• Proceedings of the Korean Information Science Society Conference
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• 2005.07b
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• pp.502-504
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• 2005

본 논문에서는 수사법을 이용한 대중가요 분석법을 제시한다. 분석목표는 가사와 악곡의 수사구조 파악이다. 그 결과 가요의 가사와 곡이 어떻게 대응하여 전개되는지 확인해 볼 수 있었다. 이를 바탕으로 (1) 가요의 주제 가사와 선율을 빠른 시간 안에 찾아낼 수 있고 (2) 가요의 효과적인 분류와 검색, 또한 (3) 곡의 충실성 또는 유행가능성을 예측해보는 데에도 활용될 수 있을 것이다.

• Journal of Korea Game Society
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• v.19 no.1
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• pp.15-24
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• 2019

Capcom released Street Fighter 5 Arcade Edition on January 17, 2018. It also launched STREET FIGHTER 30th ANNIVERSARY COLLECTION. This product is a compilation of 12 of the Street Fighter series. The Street Fighter series was refocus by this work. In terms of game musical, Street Fighter IV and Street Fighter V almost used the Street Fighter II's melody. This means that the theme music of each character of Street Fighter 2 has a great influence on the sequel. Therefore, it is expected that analyzing the theme music of the original Street Fighter II will inspire game music composers. As a result of studying series of Street Fighter, the difference of form and genre was remarkable.

• The Journal of the Korea Contents Association
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• v.19 no.5
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• pp.572-577
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• 2019

This study aims to classify and examine Changjak Gukak composed by composers who majored in Western music and help the composers with the composition of Changjak Gukak. As a result, it was investigated that Korean traditional musical elements have been used on the basis of the traditional or modern Western composition technique. The traditional composition techniques such as motive, theme, keys, homophony, contrapuntal methods, fugue form, sonata form, baroque concerto form and borrowing of Western art works have been used, and the contemporary composition techniques such as timber melody, a-tonality, irregular meter, poly rhythm and aleatory have been used. In addition, it reflects the Korean expression and identity by applying the Korean traditional instruments, Sigimsae, Jangdan, traditional scale and mode, form and melody.

• Proceedings of the Korea Database Society Conference
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• 1997.10a
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• pp.425-437
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• 1997

본 논문은 디지털 도서관에서 임의의 음악정보를 효율적으로 검색하기 위한 시스템을 제안한다. 종래의 전형적인 음악정보 검색 항목인 제목이나 작곡자 또는 주제를 입력하는 것이 아니라, 사용자가 음악 데이터베이스로부터 검색하고자 하는 음악의 일부를 마이크를 통해서 노래한다. 그러면 입력된 선율에 대한 음 신호를 처리하여 음표정보를 인식하고, 이를 바탕으로 음정곡선을 생성하여 이를 탐색 패턴으로 사용한다. 동요를 대상으로 하여 음악 데이터베이스를 생성할 때는 각각의 곡에서 추출한 음정곡선을 이용하여 색인과 메타 데이터를 생성하는데, 색인은 유사 탐색을 용이하게 하기 위해서 Trie 구조를 사용한다. 탐색패턴을 이용해서 메타 데이터를 탐색할 때는 동적 프로그래밍 방법을 이용하여 유사 탐색을 함으로써 노래의 어느 마리를 부르더라도 쉽게 후보곡을 검색할 수 있도록 한다. 통상음악의 첫째 동기를 부르는 경우가 많기 때문에 첫째 악절로 구성한 색인을 먼저 탐색토록하고, 색인에서 탐색을 실패한 경우(음악의 첫째 동기 이후를 부른 경우)에 메타 데이터를 이용한 유사 음표열 탐색을 하도록 하여 효율적인 검색이 되도록 하였다.

• Journal of the Korea Academia-Industrial cooperation Society
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• v.17 no.11
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• pp.437-442
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• 2016

The marriage between music and film, both temporal art forms, demands that the inherent aspects of note in each medium are brought into correspondence within a dramatic context. In film-making, the most crucial and difficult problem a film composer faces is finding the music that seems absolutely right for the film and its characters, sequences and dramatic lines. When writing a film score, composers become musical dramatists; some have a special instinct that enables them to find the right kind of melodic line, orchestral texture, rhythmic device and musical style to bring out what they intuitively recognize as the essential aspect of the drama. In this study, several examples are cited - Alex North, Hugo Friedhofer, Bernard Herrmann and David Raksin - that underline this kinetic function of music in film. Effort is made to uncover as many possibilities as possible, so as to arrive at a better understanding of how the two media interrelate for the purpose of emphasizing the dramatic lines.

• Cartoon and Animation Studies
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• s.39
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• pp.321-348
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• 2015

The purpose of this study was to find a system and a progression principle in orchestral piece based on the outcome after comparatively analyzing the orchestral operation technique in "Battle for The Glory" out of the background music in the animation "Dragon Quest IV" by Koichi Sugiyama(1931~), who is a leading runner of Japan's animation music, based on functional parts daccord & Instrumentation Pattern, Rhythm Pattern, Voicing Pattern, and harmonic ratio by progression section devised by the writer. As a result, first, five themes in this music have specific instrumentation pattern, respectively. In a passage that is shown exposition, reprise, and representation in theme, the unity was emphasized by maintaining the same instrumentation pattern. On the contrary to this, a passage of being suggested new theme is being used the exchange method and addition & subtraction in musical instrument in order to strengthen diversity. Second, the voicing pattern is forming the vertical contrasting relationship of "thinness-thickness" on the whole. However, the diversity is being intensified that is changed into the structure of "thickness-thinness" in the third theme and of "thinness-thickness" that has two melodies in the fourth theme. Third, the rhythm pattern is forming the vertical contrasting relationship of "big-small" on the whole. However, the fifth theme is being given diversity with being changed into the structure of "small-big." Fourth, the harmony by progression section from the horizontal perspective is shown to be high in the proportion of unity in the section of being repeated and represented the theme and to be high in the proportion of diversity in the section of being suggested new theme. In this study, the balanced orchestral operation technique through the operation technique, which was used in this work, is what extracts the relationship of diverse proportions in the horizontal progression section based on the technique of vertical perspective. In this aspect, this analytical study is desired to be positioned as a new paradigm in establishing a theoretical system and an educational method in orchestration.

• Journal of Music and Human Behavior
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• v.19 no.1
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• pp.43-67
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• 2022

This is a case study of therapeutic song making activities aimed at improving the self-identity of adolescents in residential treatment facility. The participants were three male teenagers (16 to 18 years of age). The song making intervention was conducted individually with the participants once a week over 13 weeks, and each session lasted 60 minutes. The participants took the lead in making songs by discussing on the self-image and his/her role in the relationship and using musical elements to reflect his/her perception. For analysis, an evaluation method was used to analyze the pre- and post-test results for each sub-domain of the self-identity scale, and changes in the verbal and musical responses during each session. Two of the participants demonstrated higher post-test results compared to their pre-test performance, and their highest post-test scores were for the subdomains of intimacy and initiative respectively. In terms of verbal and musical responses per session, all three participants improved their subjectivity through the self-exploration process, which contributed to the establishment of a more positive self-image. This study suggests that facility youth engaging in making creative songs can positively change their perception of their present and future selves and have a positive effect on their sense of identity.