• Korean Architects
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• s.624
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• pp.78-83
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• 2021

• Korean Architects
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• s.626
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• pp.84-89
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• 2021

• Korean Architects
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• s.628
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• pp.84-89
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• 2021

• Korean Architects
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• s.658
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• pp.54-59
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• 2024

• Korean Architects
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• no.1 s.333
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• pp.124-126
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• 1997

안산시는 시민을 위한 사회, 문화적 기반시설의 확충으로 사회체육활동 공간과 지역 주민의 공동체 의식을 확립할 수 있는 장으로 시민건강 증진을 위한 종합운동장 건립을 추진, 현상설계경기를 실시하여 지난 96년 10월16일 아도무건축(장석웅)안을 당선작으로 선정, 발표했다. 가작으로는 공간건축(정종영)안과 유신건축(김지덕)+제일건축(정원심)안이 선정됐다. 본지에서는 당선작과 가작 중 공간건축안을 게재한다.

• Journal of the Korea Academia-Industrial cooperation Society
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• v.10 no.4
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• pp.846-851
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• 2009

This study is to look into the spatial cognition of modern space in the nineteenth century and it is on the purpose of understanding the character of the modem architectural space and of showing the modern architectural space connected with modem society and its everyday life. Especially, fur understanding the spatial cognition of modern space, the Landscape Gardens will be analyzed. The reason for analyzing is that the Landscape Gardens are important theme in the nineteenth century and have great influence on whole European architecture and city. The Landscape Garden produce several modern spaces, that are (1) space of dynamic vision, (2) space of panorama, (3) space of spectacle. These spaces make modem cognition of space and pervade the space of everyday life in the nineteenth century. As a result, the modern spaces and their cognitions are in deep relation to modern society and its everyday life, and unique characters of that spaces are origin of the modem architecture and its space.

• Korean Architects
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• s.639
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• pp.122-127
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• 2022

• Journal of the Architectural Institute of Korea Planning & Design
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• v.35 no.8
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• pp.81-88
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• 2019

Although small but eye-catching outdoor constructions are generally called follies in contemporary architecture, French landscape researchers found different features of the fabrique, which they called separately from the folly. Unlike the 18th-century English gardens, in which the landscape itself was emphasized more than decorative structures in it, French fabriques actively made the atmosphere of picturesque gardens. In this background, this paper, from the architectural point of view, studied the 18th-century garden theories in both Britain and France, which might influence the formation of the fabrique. Then, it tried to analyze the features of French major picturesque gardens and their fabriques, relating them to painting, drama, and culture. In conclusion, this study, focusing on the relationship between the garden and its fabriques or follies, compared the different features between the English landscape gardens and the French picturesque ones in the 18th century.

• Korean Architects
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• s.654
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• pp.28-33
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• 2023

자연과 건축의 관계를 탐닉해 온 아키텍트 마우리시오 페소(Mauricio Pezo)와 소피아 본 에릭사우센(Sofia bon Ellrichshausen), 그리고 안톤 가르시아 아브릴(Anton Garcia-Abril)이 한국을 찾았다. 서울도시건축비엔날레 참여, 메덩골 정원 내 건축물 진행 상황 확인, 홍익대학교 강연 등 바쁜 일정 속에서도 건축 미학과 작품에 대한 이야기를 나누는 시간을 가졌다.

• Journal of the Korean Institute of Traditional Landscape Architecture
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• v.36 no.1
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• pp.67-77
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• 2018

This study investigated the recognition of Koreanesss, preference factors and the difference of recognition from adjacent Chinese and Japanese gardens for foreign visitors of Seoul gardens, a Korean traditional garden located within the Marzahn garden in Berlin, Germany. Overall, the Chinese garden and the Japanese garden were better known to most visitors than the Seoul garden due to their earlier construction. The awareness of the specialty to the Korean garden was at an average level indicating most visitors did not recognize the difference among the traditional gardens constructed from other countries. These less awareness on the Korean garden was because the traditional gardens of the three countries are located adjacent to the park in a continuous landscape with similar plant species created through natural planting techniques. This means the Korean garden is required for considering diversity and representativeness of planting species, uniqueness in space composition and recognition of Korean oriental garden culture in an initial design project stage. Visitors without prior information has better understanding on Korean garden and higher revisit intention resulting in increasing publicity and understanding of Korean traditional garden. Among the preference factors representing Koreaness of the Seoul gardens, the waterfall, stream, pavilion and natural stone within the water landscape were visitors favorite interests due to design concept with a representative Korean stream scenery of Dokrack-dang and Byeolseo garden resulting in differences from the landscape displaying technique for other oriental gardens. These stylistic differences in the dominant landscaping of garden architecture from surrounding the physical environments, the garden displaying technique derived from Korean natural landscape can be recognized as an unique garden element for foreign visitors.