• Korean Association for Visual Culture
• /
• v.19
• /
• pp.189-221
• /
• 2012

This thesis investigates the development of optical instruments in the 19th century, before the birth of the cinema, and the principle of the perception of moving images. For this purpose it traces the development stages of the optical instruments which demonstrated 'illusion of movement' from 1820s when the 'persistence of vision' had begun to be researched by scientists. Then, it examines the theory of the 'persistence of vision' or 'afterimage effect' known as the principle in the perception of illusion of movement produced from moving images. The optical instruments in the 19th century that presented the illusion of movement began with the Thaumatrope (double-sided picture disc), and appeared from the Phenakistiscope/Stroboscope (revolving disc), the Zoetrope (revolving drum) and the Praxinoscope (mirror-reflexive revolving drum), and in 1892 the Projection-Praxinoscope presented firstly the moving pictures (animation) on the screen. According to the research of psychology and physiology in the early 20th century it has been recognized that the 'afterimage effect' theory is not sufficient to explain the perception of illusion of movement from the moving images which is closely related to the particularity of the visual perception system of the human eyes. Since then, the Phi-phenomenon suggested 1912 by the Gestalt psychologist, Max Wertheimer (1880-1943), is regarded as the most persuasive theory until now, although it is still imperfect.

• Progress in Medical Physics
• /
• v.24 no.4
• /
• pp.303-314
• /
• 2013

Image quality of computed tomography (CT) is very vulnerable to metal artifacts. Recently, the thickness and background normalization techniques have been introduced. Since they provide flat sinograms, it is easy to determine metal traces and a simple linear interpolation would be enough to describe the missing data in sinograms. In this study, we have developed a theory describing two normalization methods and compared two methods with respect to various sizes and numbers of metal inserts by using simple numerical simulations. The developed theory showed that the background normalization provide flatter sinograms than the thickness normalization, which was validated with the simulation results. Numerical simulation results with respect to various sizes and numbers of metal inserts showed that the background normalization was better than the thickness normalization for metal artifact corrections. Although the residual artifacts still existed, we have showed that the background normalization without the segmentation procedure was better than the thickness normalization for metal artifact corrections. Since the background normalization without the segmentation procedure is simple and it does not require any users' intervention, it can be readily installed in conventional CT systems.

• Industry Promotion Research
• /
• v.9 no.1
• /
• pp.167-177
• /
• 2024

The purpose of this paper is to restore the academic status of Gungwi perception a little. The symbolism of Gungwi, or Year Month Day Hour, likened to Geun Myo Hwa Sil, is not just a technique of interpretation. Recognizing that it corresponds to Saju's most fundamental Mingli principle, the study was conducted to the effect that more academic research should be conducted in the future. The intrinsic idea that constitutes Saju is the yin-yang and the five elements, the letters recorded are twelve-dimensional, and the elements in charge of the space and time are Cheongan, Jeeji, and Gungwi, which are woven into four pillars. Through this consideration of Gungwi's perception, we presented the "spectrum of time" phenomenon that past time and information pass through the point of time, spread like a spectrum, and lead future time and action at the time when humans are born, that is, the energy of the universe is formatted throughout the brain and body. We discussed the change point of Eight Trigrams used by Lim Cheol Cho as a basis for explaining 'Won Hyong I Jeong' and the assumption that the time change or distortion of the two cones penetrating the present, which is assumed in parallel theory, one of the modern cosmologies, leaves an afterimage in the future universe as Gungwi's deductive basis.