• Proceedings of the Korean Institute of Landscape Architecture Conference
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• 2010.03a
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• pp.125-128
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• 2010

• Proceedings of the Korean Institute of Landscape Architecture Conference
• /
• 2010.03a
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• pp.129-132
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• 2010

• Proceedings of the Korean Institute of Landscape Architecture Conference
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• 2012.10a
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• pp.68-71
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• 2012

• Proceedings of the Korean Institute of Landscape Architecture Conference
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• 2010.11a
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• pp.129-132
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• 2010

• Proceedings of the Korean Institute of Landscape Architecture Conference
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• 2023.10a
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• pp.25-26
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• 2023

• Proceedings of the Korean Institute of Landscape Architecture Conference
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• 1999.03a
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• pp.54-55
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• 1999

• Proceedings of the Korean Institute of Landscape Architecture Conference
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• 2014.03a
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• pp.39-40
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• 2014

• Journal of the Korean Institute of Landscape Architecture
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• v.20 no.3
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• pp.79-92
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• 1992

본 연구는 모더니즘이 현대서양조경에 어떠한 영향을 미쳤는가에 대한 고찰이다. 모더니티와 모더니즘의 개념규정을 통하여, 모더니즘조경의 특징과 전개과정, 그리고 그 문제점들을 분석한다. 그 결과로 모더니즘조경 은 그 형태와 기법을 현대미술, 건축에서 많이 원용한 채 모방의 수준에 머무르고 있음이 밝혀졌으며, 이러한 한계성은 앞으로 모더니즘조경 자체 의 미학을 정립해야 한다는 과제를 남겨주게 된다.

• Journal of the Korean Institute of Landscape Architecture
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• v.45 no.4
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• pp.71-80
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• 2017

Landscape design pursues a balance among different values in our society, but aesthetic value and ecological value in landscapes must bring complex relationships into harmony. Ecological aesthetics can be defined as a domain of study that manages the relationship between landscape ecology and landscape aesthetics to create aesthetically attractive and ecologically beneficial landscapes. Despite the importance of the research area, there has been limited empirical research addressing ecological aesthetics. This article aspires to connect and expand the conceptual framework to the research methodologies of ecological aesthetics. First, this study suggests a conceptual framework that examines the relationship between landscape and perceptual process in the context of ecological aesthetics. This framework stresses the importance of information and design intervention as moderators in this relationship. From this framework, three key topics in ecological aesthetics arise: (1) correlation between ecological integrity and aesthetic preference, (2) "compromised" design and management intervention principles that enhance aesthetic pleasure and still have biodiversity, and (3) the impact of information intervention in aesthetic experience. The framework indicated three domains affect each other; thus, when one domain is studied, the other two need to be considered. Secondly, several theoretical and empirical studies on ecological aesthetics will be reviewed from a methodological point of view. This will help to consider ecological aesthetics research, which has primarily been limited to theoretical discourse in empirical research.

• Journal of the Korean Institute of Landscape Architecture
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• v.40 no.4
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• pp.78-89
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• 2012

This study aimed to interpret aesthetic properties of post-industrial parks with a perspective of the sublime. It examined the roles of the sublime related to landscape architectural history and traced aesthetic characteristics of post-industrial parks based on aesthetic issues of the sublime. In the history of landscape architecture, the sublime had expanded the scope of aesthetic enjoyment. It had operated as an alternative aesthetic category against conventional landscape design. At the same time, it had been associated with the original role of landscape architecture, which created artworks by taming wild and terrible qualities of wilderness or brown field. This study discovered sublime characteristics of post-industrial parks, inquiring into the relationship between the aged industrial infrastructures and wild plants. First, the sense of industrial structure and the sense of plants have conflict dialectically, constructing an aesthetic field of unique sensory experiences. Second, the dialectical relationship produced an uncertainty in time so that people can experience the complexity of time. Third, post-industrial parks proposed an alternative view of nature. Post-industrial parks presented healing power to restore contaminated land through ecological design strategy so that people can find the quality of wilderness in the brown field of urban landscape. As a result, an aesthetic experience of post-industrial parks produced a sublime impression.