• Vending industry
• /
• v.2 no.4 s.5
• /
• pp.78-80
• /
• 2002

자판산업에 있어 장기적으로 보면 시장성이 유망한 듯하나 현실에 있어서는 기대만큼 시장이 확대되지 못하는 분야가 꽤 된다. 그중에서도 대표적인 분야중 하나가 바로 티켓발매기 시장이라 할 수 있다. 티켓발매기 시장은 산업계의 끊임없는 짝사랑에도 불구하고 쉽사리 성공의 창을 열지 못하고 있다. 지지부진한 시장상황. 시장발전은 커녕 퇴보하는 듯한 상황 앞에서 짝사랑에 지친 업체들이 하나 둘 씩 떠나버려 산업기반마저 휑해져 있다. 그러나 이같은 상황에도 불구하고 이 시장에 대한 애정과 도전을 멈추지 않고 있는 업체가 있다. 12년 동안 지속적인 사업으로 티켓발매기 분야의 전문업체이자 대표업체로 기반을 확고히 하고 있는 파멕스사가 바로 그 주인공이다. 어려운 시장상황에도 불구하고 외롭지만 야심에 찬 도전을 멈추지 않고 있는 파멕스의 최근 사업행보를 살펴보는 시간을 마련했다.

• Digital Contents
• /
• no.11 s.138
• /
• pp.90-98
• /
• 2004

사랑만큼 인간을 변함없이 사로잡은 테마가 있을까? 아담이 혼자 있는 것이 보기 좋지 않아, 이브를 탄생시켜 에덴동산에서 같이 살게 만들었 다는 <성서>, 질투와 짝사랑, 그리고 이뤄질 수 없는 자기애 등 사랑에서 생기는 많은 모티프의 원형으로 가득한 <그리스,로마 신화>, 그리고 바보 온달 왕자를 사랑의 힘으로 훌륭하게 만들었다는 낙랑공주의 이야기 등이 담긴 <삼국유사>. 역사의 고전에는 어디에나 사랑의 이야기가 넘쳐날 정도로 풍부하다. 그러나 이렇게 많은 사랑의 이야기에도 불구하고 우리는 새로운 사랑 이야기를 찾는다. 그리고 언제나 다시 사랑의 이야기에 주목하게 된다. 디지털 시대라고 해서 다를까? 그렇지 않다. SF영화, 미래를 다루는 영화에서도 사랑은 빠지지 않고 등장하는 중요한모티프이다. <매트릭스>만 봐도 그렇다. 궁극적으로 모든 갈등과 위기를 구원하는 것은‘사랑’이지 않은가. 이처럼‘사랑’은 인류 최대의 난제이자 영원한 테마인 것이다.

• Korean Journal of Human Ecology
• /
• v.20 no.4
• /
• pp.759-775
• /
• 2011

The purpose of this research is to study university students' romantic experiences for this research, 1000 students participated by cyber lectures "marrige & families" and "sex & love". The results of this study are as follows: (1)Their first romantic experiences started in middle school(18.5%), high school(32.7%), or university(39.4%). Their first romantic experiences disappeared after one year. University students' first romantic experiences were universal and were made into a proximity principle. (2) University students' one-sided romantic experiences were 78%, but they loved someone senior to them or friends. They fell in love by attraction to character or appearance. University students' one-sided loving processes were made into friendship and the higher eye-level liking. (3) University students dated every day. They experienced the following sexual behaviors: kissing(90.2%), embracing(94.7%), or intercourse(34.7%.) Their dating life was made into a proximity principle. (4)University students experienced an emotional change from break-ups: solitude, longing, or regret, but their coping strategies were immersion in study or leisure, or meeting friends. They(70%) got over it and dated some body else.

• (The) Research of the performance art and culture
• /
• no.25
• /
• pp.5-30
• /
• 2012

I. Identity of Yeonsegeuk as total arts. The purpose of the thesis is to arrange the identy of Yeonsegeuk(Kino-Drama) which is theatre or film. The process of study is tried to discuss on the aethetic of Yeonsegeuk. II. Appearance of Yeonsegeuk and negative disputation of yeonsegeuk The first imported Yeonsegeuk from Japanese in Korea is made by the group of Mizuno Ganggetsu(水野觀月) on Oct. 16. 1915 at Pusan and also to run in Seoul at Hwanggeumgwan. The first of Korean Yeonsegeuk is by Kim, Dosan, a leader of Singeukjwa(theare group) on Oct. 27. 1919 at Danseongsa. Before the liberation of Korea from Japan all made korean Yeonsegeuk are 28 works. III. Dramatic form of Yeonsegeuk I study on the relation between Yeonsegeuik and Sinpageuik(new theatre of modern drama in 1920's). I find that Yeonsegeuik admitted the thechnics of the Sinpageuik and the contents. If We think that the theatre is synthetic art which genealize all arts, we can insist that the Yeonsegeuk is valued the total art as new performance to comply with film art to theatre. Conclusionly Yeonsegeuk is called 'Expanded Theatre' as the new performance which must be dicussed in the view of total art. VI. Discussion on the the aethetic of Yeonsegeuk When we compare the structure of film with the structure of theatre, we can't find a diffrent element between the structure of two art in art semiotic. But we find a fact that film art has special elements in mechanics character which are camera working and motage. These technics influence on the audience's mind. It is different point between Japan and Korean's Kino-drama and Germany's that is to admit the aethetic of total art or not. V. Yeonsegeuk as new performance During Korean modern times Kino-drama was first a kind of total art with stage and screen. But it is regretable that Kino-drama didn't have the background of theory which discourse on the comprehension of total art. As the result Kino-drama bring the confusion of argument that Kino-drama is total art or expanded theatre. This confusion will be disputed on film art as performing arts or future art as expanded film and total art.