도로포장 후 소음측정 및 분석)

  • 김병삼;이익주;서무전;조원창;석진길;유제남
    • Proceedings of the Korean Society for Noise and Vibration Engineering Conference
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    • 2004.05a
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    • pp.687-687
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    • 2004
  • 예술의 전당 하부를 통과하는 우면산터널은 예술의 전당 자료관, 오페라하우스, 음악당, 서예관, 미술관 등의 건물과 인접하여 설계되었다. 이들 건물은 진동의 전달경로에 따라 구조-구조의 전달경로인 자료관과 구조-지반-구조의 전달경로인 오페라하우스, 음악당, 서예관으로 분류할 수 있다. 자료관은 하부의 기조 중 일부가 우면산 터널의 통과를 위해 설치한 박스(box) 터널 상부와 구조계를 형성하고 있고, 오페라하우스와 음악당 및 서예관 주변으로는 우면산 터널의 상행선과 하행선이 각각 인접하여 통과하는 구조계를 형성하고 있다. 본 연구는 서울시 서초구 서초동~우면동에 이르는 우면산 터널에 실험 차량이 통과할 때 차량 통행으로 인해 발생하는 진동이 예술의전당 자료관, 오페라하우스, 음악당, 서예관 등의 건축구조물에 전달되는 고체전파음의 발생특성 파악하고, 예술의전당 통과구간에 방진패드에 의한 도로포장 공사 후 그에 대한 효과를 비교하였다. 또한, 우면산 터널 예술의 전당 통과구간에 대하여 다공성 아스팔트로 도로포장한 후 그에 대한 효과도 파악하였다.

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Research on Classical Crossover Arrangement Methods of Arias in Operas - Focused on Una Furtiva Lagrima, an Aria of an Opera called L'Elisir d'Amore - (오페라 아리아의 크로스오버 편곡기법 연구 - 오페라 사랑의 묘약 중 아리아 Una Furtiva Lagrima를 중심으로 -)

  • Shin, Del La;Shin, You-Ho
    • Journal of Korea Entertainment Industry Association
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    • v.14 no.6
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    • pp.151-160
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    • 2020
  • In the past, musicians followed strict patterns written by composers when playing classical music. However, since the development of postmodernism, which puts an emphasis on unique individualities and various ways of thinking, following the strict patterns of classical music unquestioningly became less significant. Classical music was thought to be difficult to follow and enjoy for most people. Thus, musicians have found ways to keep the dignity of classical music but added familiarity in order to popularize arias in operas. They created classical crossover music and this type of music enabled people to enjoy easy access to classical music. However, not many studies focus on arrangement methods of changing classical music into crossover music. The goal of this study is to research on arrangement methods of crossover music based on the findings from precedent researches on operas. This study focused on analyzing musical structure including chords, rhythms and compositions of musical instruments. According to the analysis, original classical songs and popera, which is a type of crossover music, share similarities in terms of rhythms and chords. However, there are differences when it comes to compositions of musical instruments. In case of a jazz version, it uses AfroCuban rhythm as well as Bolero rhythm which is a part of ballad and jazz acoustic instruments are mainly used. Also, in order to reduce the feeling of classical music and to differentiate the jazz version from the original version, a lot of tension is used in voicing. This study can be helpful for any researches related to arrangements of classical crossover music.

The Assesment of Tunnelling Induced Damage for the Opera House (Emphasis on 3D FEM Analysis) (터널 시공에 따른 오페라극장의 영향평가 (수치해석을 중심으로))

  • Hwang, Eui-Seok;Lee, Bong-Youl;Kim, Hak-Moon
    • Journal of Korean Tunnelling and Underground Space Association
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    • v.4 no.1
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    • pp.3-12
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    • 2002
  • This research work is to investigate influences of the Opera House in Arts Center caused by the twin tunnel construction. The Opera House of 3D structural feature with various type of foundations and adjacent twin tunnels are modeled in 3-Dimensional mesh for FEM analysis. Confirmation of safety is essential for this particular type of structure, and attention level and warning level of control criteria are examined for the protection of the Opera House by means of the analytical results.

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