• 중국학논총
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• no.72
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• pp.1-23
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• 2021

一个國家或國家的文化与那个民族或國家的語言有着不可分割的關系。文字是文明的標志, 有了文字, 歷史才得以被記录下来。人們把漢字称爲象形文字, 起源于繪畵。唐蘭先生在《中國文字學》中指出, 旧石器时代的人類已經擁有很多繪畵作品, 這些繪畵作品從動物到人類形象多种多樣, 然后就直接設了。翻看納西族使用過的字型, 可以感受到象形文字的深刻殘余。另外, 通过看似非常原始, 但表達却非常實際, 直接地通過寫實性描寫, 可以感覺到其意思正在被智慧地傳達出來。在維持獨立生活的同時, 也能看出被外部世界同化的純眞。有种感覺, 可以利用东巴文字將生活在現代生活中的我們生活的污垢抹掉, 通過漢字治療也可以實現, 甲骨文字和金文字的象形性比較, 考察硏究, 進而通過漢字治愈内心, 實現成長和成熟, 這种硏究今后將在中文學界發揮与實際學相同的作用。

• Proceedings of the Korea Contents Association Conference
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• 2014.11a
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• pp.145-146
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• 2014

중국 대학의 글로벌화 및 경쟁력 강화를 위하여 새로운 UI 적용 및 자료 활용 방안으로 본 연구를 하고자 한다. 중국대학의 심불타입을 보면 비교적 원형의 심불과 단색, 중국문자의 특징 중에 하나인 상형문자를 이용하여 대학의 심볼을 나타낸 경우가 많았다. 이를 더 발전시키기 위해서는 새로운 UI 적용 시 기존의 형식에서 벗어난 학교, 문화, 역사에 맞는 상징물과 소재를 사용하며, 색상을 단색보다 다양하게 사용한다면 현재보다 더욱 글로벌화 된 모습을 표현 할 수 있다.

• Journal of Digital Convergence
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• v.14 no.10
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• pp.17-23
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• 2016

I think it is valuable to make Chinese ancient character 'Inscriptions on Bones and Tortoise Carapaces' hieroglyphics popular by combining with the digital. Because Chinese characters are ideograms, it has a huge visual effect. When it is thought over meanings with imaged data by using digital technology, it can be easier to conflate Chinese academia and humanities academia, moreover other academia that uses Chinese characters such as jurisprudence or business administration. I believe not only union of humanities and natural science in the global era can be the best example of the word 'consilience', which I mentioned before, but also people enjoy usability from educations, invention of learning contents or open learning to a cultural field by coming into wide use. Futhermore, it should contribute to changing the image of Chinese characteristics from existing difficult stereotype to positive image.

• 대학교육
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• s.131
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• pp.35-43
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• 2004

• Cross-Cultural Studies
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• v.40
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• pp.7-39
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• 2015

A kite in Japanese is the octopus. The reason is that when they saw the tail of the kite, they remembered the foot of octopus. And this kinds of associative action is called a mitate(見立て) in Japanese. Mitate is similar to metaphor, but these two concepts are somewhat different in causing laugh. Korean and Chinese comedic story's metaphor cause laugh by similarity of two things, but Japanese comedic story's mitate cause laugh by dissimilarity of two things. Chinese and Korean comedic stories focus on 90%'s similarity of two things, but Japanese comedic stories focus on 10%'s dissimilarity of two things. So, in this paper, I tried to consider the mitate of comedic stories of East Asia, and I found that there are the following three features. First, we can see the tendency of Chinese and Korean comedic stories's mitate concern on the human body's physical weakness. But, Japanese comedic stories subject to not the human body's physical weakness but the human's professional or identification temperament. Second, East Asian's comedic stories mitate which related character and word play came from the method of decomposition of Chinese characters, for that area's people have used Chinese characters for a long time. However, there are different cases in Japanese comedic story's Chinese characters mitate, where that characters mitate is combined with two different type's characters, for example, to associate one Chinese character and another Japanese characters, hiragana or katakana. Third, there are next type's mitate which came from misunderstanding of Chinese characters, it can be seen in Chinese and Korean comedic stories. Perhaps, this pattern related with Chinese three syllable's character pattern, which is a Chinese traditional word and character play.

• Proceedings of the Korea Contents Association Conference
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• 2009.05a
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• pp.1010-1014
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• 2009

Acceleration of the globalization process as they are internationally accepted, standardized. A lot of somebody started to feel tired of the standards symbols, and like to pursuit the original and natural, and hope that the new interest in the emergence of visual symbols. Dongba (東巴文字) text are Naxi(納西族) Dongba pictograph (象形文字) of a concrete nature in china, Characterized by simplicity, abstraction, associative, interesting, decorative, symbolic etc. These features can quickly identify and satisfy to the people's demand for special aesthetic.

• 프린팅코리아
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• s.8
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• pp.186-189
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• 2003

종이가 나오기 전에 문자의 전달을 어떻게 했을까? 이에 대한 시원스런 해답이 나왔다. 강원대학교 조병묵 교수는 최근 종이 발명국인 중국의 반지씽교수가 쓴 중국제지기술사를 번역, 출간했다. 이 책에는 제지기술의 기원에서부터 세계 최초의 식물 섬유지 등 종이에 관한 자료를 싣고 있다. 본지에서는 종이 이전의 서사재료는 무엇이 있었는지를 알아본다.

• The Journal of the Korea Contents Association
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• v.22 no.10
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• pp.225-238
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• 2022

The purpose of this study is to explore the performance characteristics and laws of the symbol mark design of representative regional history museums in China, as well as the preferences of Chinese audiences for the symbol marks of different types of Chinese regional history museums. First, the performance theme, performance type, and type performance tendency of symbol mark modeling of the regional history museums among the top 100 museums in China are analyzed. Second, design laws based on the interrelationship of performance theme types and design performance types are explored. Finally, the questionnaire survey is carried out to explore preference from the aspects of attention, readability, closeness, originality, aesthetics and comprehensiveness. According to the results, the theme of regional history is the most in terms of themes. As for the modeling performance types, the concrete type and the visualization of Chinese character are the most. According to the content characteristics of different performance types, the following model characteristics are formed: expressing the theme of regional history, architecture, and regional natural ecological environment through the concrete type, expressing the concept through the abstract type, and expressing the concept and implying some building features through the geometric abstract figure. The three forms of the literal type, the concrete type expressing architecture, regional history, and regional natural ecological environment theme content, and the abstract type expressing concept are combined with each other, and expressed through the visualization of character, the mixture of abstract and literal type, the mixture of concrete and abstract type, and the mixture of concrete and abstract literal type in the mixture type. According to the survey results, Chinese audiences have higher preference for the concrete type in the symbol mark performance type and the regional historical theme in the performance content.

• Archives of design research
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• v.17 no.3
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• pp.209-220
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• 2004

Folk painting was prevalent among working classes in the cultural territory of chinese characters including Korea, Japan, and Vietnam. Other than Gilsangmunja-do(lucky and vulgar illustrated Chinese Character), the most popular of its kind, there are various types of different Munja-do(illustrated Chinese Character) which is more shaped/modeled. Chinese Nianhua style was popular in various parts of China from late Ming Dynasty to early Qing Dynasty, and they were conveyed to neighboring countries after the 17th century, where they adopted unique tradition of each country. Acquiring theme from Chinese characters, these Chinese Nianhua or Munja-do are designed by making images into characters or characters into images. They express the invisible 'Cosmological Taoism' as a visible shape and line. This kind of symbol system, using character as a subject matter, can only be witnessed in the cultural territory of chinese characters by the use of ideograms. It is worth of paying attention today because the uniqueness of each country's style reflects diverse life styles of the contemporary civilization. Specifically, values of Munja-do as a traditional culture may not be underestimated in today's society where culture has become the center of concern. Munja-do in Korea should be carefully examined since Korea has had a very unique Munja-do culture that cannot be found from other countries. Therefore, by comparing Munja-do styles of today's the cultural territory of chinese characters countries, we may enlighten ourselves on our tradition and flourish our cultural contents.

• Cross-Cultural Studies
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• v.35
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• pp.269-291
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• 2014

China has countless ancient books that contain thousand years of continuously recorded history across every generation. It is essential to organize the ancient cultural literature in order to better communicate. The study of ancient Chinese literature recently has become a subject of priority. Shi-Ji, one of the representative documents, is used for record keeping because of its experience with ancient Chinese historic materials and artifacts. This draft of Shi-ji is based on ancient Chinese research methods with the purpose to explore the character, phonology, syntax, exegesis and collation of historical value.