• 한국복식학회:학술대회논문집
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• 한국복식학회 2003년도 춘계학술대회
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• pp.29-29
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• 2003

20세기 후반 예술의 전반적인 흐름이 미적 다원주의와 해체주의를 지향하게 되자 패션에서도 이러한 시대적 조류의 현상으로 잔인하고 혐오스러우며 끔찍한 추의 미가 표현되었다. 본 연구는 현대 패션에서 나타나고 있는 잔혹한 이미지에 초점을 맞추며 이와 같은 양상이 발생하게 되는 원인을 줄리아 크리스테바의 이론과 적용시켜 고찰하였다.

• 복식
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• 제54권1호
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• pp.83-96
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• 2004

Upon the threshold of late 20th century, the social, cultural and artistic trend began to pursue aesthetic pluralism and deconstructivism, and thus, fashion also began to reflect such a trend only to express cruel, detestable, horrible and ugly aesthetics. Under such circumstances, this study focused on the cruel images appearing in the modern fashion and thereby, attempted to determine their causes in reference to Julia Kristeva's theories. Her theories of women explain that women have incessant desires or blind obsessions about penis due to the bisexual instinct inherent in their subconsciousness, and thereby, discuss sado-masochism, a characteristic of women's violence and cruelty. In addition, she determines of abject, detestable and horrible nature of women by explaining their struggle to be separated from mothers at the stage of Oedipus (sexual differences). Based on such theories about women's cruelty, the cruel images shown in the modern fashion are categorized into sado-masochism, the violent and destructive image, and abjection, the women's apparels made of unpleasant, terrible and creepy materials decorated, to be reviewed systematically.