• Title/Summary/Keyword: 정원 식물

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Analysis of the Importance of Planning Elements for Healing Gardens (치유정원 조성을 위한 계획요소의 중요도 분석)

  • Jung, Myoung-Ja;Park, Won-Kyu
    • Journal of the Korean Institute of Landscape Architecture
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    • v.45 no.4
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    • pp.81-91
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    • 2017
  • The purpose of this study is to establish a system of planning elements necessary for effective healing garden. We suggested new planning parts and elements for healing garden through analyzing prior literature and evaluated the importance of planning elements through expert surveys. The results of the study are stated as follows. First, we suggested five planning parts and 19 planning elements. $\LARGE{\cdot}$ Planning parts: Physical environment, social environment, cognitive environment, functional environment, psychological environment. $\LARGE{\cdot}$ Planning elements: Plant planting, garden view, hydroponic space, shade space, work space, recreation space, community space, exercise space, landmark element, sign system, safe facilities and materials, disaster safety facility, universal design, accessible path, economical maintenance, sight openness, privacy guaranteed, variety of resting space, artistic element. Second, as a result of analyzing the importance of planning elements, the first place was the planting, the second place was the safety facilities for the disaster, and the third was diversity of rest space. In addition, the artistic elements and the landmark elements were ranked 18th and 19th, respectively. Third, we evaluated the level of importance of planning elements and classified it into three groups. The most important A group included two elements(plant planting, disaster safety facility), the next important B group included eleven elements(variety of resting space, community space, hydroponic space, universal design, safe facilities and materials, economical maintenance, accessible path, privacy guaranteed, garden view, work space, sight openness) and the less important C group included six elements(shade space, exercise space, recreation space, sign system, artistic element, landmark element). We suggest that, in creating a healing garden, the two elements in A group are essential elements and the eleven elements in B group should be importantly applied. In addition, the six elements in C group are recognized as arbitrarily selectable elements due to the relatively low importance levels.

A Study on the Roman Garden Vision in Pliny the Elder's the Natural History (대 플리니우스의 「자연사」에 나타난 고대 로마의 정원관 연구)

  • Hwang, Juyoung
    • Journal of the Korean Institute of Landscape Architecture
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    • v.51 no.5
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    • pp.57-69
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    • 2023
  • This study investigates the garden vision of the Ancient Rome, focusing on garden literature in the Natural History by Pliny the Elder. Ancient Roman garden's types, character, and forms greatly influenced the development of later Western gardens, to which the practical and professional texts of Pliny the Elder and others contributed. This study explores the garden visions projected in these texts, with an introduction of Roman garden forms and stylistic features. The Natural History and other garden and agricultural texts written during the Ancient Roman period are characterized by their focus on practical production spaces rather than abstract nature or garden art. In the Natural History, Pliny described botanics in terms of usefulness rather than pleasure, and his discussion is premised on the practical hortus. In ancient Roman society, gardens were not only spaces for practical production and relaxation, and places to reproduce or realize the ideals of Roman rulers and intellectuals, including Pliny. They shared the episteme that sought to encompass knowledge of the entire world they ruled and, in doing so, realize their vision of the Roman Empire. Through the Natural History, Pliny sought to embrace useful knowledges of his time into the vast civilized world of the Roman Empire, and the garden was an important place to practice this ideal.

조경수의 해충-능소화를 가해하는 해충

  • 최광식
    • Landscaping Tree
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    • s.105
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    • pp.15-17
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    • 2008
  • 7월이면 도심의 벽 울타리를 따라 화려하게 꽃으로 장식하며 우리의 마음을 한결 가볍게 해주는 능소화는 중국 원산으로 낙엽활엽의 덩굴성 식물로 주로 중부 이남 지역에서 사찰의 관상용으로 식재하였으나 요즘은 전국 어디서나 쉽게 볼 수 있고, 사람들에게 많은 사랑을 받고 있는 식물이다. 특히 도심의 고건축물이나 휴식공간에 식재하면 나팔 모양의 꽃과 색상이 화려하면서 점잖고 기품이 있어 동양적인 아름다움을 함께 누릴 수 있는 나무이다. 또한 공해에도 비교적 강하기 때문에 도심의 정원수나, 조경수로 보급 가능하다. 해풍과 염기에 강하며 해안지역에서도 잘자라며 비옥한 사질양토에서 생장이 좋다. 이런 능소화를 가해하는 해충으로 뒷노랑얼국나방과 미국흰불나방 등이 피해를 주고 있어 이들에 대한 생태 및 방제법을 간략하게 소개하고자 한다.

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An Outstanding Universal Value and the Management of Historic Gardens in Suzhou, China (쑤저우 정원의 세계유산 OUV와 보호관리의 운영방식)

  • Park, Hee-Soung
    • Journal of the Korean Institute of Traditional Landscape Architecture
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    • v.37 no.1
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    • pp.76-84
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    • 2019
  • This study was conducted for the purpose of examining the Outstanding Universal Value, World Heritage Values, in Suzhou classical gardens and the operational method of the protection management of historic gardens, and the results of the study are as follows; The first, as a world heritage, Suzhou gardens proved OUV by showing the taste and lifestyle of the literati, the unique class of Chinese history, to the natural environment of the East Yangtze Delta region. In addition, it showed the exchange of international culture with unique Chinese garden techniques. Second, a authentic reconstruction of garden have original value because it exist records of the near past. The 20th-century archives described by the contemporary language and describing the heritage through images using such media as photography and drawing played a decisive role in restoring gardens. Third, the protection management of Suzhou gardens, which began in the 1950s, was carried out in detail, including the reconstruction of components such as buildings, the restoration of plant materials and horticulture technique, the creation of a list through the records of trees, the maintenance of props such as plaque, furniture, and the project to improve water quality and restore waterscape. The last, after the World Heritage inscribing, Garden's protection management was proceeded in two directions. One is that through the reorganization of the administrative management system and the enactment of laws related to Suzhou classical Gardens, the listing heritage is strictly protected and managed, and the other is that the historical gardens are used to establish urban masterplan and urban identity in Suzhou. The range of garden properties greatly expanded by distinguishing the principle of conservation from protection to rational use and the grade of protection, such as whole protection, maintenance protection and protection of historical sites.

Effects of Extract of Melia azedarach on Plant Growth (멀구슬나무 추출물의 추출 공정 개발 및 식물 생장에 미치는 영향)

  • Heami Sung;Wonchul Jung;Insoon Hwang
    • Proceedings of the Plant Resources Society of Korea Conference
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    • 2020.08a
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    • pp.73-73
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    • 2020
  • 멀구슬나무 추출물이 식물 생장과 발달에 주는 영향을 알아보기 위해 멀구슬나무의 추출 공정 개발을 통한 추출 조건을 최적화, 항산화능, 페놀함량, 아미노산 함량을 분석 하였으며 식물에서 생장 증식률을 평가 하였다. 추출 공정을 표준화하기 위해 물과 에탄올 비율별 추출 및 수율을 확인한 결과 25% 에탄올 추출물에서 22%로 가장 높은 수율을 보였으며, 항산화능 평가 결과 DPPH, ABTS 모두 25% 에탄올 추출물이 다른 추출물과 비교 시 유사 하거나 높은 활성을 나타냈다. 또한 폴리페놀 함량 분석 시, 25% 에탄올 추출물에서 4.6 g/100g으로 가장 높은 함량을 보였다. 아미노산 함량 분석 시, 식물의 성장 성분인 glutamic acid와 식물의 수정을 돕는 성분인 prorine 함량이 높은 수치로 확인되었다. 이와 같은 결과를 토대로 멀구슬나무 25% 에탄올 추출물의 식물 생장능을 확인하기 위해 pot 시험을 수행하였다. 을 이용한 식물 생장 시험을 진행하였다. 그 결과, 멀구슬나무 추출물을 처리한 군이 하지 않은 control 군에 비해 입면적과 높이가 증가 하였으며 새순의 수가 더 증가하여 식물 생장능을 확인 하였다.

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Interpretation of C.C.L.Hirschfeld's Theory of Garden Art in Contemporary Meaning and Its Significance (히르시펠트(C.C.L.Hirschfeld) 정원예술론의 의미와 가치의 현대적 해석)

  • Zoh, Kyung-Jin
    • Journal of the Korean Institute of Traditional Landscape Architecture
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    • v.32 no.3
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    • pp.58-68
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    • 2014
  • Christian Cay Lorenz Hirschfeld is often regarded as 'a father of landscape garden art.' He was an aesthetics professor and garden theoretician in the $18^{th}$ century. He put forth the most comprehensive garden theory book in five volumes between 1779 and 1785. His book, Theorie der Gartenkunst, was translated and widely circulated in his contemporary. The book, which dealt with diverse aspects of garden art such as history, design, material, and type, urged to promote the prevalence of landscape garden in European continents as well as in Germany. However, there have scarcely been discourses in the Hirschfeld's garden theory. This essay aims to review Hirschfeld's garden thoughts in his book critically and to reinterpret some issues in the contemporary landscape theory and practice. Hirschfeldian theory was the product of $18^{th}$ century German Enlightenment and romanticism. At that time, Nature was regarded as divine realm. There was a German affinity with natural world. The spread of reading culture and the fashion of travel literature were another background of the success of his garden literature. Several issues in Hirschfeld garden theory will discussed here. First, privileging garden art was the most significant contribution in his theory. He emphasized that garden art was the most advanced art form among all art genres. Second, garden art was grounded on the mimesis of nature. The ambiguous relationship between nature and art still existed in garden making. However, garden art can be flourished when utilizing the potency of nature in itself. Third, there was the association between the image and the idea in experiencing the garden. Some garden scenes stimulated the related emotional responses such as cheerful and merry, softly melancholic, romantic, solemn etc. Fourth, the movement was the essential aspect of garden art. Motion and emotion are come together in garden experience. To represent the landscape garden style in suitable way, the sketch or image seems to be preferable than the plans and views. Finally, garden art was composing of not only the physical space but also the spirit of place. He maintained the garden art as hortus moralis should be a social metaphor. Hirschfeldian garden theory has often been criticized as the lack of practical power and the old fashioned idea. However, his theory influenced on formulating the idea of public park in $19^{th}$ century. Moreover, there are still some visionary aspects of his theory such as the reevaluation of garden art, the emphasis of locality and the introduction of Mittelweg idea. Recently, gardening culture are prevalent in various realms of art and life. Hirschfeld's garden theory as humanistic landscape theory can provide us some insights in the contemporary practices.