• Journal of the Korea Convergence Society
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• v.10 no.8
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• pp.255-264
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• 2019

This study focuses on the recent turnover of film crews in Korean film industry. Determinants that could have a significant impact on the turnover of film crews are identified through empirical research, in order to seek measures to prevent the loss of experienced film crews. In order for respondents to verify research questions regarding turnover of the film crews, ordered logistic and marginal effects analysis using SPSS and STATA are conducted with the data obtained by surveying 402 film crews in various areas. Data analysis revealed that the variables that have a significant effect on the turnover of film crews are artists' identity, job rank, career barrier and job satisfaction. The characteristics of risk groups with high turnover can be concluded that they are low in job rank and have many career problems, poor job satisfaction and strong identity as a labourer rather than artist's identity. Based on the main findings, practical implications are discussed.

• Proceedings of the Korean Society of Computer Information Conference
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• 2014.07a
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• pp.267-268
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• 2014

본 연구는 뇌졸중 환자를 위한 다양한 심리치료법을 제시한 것이다. 현재 뇌졸중을 치료하기 위한 대표적인 방법은 물리치료이다. 그러나 환자의 심리적 측면을 고려한 다양한 심리치료법이 환자의 예후에 밀접한 상관관계가 있다는 연구결과가 나오고 있다. 이는 뇌졸중이 정서장애와 감각장애를 갖고 있기 때문이다. 이런 측면에서 볼 때 예술가, 상담가, 문예학자, 교육학자 등이 함께 참여한 뇌졸중 치료를 위한 디지털 콘텐츠 활용 방안이 필요하며, 이는 향후 뇌졸중 치료에 도움이 될 것이다.

• Journal of Korea Entertainment Industry Association
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• v.13 no.4
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• pp.27-37
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• 2019

This study empirically identified and sought implications for the degree of desire by film crews to participate in overseas production and the factors affecting them, based on the recognition that the active participation of skilled film crews in overseas production and joint ventures can be an alternative to the poor treatment of domestic film industry sites and the reduction of job losses due to problems with career barriers. In order for respondents to verify research questions, binomial logistic and marginal effects analysis using SPSS and STATA, the data obtained by surveying 402 film crews operating in various areas. The notable findings are as follow: First, about 65%(263 people) of the respondents expressed their desire to participate in overseas activity, indicating that a considerable number of film crews are looking forward to opportunities with overseas productions. Second, major factors that have a positive effect on film crews' need to participate in overseas activities have been found to be professionality, artistic identity, Korean Wave persistence, and career barriers. In other words, the higher the professionality, the more clearly the identity of the artist, the more positive expectations of the possibility of the Korean Wave continuing, and the more serious the problem of career disability, the clearer was the desire to participate in overseas production and joint-work activities.

• Journal of the Korea Society of Computer and Information
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• v.29 no.8
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• pp.77-84
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• 2024

In this paper, we design and implement an online exhibition application based on an Android platform that can showcase the artistic works of disabled artists. This application considers user convenience for disabled artists, particularly providing STT(Speech-to-Text) and TTS(Text-to-Speech) features for visually and hearing impaired individuals. Additionally, for the exhibition of works by disabled artists, the application implements disability certification during registration using disability certificates and registration numbers, ensuring that only authenticated disabled artists can exhibit their works. The database storing personal information of disabled artists and information about art pieces is implemented using MySQL. The server module utilizes RestAPI to transmit data in Json format. To address the large data size of art piece information, it is stored using Firebase Storage, eliminating data size limitations on the server. This application can alleviate issues such as a lack of exhibition space for disabled artists and a lack of communication with the general public.

• Journal of Science and Technology Studies
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• v.19 no.2
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• pp.169-206
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• 2019

This article seeks to explore new relationships and ethics of human and technology by analyzing a cultural imaginary produced by artificial intelligence. Drawing on theoretical reflections of the Feminist Scientific and Technological Studies which understand science and technology as the matter of care(Puig de la Bellacas, 2011), this paper focuses on the fact that artificial intelligence and robots materialize cultural imaginary such as autonomy. This autonomy, defined as the capacity to adapt to a new environment through self-learning, is accepted as a way to conceptualize an authentic human or an ideal subject. However, this article argues that artificial intelligence is mediated by and dependent on invisible human labor and complex material devices, suggesting that such autonomy is close to fiction. The recent growth of the so-called 'assistant technology' shows that it is differentially visualizing the care work of both machines and humans. Technology and its cultural imaginary hide the care work of human workers and actively visualize the one of the machine. And they make autonomy and agency ideal humanness, leaving disabled bodies and dependency as unworthy. Artificial intelligence and its cultural imaginary negate the value of disabled bodies while idealizing abled-bodies, and result in eliminating the real relationship between man and technology as mutually dependent beings. In conclusion, the author argues that the technology we need is not the one to exclude the non-typical bodies and care work of others, but the one to include them as they are. This technology responsibly empathizes marginalized beings and encourages solidarity between fragile beings. Inspired by an art performance of artist Sue Austin, the author finally comes up with and suggests 'artificial intelligence in wheelchair' as an alternative figuration for the currently dominant 'autonomous artificial intelligence'.