• Proceedings of the Korean Association of Geographic Inforamtion Studies Conference
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• 2006.05a
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• pp.122-126
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• 2006

입체영상 획득이 가능한 SPOT 위성이 발사되면서 위성영상을 이용한 지도제작 둥의 정량적인 분석이 가능해졌다. 특히, 고해상도 위성영상은 항공사진촬영이 불가능하여 대축척 지도제작이 곤란한 지역 또는 지상기준점 측량이 불가능한 지역에 대한 수치지도 제작 분야에 있어 효율적인 방법으로 주목을 받고 있다. 이에 본 연구에서는 기 접근 가능지역에 대한 정사영상을 이용하여 기 구축된 성과들의 정확도를 평가하였고 이를 바탕으로 비접근지역의 지형정보 획득을 위한 정사영상의 활용 가능성을 제시하고자 하였으며 비접근 및 난접근 지역에서의 지상기준점 획득에 대한 제한을 극복하는 수단으로 본 연구의 결과를 활용하고자 하였다.

• Proceedings of the Korean Association of Geographic Inforamtion Studies Conference
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• 2003.04a
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• pp.340-348
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• 2003

비접근지역이나 넓은 지역의 3차원 위치정보를 취득하기 위하여 본 연구에서는 KOMPSAT-1호 EOC 스트립 영상과 헤더자료를 이용한 3차원 기하모델링 기법을 개발하고 오차특성을 분석하였다. ECEF 좌표계로 제공되는 위성 헤더자료를 위성궤도 모델링에서 일반적으로 사용되는 ECI 좌표계로 모델링하는 경우와 ECEF 좌표계로 모델링하는 경우에 대해 비교 분석하고 단영상으로 제공되는 KOMPSAT-1호 EOC 영상을 스트립영상으로 재구성한 후 기준점 배치에 따른 오차보정기법을 제시하고 오차특성을 분석하였다.

• Proceedings of the Korean Society of Surveying, Geodesy, Photogrammetry, and Cartography Conference
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• 2006.04a
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• pp.171-176
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• 2006

항공사진은 종중복도 60%이상, 횡중복도 30%이상 촬영되어지는 특성과 도화에 사용되는 입체시 원리를 이용하여 사진 자체를 화면상에 입체적으로 구현할 수 있다. 이러한 입체적 사용은 건물의 높이 및 정확한 현황을 파악하는 주된 분석방법론을 제시하고 있어 이러한 방법을 이용하여 시스템적으로 입체시하고 사람의 육안으로 쉽게 판독을 지원할 수 있는 시스템을 구축함으로서 대상지역에 대한 변화탐지, 시대별 및 지역별 변천과정, 무허가 건축물 판독 등 다양한 용도로 활용할 수 있다. 본 연구에서는 시스템 구현을 위해서 개발 언어로 Visual C++을 사용하였으며, 사용자가 직접 입체판독 및 분석을 수행할 수 있는 플랫폼을 구비함으로서 오류를 최소화 할 수 있도록 편광 모니터(Z-Screen)을 사용하여 시스템 개발을 수행하였다. 또한 개발환경은 Microsoft Window OS 환경 상에서 구동될 수 있도록 개발함으로서 시스템의 범용적 사용을 위한 기초 환경을 제공하도록 개발하였다.

• Journal of the Korean Society of Surveying, Geodesy, Photogrammetry and Cartography
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• v.25 no.6_2
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• pp.587-597
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• 2007

This study determines matching size for digital elevation model (DEM) production according to land cover property from IKONOS Geo-level stereo image. We applied area based matching method using correlation coefficient of pixel brightness value between the two images. After matching line (where "matching line" implies straight line that is approximated to complex non-linear epipolar geometry) is established by exterior orientation parameters to minimize search area, the matching is carried out based on this line. The experiment is performed according to land cover property, which is divided off into four areas (water, urban land, forest land and agricultural land). In each of the test areas, matching size is selected using a correlation-coefficient image and parallax image. As the results, optimum matching size of the images was selected as $81{\times}81$ pixels window, $21{\times}21$ pixels window, $119{\times}119$ pixels window and $51{\times}51$ pixels window in the water area, urban land, forest land and agricultural land, respectively.

• 한국지형공간정보학회:학술대회논문집
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• 2002.11a
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• pp.58-65
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• 2002

The most widespread techniques for DEM generation are stereoscopy for optical sensor images and interfereometry for SAR images. These techniques suffer from certain sensor and processing limitations, which can be overcome by the synergetic use of both sensors and DEMs respectively. In this paper, different strategies for fusing SAR and optical data are combined to derive high quality DEM products. The multiresolution wavelet transform, which take advantage of the complementary properties of SAR and stereo optical DEMs, will be applied for the fusion process. By taking advantage of the fact that errors of the DEMs are of different nature using the multiresolution wavelet transform, affected part are filtered and replaced by those of the counterpart and is tested with two sets of SPOT and ERS DEM, resulting in a remarkable improvement in DEM. For the analysis of results, the reference DEM is generated from digital base map(1:5000).

• Journal of the Korean Association of Geographic Information Studies
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• v.11 no.1
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• pp.80-89
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• 2008

Mapping applications using satellite imagery have been possible to quantitative analysis since SPOT satellite with stereo image was launched. Especially, high resolution satellite imagery was efficiently used in the field of digital mapping for the areas which are difficult to produce large-scale maps by aerial photogrammetry or carry out ground control point surveying due to unaccessibility. This study extracted the geospatial information out of consideration for topographic characteristic from ortho imagery of the National Geospatial-intelligence Agency(NGA) in the United States of America and analyzed the accuracy of plane coordinate for ortho imagery. For this purpose, the accuracy according to topographic character by comparison between both extraction data from ortho imagery and the digital topographic maps of 1:5000 scale which were produced by Korea National Geographic Information Institute(NGI) was evaluated. It is expected that the results of this study will be fully used as basic information for ground control point acquisition or digital mapping in unaccessible area.

• Journal of Korean Society for Geospatial Information Science
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• v.21 no.4
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• pp.109-116
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• 2013

To extract the 3D geometric information from SAR(Synthetic Aperture Radar) images, two different techniques, interferometric SAR and radargrammetry, have been widely used. InSAR is most widely used for the generation of precise DEM(Digital Elevation Model) until now. But, Interferometric SAR requires severe temporal correlation over areas covered with vegetation and high relief areas. Because radargrammetry is less sensible to temporal correlation, it can provide better results than interferometric SAR in certain, especially X-band SAR. In this paper, we assess the properties of DEMs generated by radargrammetry using stereo C-band RADARSAT-1 images and X-band TerraSAR-X images.

• Proceedings of the Korean Society of Broadcast Engineers Conference
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• 2010.07a
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• pp.220-223
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• 2010

최근 연이은 3D 영화의 성공에 힘입어 영화 산업계를 중심으로 3D 콘텐츠 생성이 늘고 있으며, 이를 가정 내에서도 즐길 수 있도록 다양한 3DTV가 출시되고 있다. 그러나 3DTV의 특성 상 3D 재생 시 밝기 저하에 따른 색 재현 문제로 인하여 입체감과 공간감을 느끼는 대신 2D에서의 화려한 색감을 만끽할 수 없게 되었다. 이에 본 논문은 3D 시청 시에도 2D에서와 같은 색감을 최대한 제공하기 위한 방법에 대해 연구하였다. 이를 위하여 3DTV를 활용하여 입력 RGB 영상에 대하여 2D와 3D 재생 시 재현되는 RGB intensity를 측정한 후 입출력에 따른 관계 모델링을 실시하였고, 모델링에 근거하여 3D 재생 시 2D 대비 보정되어야 할 색상 요소에 대한 매핑 테이블(mapping table)을 생성하였다. 생성된 매핑 테이블은 기존 3DTV 시스템의 출력부에 3D 색상 보정 모듈로써 추가하도록 하여 일반 2D 재생 시에는 입력영상이 바이패스(bypass)되도록 하고, 3D 재생 시에는 본 논문에 의한 3D 색상 보정용 매핑 테이블을 통해 색상 보정 과정을 수행하도록 하여 3D 재생 시에도 2D에서 느낄 수 있는 색감을 재현할 수 있도록 하였다.

• The Journal of Korean Institute of Communications and Information Sciences
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• v.34 no.8C
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• pp.782-789
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• 2009

In this paper, we propose an algorithm for creating stereoscopic video from a monoscopic video. Parallel straight lines in a 3D space get narrower as they are farther from the perspective images on a 2D plane and finally meet at one point that is called a vanishing point. A viewer uses depth perception clues called a vanishing point which is the farthest from a viewer's viewpoint in order to perceive depth information from objects and surroundings thereof to the viewer. The viewer estimates the vanishing point with geometrical features in monoscopic images, and can perceive the depth information with the relationship between the position of the vanishing point and the viewer's viewpoint. In this paper, we propose a method to estimate a vanishing point with edge direction histogram in a general monoscopic image and to create a depth map depending on the position of the vanishing point. With the conversion method proposed through the experimental results, it is seen that stable stereoscopic conversion of a given monoscopic video is achieved.

• Cartoon and Animation Studies
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• s.26
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• pp.1-30
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• 2012

The purpose of animation is to give interesting stories to an audience through motion. To achieve the purpose, over the past century since its inception, animation has adopted many kinds of technologies, and thus developed diverse narrative methods and visual expression techniques. In addition, with the advancement of expression techniques, all elements making up animation have gradually been systemized, and at the same time, have helped express the worlds beyond the reality. As a result, people have faced the era when an audience can watch everything imaginated by an animation director on a big screen. These days, more efforts have been made in order for the audience to feel much more than enjoy pictures moving in a frame. In other words, the purpose of the animation is changing from the passive viewing of animation to feeling and sensing stuffs through the animation. In the center of the changing process is 3D technology which gives new interesting to an audience. Sometime ago, a 3D animation movie was produced in Korea. But it did not bring out box-office profits, for it failed to give satisfaction to an audience who expected high perfection and beauty being able to be rivalled to those of international 3D animation movies. The failure is attributable to the fact that the domestic 3D animation production industry is merely in the early stage, and has not sufficient human resources, technology, and experiences in producing 3D animation films. Moreover, the problem is that most studies on 3D focus on the technologies related to reenactment, but that few studies on the images, which an audience directly faces, have been conducted. Under the domestic circumstance, the study on stereoscopic image screen of , a 3D stereoscopic animation film which was released in 2010 and has been seen as the best successful 3D stereoscopic animation, is worthwhile. Thus this thesis conducted theoretical consideration and case analysis focusing on the visual direction that creates the pictures to deliver abundant three dimensional effect so that it can be used as a basic data when producing high quality-domestic 3D animation and training professional labor forces. In the result, it was found that the 3D animation was not a new area, but the area which has been expanded and changed by applying the characteristics of 3D image based on the principles of the existing media aesthetics. This study might be helpful to establish the foundation of the theoretical studies necessary for producing 3D animation contents for realizing the sense of reality.