• Journal of the Korean GEO-environmental Society
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• v.6 no.2
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• pp.39-49
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• 2005

In this study, the fifteen month behavior of two geosynthetic reinforced walls which was constructed on the shallow weak ground was measured and analyzed. The walls were backfilled with clayey soil obtained from the construction site nearby, and the safety factors obtained from general limit equilibrium analysis were less than 1.3 in both wall. The measured and analyzed data were horizontal earth pressures, strain of reinforcements, and excess pore water pressures. The used reinforcements were nonwoven geotextile, woven geotextile and geogrid. Although the length of reinforcement was only 30% of wall height and the safety factors of the walls were less than 1.3, the walls were constructed without any problems on the such weak ground. The analysis results showed that the maximum strain of reinforcements were negligible and the strain was between 2.3 and 6.0% according to tensile characteristic of the reinforcements. The excess pore water pressure was not changed due to the rainfall and the horizontal earth pressures in upper and lower part of the walls were larger than the active and the rest pressure.

• Journal of the Korean GEO-environmental Society
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• v.4 no.1
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• pp.11-17
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• 2003

The existing geotextile reinforced soil wall methods have a demerit in terms of esthetic view because concrete panel or block are used as wall facing of the methods. If grass planting walls could be used in reinforced soil slope or wall methods, efficiency of the methods would be increased with maximization of advantage of the methods. In this study, some possible methods in which grass planting wall is used as wall facing are devised. A series of laboratory model tests were performed to investigate the behavior of newly devised methods in order to compare with the results of each others. As a major result, it was found that this kinds of grass wall facing methods could be accepted as a new construction method even in the sense of stability.

• Journal of Conservation Science
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• v.33 no.6
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• pp.553-564
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• 2017

This report compared and analyzed the degree of surface change and results of a deterioration experiment to assess the possibility of using Dobak glue as an adhesive in the fossilizing treatment of the paint layer in earthen mural paintings. The weathering experiments were performed with a color-difference meter (CR-400, MINOLTA). After the experiment, Cinnabar 3% specimens, which exhibited diverse changes in the durability test, were additionally tested with a reflection-transmission device (CARY-5000, AGILENT). Post UV degradation, most of the Dobak-glue samples exhibited lesser color change than animal-glue samples, and after moisture absorption and drying, the 0.5% and 3% Dobak samples displayed a lower degree of change in the value of color difference. Furthermore, results of the reflection-transmission test after deterioration indicated that Dobak glue presented a lesser color change than animal glue. Therefore, if Dobak glue is used as a consolidating agent, discoloration on account of degradation is minimal.

• Korean Journal of Heritage: History & Science
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• v.46 no.2
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• pp.206-219
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• 2013

This study aims to estimate firing temperature and physicochemical properties of the four clay bricks excavated from the Maritime Province of Siberia. Analysis result shows that the specimens are composed of clay, quartz and feldspar, and some specimens include carbonized organic materials which were probably added in order to enhance its physical strength in bricks. Major mineral components of the bricks are quartz, illite and clay minerals. The result identifying the existence of silimanite by XRD suggests that white material of the Koc 1 was painted for a certain purpose. Unlike most specimens which contained hematite, several samples contain Mullite. Such result suggests that some bricks were fired at high temperature. Furthermore, the results from TG analysis which does not display exothermic peak which appears at between $800^{\circ}C$ to $1,000^{\circ}C$ but display endothermic peak at $900^{\circ}C$ and it also confirms that they were exposed at $900^{\circ}C$ or higher.

• Journal of the Korean Geosynthetics Society
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• v.16 no.4
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• pp.21-31
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• 2017

Geobag method is an eco-friendly method to minimize the impact on the environment in the construction of retaining wall structure as a kind of geosynthetic reinforced retaining walls. In this study, evaluated behavior of full scaled geobag retaining wall about four different types of geobag retaining walls, that is, non-compacted geobags wall, compacted geobag wall, combination of longitudinal and transversal laied geobags wall, gabion and geobag wall were constructed in the field with instrumentation. Based on the results of field measurement, transversal layered geobag wall for non-compacted case was displaced 30% more than that of mixed gabion wall. Also, the more than 2m geobag walls without reinforcement at the backfill area are turned out to be unstable in terms of wall displacement. On the one hand, the distribution of the earth pressure for all geobag retaining walls sites show within the range of Rankine's and Coulomb's earth pressure after construction. But after intensity rainfall, the transversal laied geobag walls significantly increment of soil pressure. The geobag walls which constructed in the way of mixed wall systems such as gabion and geobag, longitudinal and transversal laied geobags are much stable with comparison of transversal laied geobag wall.

• Journal of Conservation Science
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• v.34 no.3
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• pp.143-155
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• 2018

In this study, we investigated the properties and manufacturing methods of soil mural finishing layers fabricated using animal glue, starch adhesive(wheat paste), and Dobak glue. We assessed the workability and weatherproofing properties of the earthen plaster and finishing layers fabricated using concentrations of 3%, 5%, 7% and 10% for each adhesive. The results showed that a mixture using 3% or 5% starch adhesive or 3% Dobak glue was suitable for constructing the finishing layer. For finishing layers made with animal glue, earthen plaster had poor workability. It was dry and easily broken as the concentrations of animal glue increased. However, specimens made with low concentrations of animal glue did not exhibit surface deterioration after a freezing-thawing test. Therefore, animal glue mixtures could possibly be used for constructing finishing layers in concentrations lower than 3%. Mixtures containing starch adhesive produced plasters with good workability. Additionally, starch adhesive enhanced compression strength. However, when starch adhesive was mixed at concentrations above 7%, the surface exhibited roughening and staining in freezing-thawing tests. When Dobak glue was used in mixtures, it enhanced compression strength, but concentrations above 5% produced specimens with surface cracking. For concentrations of 3%, there were no cracks and the specimens were stable after freezing-thawing tests, so concentrations below 3% of Dobak glue are suitable for constructing finishing layers. We expect this study will be useful for restoring the traditional technology of soil mural finishing layers and suggest using adhesives to construct the finishing layer.

• Proceedings of the Korean Geotechical Society Conference
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• 1997.11a
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• pp.53-62
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• 1997

• Journal of Conservation Science
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• v.37 no.6
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• pp.701-711
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• 2021

This study identifies the structure and material characteristics of the mural paintings in Daeungjeon at Ssanggyesa temple in Jindo by conducting scientific research and analysis including microscope examination, SEM-EDS, XRD, particle size analysis, and others. According to the analyses, the murals were considered to be of a typical soil mural style for Korean Buddhist murals, given that the walls were made of sand and soil and the murals had layers consisting of wall layers and a finishing layer. However, some finishing layer used calcite, while some ground layer used zinc white beneath the thick paint. In addition, there were similar features to those found on the surfaces of oil paintings such as cracks along with the paint layer, high gloss on surfaces, and thick brush strokes in many areas. It was found that the walls on which the murals were painted were made of soil but that the paint layer was created based on the oil painting technique using drying oil. It determined that the murals were painted in a unique painting style that is rarely found in other typical Buddhist murals in Korea.

• Journal of Conservation Science
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• v.32 no.1
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• pp.75-88
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• 2016

In this study, 5 mural paintings in the Buddhist temples of Joseon era were researched for component analysis on the soil contained in the walls. The results of particle size analysis showed that the ratio of particle contents were different in each layer. In the finishing layer, the distribution of the middle sand fraction is higher than that of the middle layer. The results of XRD analysis showed that quartz, feldspar, and clay mineral are the main components of sand, suggesting similar mineral composition to that of ordinary soil component. It seems weathered rocks were used for construction of the walls. The main chemical components detected from EDX analysis were Si, Al, Fe, and K. Also the SEM images showed sand or clay sized minerals. In conclusion, the walls of the buddhist mural paintings in Joseon Dynasty had been constructed by using the loess, and had been produced by using mixture of clay and sand particles of different sizes for each layer. This study identified the characteristics of the materials and the manufacturing technologies used on the walls of mural paintings of Buddhist temples in Joseon era.

• Korean Journal of Heritage: History & Science
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• v.57 no.2
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• pp.102-115
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• 2024

Painted Cultural heritage uses various materials such as paper, silk, wood, soil, and lime as a base layer to draw on using ink sticks and express lines or colors using various colorants. The importance of underdrawings is emphasized when it comes to replication and preservation, as they can reveal the original drawing. Investigations using infrared have been extensively conducted to detect underdrawings. However, there has been a paucity of research on the influence of underdrawing detection according to the base layer. In this study, the effect of the base layer materials on underdrawing detection in painted cultural heritage was confirmed using an infrared camera and hyperspectral camera (900 to 1700 nm). The study samples marked '檢' with ink below the color layer (cinnabar, orpiment, malachite, azurite, white lead, and red lead) by the base layer materials: Paper (Dakji, indigo/Dakji), silk (silk, silk/white lead), wood (celadonite/wood), soil (celadonite/soil), and lime. The difference in the effect on underdrawing detection was minimal for paper and silk, and no significant differences were found between Dakji and indigo/Dakji, or between silk and silk/white lead. However, we found that celadonite/wood, celadonite/soil, and lime have a significant impact on underdrawing detection. In particular, for wood and soil painted with celadonite, underdrawings were not detected for all six color layers. In the case of lime, it was found that all color layers except malachite had a more positive effect on underdrawing detection. The findings of this study will aid in selecting the appropriate method for underdrawing analysis in the restoration of painted cultural heritage.