• 제목/요약/키워드: 청연군주

검색결과 3건 처리시간 0.015초

청연군주묘(淸衍郡主墓) 출토복식(出土服飾)의 보존(II) (Conservation of Textiles and Costumes of Cheonngyeongunju (a princess)(II))

  • 김주영;이지현;박승원
    • 박물관보존과학
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    • 제11권
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    • pp.17-30
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    • 2010

  • 국립중앙박물관이 소장하고 있는 청연군주 출토복식(신수751 의류 일괄)중 전시 대상 26점의 보존처리 과정과 보관방법을 소개하고자 한다. 처리 전 유물의 재질과 손상정도를 파악하고 표면세척, 습식세척을 병행하였으며, 유물의 안정성을 고려하여 손으로 잡아주면서 건조시키고 보수하였다. 보관은 복식의 손상을 줄이기 위해 접힘 부분을 최소화하여 크게 접고 완충제를 사이에 넣고 중성상자에 넣어 보관하였다.

  • https://doi.org/10.22790/conservation.2010.11.0017 인용 PDF

청연군주묘(淸衍郡主墓) 출토복식(出土服飾) 중 직김(織金), 부김의(附金衣)의 보존처리 (Conservation Treatment of Jikgeum(Weave with Supplementary Golden Wefts) and Bugeum(Gold sticking) Textiles and Costumes Excavated from Tomb of Cheongyeongunju (a Princess))

  • 박승원;이윤경;유혜선
    • 박물관보존과학
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    • 제9권
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    • pp.67-83
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    • 2008

  • 국립중앙박물관이 소장하고 있는 청연군주 출토복식(신수751 의류 일괄) 중 織金 및 金箔이 있는 복식의 보존 처리 과정을 소개하고자 한다. 금사 및 금박의 비파괴분석(X-선형광분석:XRF)을 실시한 다음 표면의 금(Au)이 열화가 진행되면서 분상화된 금층에 아교 2%용액을 도포하여 접착력을 강화하였다. 표면의 먼지와 오염물제거를 위해 진공흡입을 통한 건식세척과 분사식 습식세척을 병행하였고 손상부분을 보수하여 유물의 원형을 회복하였다.

  • https://doi.org/10.22790/conservation.2008.9.0067 인용 PDF

여아(女兒) 2벌 당의(唐衣)의 봉제구성에 관한 연구 -조선후기 청연군주($1752{\sim}1821$) 2벌 당의를 중심으로- (A Study on the Sewing Construction of a Girl's Double Robe - Focusing on the Double Robe of Princess Chungyun (1752-l821) in tate Chosun Dynasty)

  • 임상임;류보영
    • 한국생활과학회지
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    • 제13권3호
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    • pp.467-475
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    • 2004

  • The purpose of this study was to examine the sewing construction of a double robe, the difference between the single and double robe, and the size and construction method of the double robe through a close analysis of a replica to facilitate a better understanding of the robe making in late Chosun dynasty. The results were as follows: 1. There was no significant difference in the design and sewing method between the girl's robe and an adult's even though the girl's robe was much smaller. 2. The girl's robe differed from its modern counterparts in some respects: unlike modem robes, Chungyun's robe consisted of two-layers in which the four layers were sewn together and it could be seen most clearly in the way the collar was stitched only onto the outer layer. The two layers seemed to be put on successively since they were not sewn together. The inner collars of the two robes were sewn together when the maker put on a coat string to the outer robe, and the two robes were put together with hemming and blind stitch at the top of the outer collars to make the robe formally stable, which clearly distinguished the princess' robe from a single, for example, four-layered robe. The robe was constructed using traditional sewing methods including broad stitch, back stitch, hemming, and blind stitch, and each stitch was only about 1 mm wide. 3. The maker of the robe managed to construct a formally stable and aesthetically satisfactory robe with the least amount of fabric and proper sewing methods.

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