• Korean Journal of Heritage: History & Science
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• v.52 no.4
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• pp.142-153
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• 2019

The Joseon Dynasty (1392-1910) left behind a wealth of documentary heritage, including collections of literary works, personal letters, and journals, as well as public documents such as Veritable Records of the Joseon Dynasty (Joseon Wangjo Sillok), Diaries of the Royal Secretariat (Seungjeongwon Ilgi), and State Protocols (Uigwe). Such heritage also includes personal diaries that have been highly regarded for their frank and vivid records of people's lives in the Joseon period. There have been great diaries published and intended for reading by the Korean public, including War Diaries (Nanjung Ilgi, 1592~1598) by Yi Sun-sin and Diaries of Jehol (Yeolha Ilgi, 1780) by Park Ji-won. Unfortunately, a great majority of these personal records remain unknown to the world. Such great records have not been given an opportunity to be documented properly, but are left outside public attention, abandoned to be damaged and destroyed. Few personal diaries of the Joseon period were written on good-quality paper. After the death of their authors, these diaries were left to be kept by their descendants; this explains why many of these records have been in poor condition, particularly when compared with the public records published by the government of Joseon, such as Sillok and Uigwe, even when these were lucky enough to be taken care of by the authors' descendants. Even after surviving a long time, many of these personal records remain in the form of manuscripts, written in semi-cursive and cursive scripts of Chinese characters, thus making it even more difficult for the people of the current generation -- most of whom have not been given an opportunity to learn Chinese characters at school -- to take care of their documentary heritage properly. Meanwhile, it is also true that, as the value of the public records published by the government of Joseon as historical materials has grown, they are used more often as content for TV dramas such as Daejanggeum. At the same time, there have been increasingly louder voices citing the need for the study, preservation, and management of the personal diaries from Joseon. Considering the situation, this study provides a general overview of the personal diaries of Joseon as recently surveyed by the National Research Institute of Cultural Heritage, as well as their characteristic features, subjects, and backgrounds. This study is expected to contribute to future research on the preservation and management of the personal diaries of Joseon.

• Proceedings of the Korea Society of Design Studies Conference
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• 2003.05a
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• pp.48-49
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• 2003

• Korean Journal of Heritage: History & Science
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• v.54 no.3
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• pp.52-67
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• 2021

This study is an attempt to explore the roles of and the collaborative relationship between Daheojang and Maedeupjang. Daheojang and Maedeupjang share a similar manufacturing process. However, in modern times, Daheojang totally disappeared, and Maedeupjang was designated as an intangible cultural property. The present study will investigate the role of Daheojang and Maedeupjang based on the literature of the Joseon dynasty. Daheojang were craftsmen who made bands and strings of woven or twisted silk strands. They made mangsu and tassels or made knots to produce magnificent artifacts. Maedeupjang complete all steps of the process, from refining, dyeing, combining threads, daheo, maedeup, to the tassel. Daheojang in the Joseon dynasty was the center of this process. Daheojang belonged to almost all Uigwe because it used items ranging from large uso to cushion straps. Dahoe is a craft with various items and techniques. It has been widely used to produce majestic items like formal dresses, ritual ceremony pieces, and mountings, as well as daily items like jodae, pocket straps, and norigae. Based on the records of Uigwe in the late Joseon dynasty, the study explored the collaborative relationship between Daheojang and Maedeupjang. Sambang, the room where both Daheojang and Maedeupjang belong, was the room to produce the royal chair. The royal chair essentially includes large uso. The large uso is an artifact that ties a knot in a thick circle more than two meters long. While Daheojang made rounded daheo, Maedeupjang made delicate and balanced knots. Also, they produced royal inscriptions together with a royal seal with decorative mangsu and a seal of thick rounded daheo. In order to learn about traditional technology, it is necessary to study the system of the times and social trends. Therefore, the study focused on Daheojang, who were common master craftsmen during the Joseon dynasty but now are not familiar to most people.

• Journal of the KSME
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• v.44 no.1
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• pp.22-26
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• 2004

역사적으로 한 시대를 풍미한 나라 중에 조선산 업이 발달하지 않은 나라가 없었다는 점에서 알 수 있듯이, 예로부터 조선산업은 한 나라에서 가 장 중요시되는 산업 중의 하나였다. 특히 국가간, 대륙간 교역이 점점 더 큰 규모로 성장하고 있는 현대 사회에서 바닷길을 이용하지 않고는 교역자 체에 한계가 있기 때문에 조선산업의 발전이 필연 적이라고 볼 수 있다. 20세기 중반까지 유럽, 특히 영국이 지니고 있던 조선산업의 주도권을 1950년 대 중반 일본이 물려받으면서 일본 산업 전체가 비약적인 발전을 이루었고, 이를 계기로 현재 태 평양시대의 선두로서 세계 경제를 이끌고 있는 것 이다. 한국의 조선산업도 1970년대 초반 정부의 강력한 중화학공업 육성 정책의 일환으로 적극 장려되어, 세계 조선 시장에 본격적으로 참여한 지 10여 년이 지나지 않아 기존 조선국들을 누르고 일본에 이어 세계 2위의 조선강국을 이루었고, 지 난 해의 경우에는 수주량으로 보았을 때 44%의 점 유율로 한국이 일본을 크게 앞지르게 되었다. 이번호 인터넷정보는 새해를 맞아 국가경제를 굳건 히 지탱하고 있는 전통 산업인 조선산업의 현황과 전망에 대하여 알아본다.

• Industry Promotion Research
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• v.5 no.2
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• pp.27-32
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• 2020

This study is a study on the size of the stone statues of the royal tombs in the Joseon Dynasty. In summary, the size of the stone statues of Moon, Inseok and Unmanned Stone increased in the 1600s and then decreased slightly in the 1700s, but increased in size in the 1800s. It was confirmed that the average analysis result. The statue of Seok-in of the Royal Tombs of the Joseon Dynasty reflects the characters of the time, and through this, the typical figures of the times can be examined. The royal tomb has consistency and uniqueness, and the norms regarding the size of stone statues have changed over time. As a building of the authoritative symbol of the ruling class, it was a national construction where royal tombs were built according to rituals and laws. It is said that the size of the stone statues in the Joseon Dynasty was about 90cm smaller than the stone statues of the tombs. In this study, the significance of this study is to confirm the stone size of each stone age in the royal tomb of Joseon.

• (The) Research of the performance art and culture
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• no.33
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• pp.9-31
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• 2016

Shin Gwang-su (申光洙, 1712~1775), also known as Seokbuk (石北), is a well-known poet and author of the song poetry (詩唱) "Gwanseo-akbu (Poems of the Gwanseo Region, 關西樂府)" in the late Joseon Dynasty. "Gwanseo-akbu" was popular among the Joseon Dynasty musicians. This fact confirms that the tradition of adding a melody to Shin Gwang-su's "hansi (Korean poetry recorded in Chinese characters, 漢詩)" already existed in the Joseon Dynasty. It is also a proof that the hansi poem was used in songs. Besides Seokbuk, other literary figures in the Joseon Dynasty wrote and sang hansi. In that case, the place of communication for songs was a poet's personal study, or "sarangbang." But when, like the works by Seokbuk, poems were sung by musicians, they became available to the public to communicate through music. This study is one of the attempts to re-make Seokbuk Shin Gwang-su's poems and songs, once popular among the Joseon Dynasty people, into the contemporary music that can be performed on stage. By adding a certain melody to his poems, this study introduces a case of musical work and offers an opportunity to consider hansi as performance art. There is a number of hansi works by Shin Gwang-su, and each poem includes material which can help survey Shin Gwang-su's musical life. And, working on his hansi works makes it possible to narrate major events that took place in Shin's life. Thus, this study attempts to focus Shin Gwang-su's musical life and introduces methods and contents to stage his hansi poems as performance art.

• Defense and Technology
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• no.3 s.133
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• pp.20-33
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• 1990

우리나라 조병기술 발전의 자취를 살펴, 미래상 정립에 일조를 함은 물론 관계인사 미 독자 여러분께 좋은 자료로서 제공하고저, 본 지 창간 11주년기념 특집시리즈로서 꾸며 보았습니다. 이 글은 총 3편으로 구성되며, 조선시대부터 1980년까지를 대상으로 하였습니다. 지난 '90년 1월호(통원 제131호)에서는 조선시대부터 창군초기까지를 살펴보았으며, 이번 호는 휴전이후인 1954년에서 ADD 창설이전까지를 위주로 다루었습니다. 다음 호에서는 국방과학연구소(ADD)의 설립배경과 초창기 연구개발 활동을 중심으로 꾸며볼 계획입니다

• Proceedings of the KAIS Fall Conference
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• 2010.11a
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• pp.209-211
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• 2010

본 논문에서는 기존의 환경교육용 프로그램과의 차별성을 두어 단순한 가상현실을 이용한 전통문화 체험학습이 아닌, 조선시대의 자연환경과 주거환경 모습을 가상현실로 재현하여 사용자 스스로 현재의 자연환경과 조선시대의 환경변화 모습을 학습하고 원인과 해결방안을 모색 할 수 있는 3D 환경교육용 콘텐츠를 설계 및 구현하는데 그 목적이 있다.

• Proceedings of the KAIS Fall Conference
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• 2011.05a
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• pp.214-216
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• 2011

본 눈문에서 구현된 가상현실 콘텐츠는 조선시대의 자연환경과 주거환경을 문헌을 토대로 구현하였으며, 이를 통하여 교육 대상자가 가상현실을 체험함으로써 조선시대의 자연환경과 현재의 자연환경을 비교하여 스스로 수질오염의 원인과 해결 방안을 모색할 수 있도록 개발하였으며, 나아가 환경인식 변화에 기여하고자 한다.

• Proceedings of the KAIS Fall Conference
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• 2009.05a
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• pp.47-49
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• 2009

본 논문은 기존의 가상현실을 이용하여 환경교육용 프로그램과의 차별성을 두어 단순히 가상현실을 이용한 전통문화 체험학습이 아닌, 조선시대의 자연환경과 주거환경 모습을 가상현실로 재현하고 각계 전문가의 고증을 통해 작성된 시나리오를 바탕으로 사용자 스스로 현재의 자연환경 변화의 모습과 조선시대의 환경변화 모습을 비교 학습하고 원인과 해결방안을 모색 할 수 있는 환경교육용 가상체험 프로그램을 제작하는데 그 목적이 있다.