• Journal of Korea Multimedia Society
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• v.13 no.3
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• pp.475-486
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• 2010

Contents Recommender System predicts user's preferences towards contents, and then recommends highly-predicted contents to user. Digital Identifier plays its part in identifying abstract works or digital contents in digital network environment. Digital Identifier could be effectively used in content-based filtering and collaborative filtering that are mainly used in Contents Recommender Systems. Therefore, this paper proposes an improvement of UCI metadata and resolution service for effective use of UCI in massive contents recommender systems. UCI metadata is expanded by adding elements such as abstract, keyword, genre, age, rate and review. Resolution service allows the operation systems to collect user preference for content by including input part of preference in a result page. This paper also designs and implements an improved UCI operation system and shows that the proposed improvement of UCI metadata and resolution service could be used for massive contents recommendation.

• 한국HCI학회:학술대회논문집
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• 2006.02b
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• pp.442-449
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• 2006

탈 장르화와 영상의 다양화로 예술에서의 표현의 한계는 극대화 되고 있으며, 디지털 매체를 통한 인터랙션 역시 디지털 아트에서의 보편적인 표현 방법으로 전환 되었다. 예술에서의 상호작용은 보여주는 것에서 참여하는 것으로의 전환을 꿰 하고 있고, 디지털을 기반으로 한 다매체, 다중화가 이를 뒷받침 한다. 상호작용을 위한 디지털 아트 작품을 위해서는 센서를 이용한 표현방법들이 있으나, 기타의 센서도구를 사용치 않고, 단지 카메라로부터 입력된 신호만을 기반으로 영상과 관객의 상호작용을 끌어 낼 수 있다. 이를 위해서는 모션트레킹을 위한 알고리즘을 응용함으로써 사물의 밝기 값에 충족한 데이터를 만들어 낼 수 있고 그에 해당하는 밝기의 변환 값을 이용해 미세한 사물의 변화를 감지 할 수 있는 것이다. 이런 일련의 영상작업을 위해서는 사물의 움직임과 반복성을 얼마만큼 인지하고 감지 해내느냐고 관건인데, 다시 말해 한번 측정한 움직임이 있는 사물의 데이터도 프로그램상에서 계속하여 인지가 되어야 하고, 그 데이터 값을 영상으로 반환하여야 하는데, 이는 영상의 지속적인 변화를 가져 올 수 있다는 걸 의미한다. 따라서 본 논문에서는 모션 트래킹의 기본 알고리즘을 제시하고 영상작품과 인턱래션작품의 변환를 위해 사용된, 센서 대체도구인 웹 캠의 데이터 즉, 색상 값과 밝기 값을 적절하게 활용함으로써 표현의 다양성을 이끌어 내고 디지털 인터랙티브 작품으로써의 제작을 꾀하고자 한다.

• The Journal of the Acoustical Society of Korea
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• v.17 no.6
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• pp.43-53
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• 1998

본 논문에서는 한국어 TTS시스템을 위한 운율구 추출, 운율구 사이의 휴지 기간, 음소의 지속 시간 모델링 방법을 설명한다. 실험을 위해 여러 장르로 구성된 400문장을 선 정하고, 이를 전문 여성 아나운서가 발성하였다. 녹음된 음성 신호에 대해 음소 및 운율구 경계를 결정하고, 문장에 대해서는 형태소 분석, 발음표기 변환, 구문 분석을 수행하였다. 400문장(약33분) 중 240문장(약20분)을 이용하여 결정 트리 및 회귀 트리를 학습시킨 후, 160분장(약13분)에 대해 실험하였다. 운율 모델링을 위한 특징들이 제안되었고, 학습된 트리 들을 해석함으로써 특징들의 유효성이 평가되었다. 실험 문장에 대해 운율구 경계의 유무를 결정하는 결정 트리의 오류율은 14.46%이었고, 운율구 사이의 휴지 기간과 음소 지속 시간 을 예측하기 위한 회귀 트리들의 평균 제곱 오류근(RMSE)이 각각 132msec, 22msec이었다. 수집된 모든 자료(400문장)로 학습한 결과, 운율구 경계 결정 오류율, 휴지 기간 및 지속시 간 RMSE의 10-fold cross-validation 추정치가 각각 13.77%, 127.91msec, 21.54msec이었다.

• The Journal of The Korea Institute of Intelligent Transport Systems
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• v.6 no.2
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• pp.95-106
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• 2007

This paper proposes an effective tempo feature extraction method for music information retrieval. The tempo information is modeled by the narrow-band temporal modulation components, which are decomposed into a modulation spectrum via joint frequency analysis. In implementation, the tempo feature is directly extracted from the modified discrete cosine transform coefficients, which is the output of partial MP3(MPEG 1 Layer 3) decoder. Then, different features are extracted from the amplitudes of modulation spectrum and applied to different music information retrieval tasks. The logarithmic scale modulation frequency coefficients are employed in automatic music emotion classification and music genre classification. The classification precision in both systems is improved significantly. The bit vectors derived from adaptive modulation spectrum is used in audio fingerprinting task That is proved to be able to achieve high robustness in this application. The experimental results in these tasks validate the effectiveness of the proposed tempo feature.

• Cartoon and Animation Studies
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• s.45
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• pp.27-50
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• 2016

The present study argues that documentary-animation films, which are based on actual human voices, on the level of representation, constitute a new expansion for the medium of animation films, which serve as testimonies to the real world. Animation films are produced using very diverse techniques so that they are complex to the degree of being indefinable, and documentary films, though based on objective representation, increase in complexity in that there exist various types of artificial interventions such as direction and digital image processing. Having emerged as a hybrid genre of the two media, documentary-animation films draw into themselves actual events and elements so that they conceptually share reality-based narratives and are visually characterized by the trappings of animation films. Generally classified as 'animated documentaries', this genre triggered discussions following the release of , a work that is mistaken as having used rotoscoping transforming live action in terms of the technique. When analyzed in detail, however, this work is presented as an ambiguous medium where the characteristics of animation films, which are virtual simulacra without reality, and of documentaries, which are based on the objective indexicality of the referents, coexist because of its mixed use of typical animation techniques, 3D programs, and live-action images. Discussed in the present study, , , and share the characteristics of the medium of documentaries in that the narratives develop as testimonies of historical figures but, at the same time, are connected to animation films because of their production techniques and direction characteristics. Consequently, this medium must be discussed as a new expansion rather than being included in the existing classification system, and such a presupposition is an indispensable process for directly facing the reality of the works and for developing discussions. Through works that directly use the interviewees' voices yet do not transcend the characteristics of animation films, the present study seeks to define documentary-animation films and to discuss the possibility of the medium, which has expanded as a testimony to the real world.

• KIPS Transactions on Software and Data Engineering
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• v.11 no.11
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• pp.447-454
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• 2022

In the era of the 4th industrial revolution, we are living in a flood of information. It is very difficult and complicated to find the information people need in such an environment. Therefore, in the flood of information, a recommendation system is essential. Among these recommendation systems, many studies have been conducted on each recommendation system for movies, music, food, and clothes. To date, most personalized recommendation systems have recommended clothes, books, or movies by checking individual tendencies such as age, genre, region, and gender. Future generations will want to be recommended clothes, books, and movies at once by checking age, genre, region, and gender. In this paper, we propose a recommendation system that recommends personalized clothes and food at once according to the user's emotions and weather. We obtained user data from Twitter of social media and analyzed this data as user's basic emotion according to Paul Eckman's theory. The basic emotions obtained in this way were converted into colors by applying Hayashi's Quantification Method III, and these colors were expressed as recommended clothes colors. Also, the type of clothing is recommended using the weather information of the visualcrossing.com API. In addition, various foods are recommended according to the contents of comfort food according to emotions.

• Journal of the Korea Convergence Society
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• v.7 no.3
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• pp.35-44
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• 2016

The purpose of this study is to examine the theoretical background of art make-up and surrealism in depth and shed new light on creative thoughts coming through application of Depaysement and various kinds of expression realized through art make-up, where art and make-up are incorporated. The study method is to conduct prior research followed by a theoretical study of the concept and techniques of Surrealistic Depaysement and theoretical background of art make-up through specialized books and internet sources and then to create 4 artworks representing characteristics of Depaysement technique categorized in dual image, fusion of heterogeneous objects, modification and conversion, and change of space. This examination resulted in first, a foundational ground for fusion and use of art and make-up sectors by creating a realm of expression based on creativity through incorporation of art and makeup and second, a sense of freshness and unfamiliar-ness by creation of an image in a completely unfamiliar space. Therefore, the researcher sets a direction for ways to come up with new ideas and expand the realm of expression and hopes that the art-makeup does not just become an aesthetic tool but turn itself as an art genre.

• Journal of Broadcast Engineering
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• v.18 no.4
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• pp.559-571
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• 2013

This paper has presented a few problems when the 2D video superimposed the overlay text was converted to the 3D stereoscopic video. To resolve the problems, it proposes the scenario which the original video is divided into two parts, one is the video only with overlay text graphic region and the other is the video with holes, and then processed respectively. And this paper focuses on research only to detect and extract the overlay text graphic region, which is a first step among the processes in the proposed scenario. To decide whether the overlay text is included or not within a frame, it is used the corner density map based on the Harris corner detector. Following that, the overlay text region is extracted using the hybrid method of color and motion information of the overlay text region. The experiment shows the results of the overlay text region detection and extraction process in a few genre video sequence.

• Journal of the Korea Institute of Information and Communication Engineering
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• v.22 no.9
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• pp.1214-1219
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• 2018

A variety of VR contents are being introduced as of 2017. VR contents are concentrated in the genre of games and interactive because of the difficulty of $360^{\circ}$ shooting production environment. Live action $360^{\circ}$ VR content has many problems due to the difficulty of the production environment. In this paper, a three - dimensional information value is generated in binocular disparity of a real image by using a re-light technique based on real image data. The generated 3D information values are combined with a technique of converting the depth information into a depth map and a re-light technique by installing virtual lighting on the surface formed in the 3D space. In order to solve the problem of lighting exposure, we apply the technique of re-lighting to the VR production pipeline by comparing and analyzing the result image of actual image and virtual image data.

• Journal of Digital Convergence
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• v.14 no.7
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• pp.419-424
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• 2016

Wreck-it Ralph is the new genre of animation combining with totally different media, games. Hence, how the game, Fix it Felix, Jr. was digested in the animation to interact each other was reviewed in this article. Upon the review, Wreck-it Ralph did not refer to the images and narration structure of Fix it Felix, Jr. but to the specific motives of the game, which is referring to Intermedial individuals in making Intermedial relations. Wreck-it Ralph is the first animation to refer to the motives of the game and have the Intermedial relation with animation. In addition, it has the meanings enough to be analyzed, so we reviewed its Intermedial relation with Rajewsky's analysis frame in this article.