• Journal of the Institute of Electronics Engineers of Korea SP
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• v.44 no.1
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• pp.105-113
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• 2007

In this paper, we propose the matching pursuit with damping factors, a new sinusoidal model improving the matching pursuit, for the codecs based on sinusoidal model. The proposed model defines damping factors by using a correlativity of parameters between the current and adjacent frame, and estimates sinusoidal parameters more accurately in analysis frame by using the matching pursuit according to damping factor, and synthesizes the final signal. Then it is possible to model efficiently without interpolation schemes. The proposed sinusoidal model shows a better speech quality without an additional delay than the conventional sinusoidal model with interpolation methods. Through the SNR(signal to noise ratio), the MOS(Mean Opinion Score), LR(Itakura-Saito likelihood ratio), and CD(cepstral distance), we compare the performance of our model with that of matching pursuit using interpolation methods.

• The Journal of the Acoustical Society of Korea
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• v.20 no.2
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• pp.77-85
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• 2001

This paper proposes a method of time-scale modification of polyphonic audio signals based on a sinusoidal model. The signals are modeled with sinusoidal component and noise component. A multiresolution filter bank is designed which splits the input signal into six octave-spaced subbands without aliasing and sinusoidal modeling is applied to each subband signal. To alleviate smearing of transients in time-scale modification a dynamic segmentation method is applied to subbands which determines the analysis-synthesis frame size adaptively to fit time-frequency characteristics of the subband signal. For extracting sinusoidal components and calculating their parameters matching pursuit algorithm is applied to each analysis frame of subband signal. In accordance with spectrum analysis a psychoacoustic model implementing the effect of frequency masking is incorporated with matching pursuit to provide a resonable stop condition of iteration and reduce the number of sinusoids. The noise component obtained by subtracting the synthesized signal with sinusoidal components from the original signal is modeled by line-segment model of short time spectrum envelope. For various polyphonic audio signals the result of simulation shows suggested sinusoidal modeling can synthesize original signal without loss of perceptual quality and do more robust and high quality time-scale modification for large scale factor because of representing transients without any perceptual loss.

• The Journal of the Acoustical Society of Korea
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• v.19 no.4
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• pp.58-68
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• 2000

This paper proposes a sinusoidal modeling of polyphonic audio signals. Sinusoidal modeling which has been applied well to speech and monophonic signals cannot be applied directly to polyphonic signals because a window size for sinusoidal analysis cannot be determined over the entire signal. In addition, for high quality synthesized signal transient parts like attacks should be preserved which determines timbre of musical instrument. In this paper, a multiresolution filter bank is designed which splits the input signal into six octave-spaced subbands without aliasing and sinusoidal modeling is applied to each subband signal. To alleviate smearing of transients in sinusoidal modeling a dynamic segmentation method is applied to subbands which determines the analysis-synthesis frame size adaptively to fit time-frequency characteristics of the subband signal. The improved dynamic segmentation is proposed which shows better performance about transients and reduced computation. For various polyphonic audio signals the result of simulation shows the suggested sinusoidal modeling can model polyphonic audio signals without loss of perceptual quality.

• The Journal of the Acoustical Society of Korea
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• v.22 no.2
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• pp.96-103
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• 2003

This paper describes a method for sinusoidal modeling of audio signals using perceptually weighted matching pursuit. Matching pursuits extracts iteratively the greatest energy signals from the input signals until the residual between the original and the reconstructed signal is zero. In this paper, perceptual matching pursuits using psychoacoustic model to matching pursuit extracts greatest perceived energy iteratively. To evaluate the performance of the perceptual matching pursuits it is compared with the sinusoidal matching pursuits which is not included perceptual weighting. For various audio signals the result of simulation shows that the perceptual matching pursuit is superior to the sinusoidal matching pursuits, especially for a high change rate in time domain it can synthesized original signal.

• Proceedings of the IEEK Conference
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• 2000.09a
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• pp.123-126
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• 2000

STC(Sinusoidal Transform Coding) 방식은 음성신호의 주파수 영역에서 스펙트럼 피크치들을 정현파로 모델링하여 합성하는 방식을 말한다. 저전송률 STC 방식에서는 전송되는 정보량을 줄이기 위해 스펙트럼 피크를 대신해 음성신호의 스펙트럼 포락선 정보와, 피치정보를 이용하여 얻어지는 고조파 성분들을 정현파로 모델링하여 음성을 합성한다. 본 논문에서는 음성신호의 정현파 모델에 기반하여 2.4kbps 전송속도를 갖는 음성부호화 알고리즘을 제안하였으며, 실험결과로 합성음의 파형과 스펙트럼 특성, 위상특성, 그리고 MOS(Mean Opinion Score) 테스트를 이용한 합성음의 음질을 비교/분석 하였다.

• The Journal of the Acoustical Society of Korea
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• v.28 no.6
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• pp.526-533
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• 2009

This paper proposes a formant synthesis method of Haegeum sounds using cepstral envelope for spectral modeling. Spectral modeling synthesis (SMS) is a technique that models time-varying spectra as a combination of sinusoids (the "deterministic" part), and a time-varying filtered noise component (the "stochastic" part). SMS is appropriate for synthesizing sounds of string and wind instruments whose harmonics are evenly distributed over whole frequency band. Formants extracted from cepstral envelope are parameterized for synthesis of sinusoids. A resonator by Impulse Invariant Transform (IIT) is applied to synthesize sinusoids and the results are bandpass filtered to adjust magnitude. The noise is calculated by first generating the sinusoids with formant synthesis, subtracting them from the original sound, and then removing some harmonics remained. Linear interpolation is used to model noise. The synthesized sounds are made by summing sinusoids, which are shown to be similar to the original Haegeum sounds.

• Proceedings of the KAIS Fall Conference
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• 2004.11a
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• pp.114-117
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• 2004

본 논문에서는 합성에 의한 분석(Analysis-by-Synthesis) 및 가산중첩(Overlap-Add) 방식을 채택하고 있는 음성신호의 AbS/OLA 정현파 모델에 웨이블릿 변환을 적용한 새로운 모델을 제안하였다. 즉, 기존의 모델에 웨이블릿 변환을 적용하여 입력신호를 몇 개의 부대역 신호로 나눈 다음 각각 다른 길이의 분석 윈도우를 적용한다. 이는 기존 모델의 정현파 파라미터 추출 시 고정된 길이의 분석 윈도우를 이용하는 단점을 극복하여 좀 더 정확한 파라미터 추출을 가능하게 한다. 시험결과 제안된 정현파 모델이 기존 모델에 비해 합성음의 스펙트럼 및 위상 특성, 음질 등에서 성능이 개선됨을 확인할 수 있었다.

• Proceedings of the Acoustical Society of Korea Conference
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• autumn
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• pp.33-36
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• 1999

본 논문에서는 기존의 text-to-speech(TTS) 합성방식이 미리 정해진 화자에 의한 단조로운 합성음을 가지는 문제를 극복하기 위하여, 임의의 화자의 음색을 표현할 수 있는 화자 변환(Voice Conversion) 기능을 구현하였다. 구현된 방식은 화자의 음향공간을 Gaussian Mixture Model(GMM)로 모델링하여 연속 확률 분포에 따른 화자 변환을 가능케 했다. 원시화자(source)와 목적화자(target)간의 특징 벡터의 joint density function을 이용하여 목적화자의 음향공간 특징벡터와 변환된 벡터간의 제곱오류를 최소화하는 변환 함수를 구하였으며, 구해진 변환 함수로 벡터 mapping에 의한 스펙트럼 포락선을 변환했다. 운율 변환은 음성 신호를 정현파 모델에 의해서 모델링하고, 분석된 운율 정보(피치, 지속 시간)는 평균값을 고려해서 변환했다. 성능 평가를 위해서 VQ mapping 방법을 함께 구현하여 각각의 정규화된 켑스트럼 거리를 구해서 성능을 비교 평가하였다. 합성시에는 ABS-OLA 기반의 정현파 모델링 방식을 채택함으로써 자연스러운 합성음을 생성할 수 있었다.

• The Journal of the Acoustical Society of Korea
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• v.40 no.5
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• pp.473-478
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• 2021

Vibrato corresponds to a modulation of frequency and is one of the most frequently used techniques to enrich vocal and musical instrument sounds. Whereas the fundamental frequency trajectories of vibrato tones are generally modeled as a sinusoid, they are sometimes observed to be non-sinusoidal. In this paper, we propose a method to analyze the characteristics of non-sinusoidal fundamental frequency trajectories of vibrato sounds. The proposed method performs Fast Fourier Transform (FFT)-based harmonic analysis on the frequency trajectory, analyzes vibrato parameters, and calculates a sinusoid purity factor. We applied the proposed method to flute, viola, and saxophone vibrato tones, whose results showed the effectiveness of the proposed method.

• Proceedings of the Acoustical Society of Korea Conference
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• autumn
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• pp.185-188
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• 1999

음향 신호의 모델링방법은 크게 분석,해석,합성의 3가지 과정으로 나눌 수 있다. 본 논문에서는 분석과 합성에 가산 합성방법의 한가지인 Analysis-by-synthesis/overlap-Add 방법을 사용한다. 그리고 해석에 해당하는 주파수 영역에서의 피크추출은 제안한 방법에 의한다. 제안한 피크 추출 방법은 고조파 성분이 기본 주파수의 정수배가 된다는 점을 고려하여 적은 연산량으로 음향학적으로 의미있는 순음을 검출하는 방법이다. 음질보다 연산량에 더 주를 두었지만 모의 실험 결과를 통하여 음질 면에서도 원음과 거의 차이가 없음을 알 수 있었다.